Emma Cocker is a writer-artist whose research focuses on artistic processes and practices, and the performing of thinking-in-action therein. Cocker’s language-based artistic research comprises a matrix of writing, reading and conversation practices, including diverse process-oriented, dialogic-collaborative and aesthetic-poetic approaches to working with and through language. Cocker’s writing has been published in Failure, 2010; Stillness in a Mobile World, 2010; Drawing a Hypothesis: Figures of Thought, 2011; Hyperdrawing: Beyond the Lines of Contemporary Art, 2012; On Not Knowing: How Artists Think, 2013; Choreo-graphic Figures: Deviations from the Line, 2017; The Creative Critic: Writing as/about Practice, 2018; Live Coding: A User's Manual, 2023, and in the solo collections, The Yes of the No, 2016, and How Do You Do?, 2024. Cocker is co-founder of the international Society for Artistic Research Special Interest Group for Language-based Artistic Research. She is Associate Professor in Fine Art, Nottingham Trent University.

Call: Language-based Artistic Research Practice Sharing

NEW Call for Contributions  


The Society of Artistic Research Special Interest Group in Language-based Artistic Research are delighted to announce a new call for contributions. 

Artist-researchers working with language are invited to contribute to PRACTICE SHARING, an online presentation/publication of expanded approaches to language-based practice within the field of artistic research. Examples of language-based artistic research are invited focusing on specific practices, processes, approaches, or methods. The focus on language within artistic research is considered from a broad and transforming perspective to include diverse fields such as visual arts, performance, film, theatre, music, choreography as well as literature; where language-based practices might include (as well as move beyond) different approaches to writing, reading, speaking, listening. The intent is not to define or fix what language-based artistic research is but rather to reflect how it is practised in its diversity. 

 

CALL SUMMARY: How does your enquiry in-and-through language-based artistic research manifest in specific practices and examples? Outline one or two examples from your own artistic- or practice-based research — focusing on specific language-based ‘practices’ (in other words: specific processes, approaches or methods; ways of working, constellations of activity; particular projects or lines of enquiry-in-practice). 

 

MORE DETAILS
See the full call and details on how to submit your contribution here.

 

DEADLINE FOR SUBMISSIONS: Monday 6 March 2023 at noon CET. 

Subscribe to: Posts (Atom)