tag:blogger.com,1999:blog-53743408931109331892024-03-20T19:28:46.313-07:00Not Yet Therean unfolding projectemma cockerhttp://www.blogger.com/profile/17873911358955411091noreply@blogger.comBlogger507125tag:blogger.com,1999:blog-5374340893110933189.post-73964318862229904772024-01-02T07:39:00.000-08:002024-01-02T07:39:54.509-08:00Research Project: transitory writing in no one's landemma cockerhttp://www.blogger.com/profile/17873911358955411091noreply@blogger.comtag:blogger.com,1999:blog-5374340893110933189.post-83848972585508974202023-11-15T09:51:00.000-08:002023-11-15T09:53:45.537-08:00Forthcoming publications<p><span style="color: #444444; font-family: Book Antiqua;">I am currently in the process of working on or contributing to various forthcoming publications which will hopefully be in print next year (2024) including: ‘Confluence of Influence, and the Struggle of Differentiation’ a textual artefact and accompanying research exposition in <em>Contingent Agencies</em> (eds.) Alex Arteaga and Nikolaus Gansterer; ‘Liberated from Language: Punctuation’s Performativity in the Absence of Words’ — artists’ pages in <em>Performing Punctuation</em>, (eds.) Julieanna Preston and Anna Brown; ‘Choreo-graphic Writing: Towards More-than-one Means of Inscription’ — a collaborative chapter and research exposition with Nikolaus Gansterer and Mariella Greil in <em><span lang="EN-US">Writing Choreography: Extending the Conventions of Dance, </span></em><span lang="EN-US">(eds.)<em> </em>Leena Rouhiainen, Kirsi Heimonen, Rebecca Hilton and Chrysa Parkinson</span>. I am also now in the final stages of working with BEAM Editions on the design for my second collection of creative prose, <em>How Do You Do? </em>More on these various publications soon!</span></p>emma cockerhttp://www.blogger.com/profile/17873911358955411091noreply@blogger.comtag:blogger.com,1999:blog-5374340893110933189.post-50697179060310852082023-11-14T11:55:00.000-08:002023-11-16T14:06:34.574-08:00Open Studios<div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9bDAUSzcffN3HDVrmKe8mCySfsceeE1RAR6lHjaf07MDeyFjj2D1L7MdCUYOpd271_64-6BsN0DGapquUmgXgsFXlseTBjLHpy7_Hp0htuiJv28ZeDNwWYHuKuCgO7BJLT5xKQauO_LPOWexQSx_6gNdzbYEe24w16Gfc2z6G-RiVzf47TiwhmWGBu8Ra/s5184/Open%20Studio.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="5184" data-original-width="3888" height="467" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9bDAUSzcffN3HDVrmKe8mCySfsceeE1RAR6lHjaf07MDeyFjj2D1L7MdCUYOpd271_64-6BsN0DGapquUmgXgsFXlseTBjLHpy7_Hp0htuiJv28ZeDNwWYHuKuCgO7BJLT5xKQauO_LPOWexQSx_6gNdzbYEe24w16Gfc2z6G-RiVzf47TiwhmWGBu8Ra/w350-h467/Open%20Studio.jpeg" width="350" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="color: #444444; font-family: Book Antiqua;">While I often work in collaboration with other artistic researchers on durational projects unfolding over a number of years, where a residency space, site-specific context or even an online environment are approached as a live "laboratory" for shared exploration, my own ongoing studio space is at Exchange Place Studios, Sheffield (part of Yorkshire Artspace). Every year in November, studio-holders are invited to ‘open up’ their studios providing an opportunity for wider publics to explore the studio spaces, meet the artists and find out more about the diversity of creative practices within the city. The studios at @yartspace are opening up on 18 -19 November 2023. </span><span style="color: #444444; font-family: Book Antiqua;">My studio will be open on Sunday 19 November 2023, providing the opportunity for me to gather together and share a selection of the publications and artists’ bookworks resulting from my various collaborations, artistic research activities and other writing </span><span style="color: #444444; font-family: "Book Antiqua";">projects. </span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="color: #444444; font-family: "Book Antiqua";"><br /></span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="color: #444444; font-family: "Book