Emma Cocker is a writer-artist based in Sheffield and Associate Professor in Fine Art at Nottingham Trent University. Operating under the title Not Yet There, Cocker's research focuses on artistic processes and practices, and the performing of ‘thinking-in-action’ emerging therein; on models of (art) practice and subjectivity that resist the pressure of a single, stable position by remaining wilfully unresolved. Her mode of working unfolds restlessly along the threshold between writing/art, including experimental, performative and collaborative approaches to producing texts parallel to and as art practice. Cocker's practice involves ‘contiguous writing’ — a mode of creative-critical writing that seeks to touch upon rather than being explicitly about. Her writing has been published in Failure, 2010; Stillness in a Mobile World, 2010; Drawing a Hypothesis: Figures of Thought, 2011; Hyperdrawing: Beyond the Lines of Contemporary Art, 2012; Reading/Feeling (Affect), 2013; On Not Knowing: How Artists Think, 2013; Choreo-graphic Figures: Deviations from the Line, 2017; The Creative Critic: Writing as/about Practice, and as a solo collection, The Yes of the No, 2016.

Event: Spike Associates

Artist Katie Davies in her studio. Photograph: Stuart Whipps.

I have been invited by Spike Associates to lead a critical discussion around an exhibition of new work by artist Katie Davies, at Motorcade/Flashparade, an independently run gallery in Bristol. I have worked with Katie previously, as part of her residency at the town hall in Sheffield, which resulted in my production of the text, The Shimmering of the Tipping Point. Central to this text, and to Katie’s work more broadly, are ideas around liminality, the notion of the artist as initiate, and a focus on specific communities inhabiting particular kinds of threshold state or space.

Background to Katie’s practice: ‘Exploring observational documentary narrative, Katie Davies works by establishing professional associations to institutions and individuals in order to critique the relationship between the individual and the system within which they operate. Davies is at times part and not part of the groups featured in her work. Her practice often seems to point to or reflect upon the idea of a threshold, examining the nature of the indistinguishable zones and in-between states, or on spaces that are in some way betwixt.’ See http://www.katiedavies.com/