Emma Cocker is a writer-artist based in Sheffield and Associate Professor in Fine Art, Nottingham Trent University. Emma's research focuses on artistic processes and practices, and the performing of ‘thinking-in-action’ therein. Her practice unfolds restlessly along the threshold between writing/art, including experimental, performative and collaborative approaches, alongside a mode of ‘contiguous writing’ — a way of writing-with that seeks to touch upon rather than being explicitly about. Her writing is published in Failure, 2010; Stillness in a Mobile World, 2010; Drawing a Hypothesis: Figures of Thought, 2011; Hyperdrawing: Beyond the Lines of Contemporary Art, 2012; Reading/Feeling, 2013; On Not Knowing: How Artists Think, 2013; Choreo-graphic Figures: Deviations from the Line, 2017; The Creative Critic: Writing as/about Practice, and the solo collection, The Yes of the No, 2016. More recently, Emma trained to be a qualified yoga teacher, interested in how a heightened awareness of the body and breath, alongside meditation and attention practices, might be integrated into art-writing, artistic practice, pedagogy and research.

Text Work: Field Proposals (part 1 and part 2)

Below are a set of new 'Field proposals' which I am currently developing for a number of different exhibition contexts including Writing/Exhibition/Publication at The Pigeon Wing, London; The Department of Micropoetics curated by David Berridge and Your Future Needs You at Art Gene, Barrow-in-Furness.  

     
        
Image: Field Proposal (2) for The Pigeon Wing

Field Proposal (2) is proposition for a portable studio, the diagramming of a thinking space. The work exists as a pairing of two proposals. Part 1 uses titles from existing work in an attempt to plot the coordinates of or establish the cartography of a practice, where intersecting lines suggest the potential of as yet unnamed possibilities which for now remain indiscernible. Part 2 is largely blank, in further anticipation of this still to be navigated territory.