Emma Cocker is a writer-artist whose research focuses on artistic processes and practices, and the performing of thinking-in-action therein. Cocker’s language-based artistic research comprises a matrix of writing, reading and conversation practices, including diverse process-oriented, dialogic-collaborative and aesthetic-poetic approaches to working with and through language. Cocker’s writing has been published in Failure, 2010; Stillness in a Mobile World, 2010; Drawing a Hypothesis: Figures of Thought, 2011; Hyperdrawing: Beyond the Lines of Contemporary Art, 2012; On Not Knowing: How Artists Think, 2013; Choreo-graphic Figures: Deviations from the Line, 2017; The Creative Critic: Writing as/about Practice, 2018; Live Coding: A User's Manual, 2023, and in the solo collections, The Yes of the No, 2016, and How Do You Do?, 2024. Cocker is co-founder of the international Society for Artistic Research Special Interest Group for Language-based Artistic Research. She is Associate Professor in Fine Art, Nottingham Trent University.

Event: The Expanded Librarian

Text+Image relations in post-photographic contexts and literary environments

On Friday 15 September 2023, I was an invited speaker (alongside artist Peter Liversidge) within the frame of a research group devised by artists Beverley Carruthers and Wiebke Leister, which investigates contemporary modes of collaborative image-text-production. My presentation involved me giving a sense of my own language-based artistic research practice, before talking about my involvement as co-founder of the Society for Artistic Research Special Interest Group for language-based artistic research.