Emma Cocker is a writer-artist whose research focuses on artistic processes and practices, and the performing of thinking-in-action therein. Cocker’s language-based artistic research comprises a matrix of writing, reading and conversation practices, including diverse process-oriented, dialogic-collaborative and aesthetic-poetic approaches to working with and through language. Cocker’s writing has been published in Failure, 2010; Stillness in a Mobile World, 2010; Drawing a Hypothesis: Figures of Thought, 2011; Hyperdrawing: Beyond the Lines of Contemporary Art, 2012; On Not Knowing: How Artists Think, 2013; Choreo-graphic Figures: Deviations from the Line, 2017; The Creative Critic: Writing as/about Practice, 2018; Live Coding: A User's Manual, 2023, and in the solo collections, The Yes of the No, 2016, and How Do You Do?, 2024. Cocker is co-founder of the international Society for Artistic Research Special Interest Group for Language-based Artistic Research. She is Associate Professor in Fine Art, Nottingham Trent University.

Moving // Dialogues - Modes of Being (Together)



Curated and conceived by choreographer Sara Wookey, Moving // Dialogues: Modes of Being (Together) is a pilot programme and mobile platform that aims to create space and time for moving together and experimenting with forms of dialogue in order to imagine what can become. From 25 - 27 August, 2017 it was hosted by Kitiniras: Artistic Network for Performing Arts in Athens and involved Roderick Schrock, Director of Eyebeam (New York); Rennie Tang, architect and designer (Los Angeles); Emma Cocker, writer-artist (Sheffield/Nottingham, England). The programme consisted of: Moving // mixing and circulating; Improvising // imagination, participation, adaptation; Eating // environments and inter-action; Dialoguing // social interstices, interlocutors and states of encounter; Materialising // making and sharing from doing

*photo credit: Rennie Tang