Antiqua";">Tickets are free and available here:</span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="color: #444444; font-family: Book Antiqua;">General booking: <span><a href="https://yorkshireartspace.eventbrite.com/" target="_blank">https://yorkshireartspace.eventbrite.com/</a></span></span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="color: #444444; font-family: "Book Antiqua";">Exchange Place:<a href=" https://exchangeplace.eventbrite.com/" target="_blank"> </a></span><span style="color: #444444; font-family: "Book Antiqua";"><a href=" https://exchangeplace.eventbrite.com/" target="_blank">https://exchangeplace.eventbrite.com/</a></span></p><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgG0ObuBPyKfkw9AfNVsXbD_3VHWnWR0tga_-dTrg5bUtqxPqrt8xepZvl3zLQOgJdhXBPbvF1Vv3uVPXdtBh3RYWhxjUvLTyZ6H5iZ340njJkpO8_C86GWul3RJEf_MfdoJJ0uR3MxYaKn1oZaFgCNzEdBYCWF-V23kwrMAD8na9RaIa88Y4axqvcz3pn2/s2942/Studio%20images_2.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2438" data-original-width="2942" height="298" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgG0ObuBPyKfkw9AfNVsXbD_3VHWnWR0tga_-dTrg5bUtqxPqrt8xepZvl3zLQOgJdhXBPbvF1Vv3uVPXdtBh3RYWhxjUvLTyZ6H5iZ340njJkpO8_C86GWul3RJEf_MfdoJJ0uR3MxYaKn1oZaFgCNzEdBYCWF-V23kwrMAD8na9RaIa88Y4axqvcz3pn2/w360-h298/Studio%20images_2.png" width="360" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimClxr7Wk1jS-qD9yd6uavLJRejnpB4M4g4MlbFmFdsuxaExUQmtNLezu5aUAqGKiSoHlG8HGc7a-tv1IwNYAjOuk3uqP4UR5AVD5nQkyILQkTSWWvsmudsCkkTdG0AQKNw3r3RhyphenhyphenVDooaUIIFv8kl6HA0jKZHmgE6OhF2OivTrw1d17HAel8mmqGsfiH8/s3200/Studio%20images%204.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2746" data-original-width="3200" height="310" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimClxr7Wk1jS-qD9yd6uavLJRejnpB4M4g4MlbFmFdsuxaExUQmtNLezu5aUAqGKiSoHlG8HGc7a-tv1IwNYAjOuk3uqP4UR5AVD5nQkyILQkTSWWvsmudsCkkTdG0AQKNw3r3RhyphenhyphenVDooaUIIFv8kl6HA0jKZHmgE6OhF2OivTrw1d17HAel8mmqGsfiH8/w361-h310/Studio%20images%204.png" width="361" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgf6GgylTnkDnxJwDoxA4x0sp7A3ZQLsz9Y5D4q1cg5SVnv0o3kbI_YH3Ih9dK0PR47sz3sdAjhOOUye79sQ4hMr2FMbpLqRLHg6KAizWoAhgXpb9uxjNPDEgsB_pNoLIp6vZgoEUikW_qrGkqDK61TSmNnc1cK0ffsyMkT3dY5EuogCxMyu0rnYvQLb-Io/s3258/Studio%20images%203.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2621" data-original-width="3258" height="292" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgf6GgylTnkDnxJwDoxA4x0sp7A3ZQLsz9Y5D4q1cg5SVnv0o3kbI_YH3Ih9dK0PR47sz3sdAjhOOUye79sQ4hMr2FMbpLqRLHg6KAizWoAhgXpb9uxjNPDEgsB_pNoLIp6vZgoEUikW_qrGkqDK61TSmNnc1cK0ffsyMkT3dY5EuogCxMyu0rnYvQLb-Io/w364-h292/Studio%20images%203.png" width="364" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhV8-98Rnu2ZeAvOKEyB4rD3uWhYHosInv3vo9dv2oNTcLQrBvz3tCthxRnV-dO4boKo6yDGMW_njh4EJAiHj2eMGth7djVgFsw49iV_RCOr6NREj5zA7x8fjoX0Cp0320d09iVDJwPaLPVNHwPlBAefu6nHJgd1Vt6pdWEykMwV_kPgT5DeqTIQqmdduW5/s5184/Studio5.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3888" data-original-width="5184" height="275" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhV8-98Rnu2ZeAvOKEyB4rD3uWhYHosInv3vo9dv2oNTcLQrBvz3tCthxRnV-dO4boKo6yDGMW_njh4EJAiHj2eMGth7djVgFsw49iV_RCOr6NREj5zA7x8fjoX0Cp0320d09iVDJwPaLPVNHwPlBAefu6nHJgd1Vt6pdWEykMwV_kPgT5DeqTIQqmdduW5/w366-h275/Studio5.jpeg" width="366" /></a></div><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><br /></p></div>emma cockerhttp://www.blogger.com/profile/17873911358955411091noreply@blogger.comtag:blogger.com,1999:blog-5374340893110933189.post-91914478000421905632023-11-14T11:54:00.000-08:002023-11-16T09:39:36.733-08:00Publication: Artistic Research Does #7 - Tactics for Not Knowing<div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNagTpdhDSVvQuYNOCWXr4yeQe3AmuHiEPzNApl36wndARdKb7jwtG-samepD45fJZBlGFEJgtHJS5RLjcjfVheGYG7kQjye0RtFpWRvjUzdQbZoW4YTtPOw5p9rBBMcJL3dMXTlT6fM97pK6qIxh5vdFNbqrygqft2eKuzZqGHra_EOMu9jUenL28SemU/s2717/ARD%237_cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2717" data-original-width="1890" height="524" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNagTpdhDSVvQuYNOCWXr4yeQe3AmuHiEPzNApl36wndARdKb7jwtG-samepD45fJZBlGFEJgtHJS5RLjcjfVheGYG7kQjye0RtFpWRvjUzdQbZoW4YTtPOw5p9rBBMcJL3dMXTlT6fM97pK6qIxh5vdFNbqrygqft2eKuzZqGHra_EOMu9jUenL28SemU/w365-h524/ARD%237_cover.jpg" width="365" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="color: #444444; font-family: Book Antiqua;">It is a decade since my essay ‘Tactics for Not Knowing: Preparing for the Unexpected’ was first published in <em>On Not Knowing: How Artists Think</em> (Black Dog Publishing, 2013) edited by Elizabeth Fisher and Rebecca Fortnum. The text has just been re-published with a translation into Portuguese, as part of the Artistic Research Does series (published by i2ADS – Institute of Research in Art, Design and Society, Faculty of Fine Arts, University of Porto).</span><span style="color: #444444; font-family: Book Antiqua;"></span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="color: #444444; font-family: Book Antiqua;"> </span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="color: #444444; font-family: Book Antiqua;">The revised version of ‘Tactics for Not Knowing’ in<u><a href="https://i2ads.up.pt/publicacoes/artistic-research-does-7/" target="_blank"> Artistic Research Does #7</a></u> offers two further interventions in the form of annotations. In one column of margin notes, I share additional reflections, referring to some of my more recent artistic research projects and collaborations that continue to resonate with the concerns of the original text. In parallel, a second column of margin notes comprises the titles of additional pieces of contiguous writing drawn from two collections of my creative prose writing,<i> The Yes of the No </i>(2016) and <i>How Do You Do?</i> (2024). </span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="color: #444444; font-family: Book Antiqua;"> </span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Book Antiqua;"><span style="color: #444444;">Within the online version of the publication these margin notes include hyperlinks that enable the reader to access these different thought-fragments of writing. See</span> <span style="color: #444444;"><a href="https://www.researchcatalogue.net/view/2186317/2186318" target="_blank"><u>here</u>.</a> </span></span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="color: #444444; font-family: Book Antiqua;"> </span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Book Antiqua;"><span style="color: #444444;">The PDF version can be downloaded </span><u><span style="color: #444444;"><a href="https://i2ads.up.pt/wp-content/uploads/2023/10/ARD7_EmmaCocker_i2ADS.pdf" target="_blank">here.</a></span></u></span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Book Antiqua;"><u><br /></u></span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="color: #444444; font-family: Book Antiqua;">The publication was launched on 26 October 2023, along with the release of <i><a href="https://i2ads.up.pt/eventos/lancamento-das-publicacoes-derivas7-e-artistic-research-does7/" target="_blank">Derivas</a></i>, a publication by Doctoral researchers in Art Education. Images from the launch below.</span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="color: #444444; font-family: Book Antiqua;"><br /></span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYCNGxftrVnmMIXYPS4ZXXTUJjUqjUdrSWGGpfOx6JKd8rW5_kPWg_zb2C-rvBjahW_xsLYwNqQ__kNbK_DhFcyjRTkJ20O_nyQ9iWSekCf-Fmel5TuJZotVCwsbC74qOO-6GeHgVmodPlwisWCHABJ7Juz0JtqVyrzcNPSKhXYedCp050s9f_9mTp9NEZ/s1236/Launch%202.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1152" data-original-width="1236" height="373" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYCNGxftrVnmMIXYPS4ZXXTUJjUqjUdrSWGGpfOx6JKd8rW5_kPWg_zb2C-rvBjahW_xsLYwNqQ__kNbK_DhFcyjRTkJ20O_nyQ9iWSekCf-Fmel5TuJZotVCwsbC74qOO-6GeHgVmodPlwisWCHABJ7Juz0JtqVyrzcNPSKhXYedCp050s9f_9mTp9NEZ/w400-h373/Launch%202.png" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRpmQtXDwiNtmlLIvWEZnH9pGNEnSbohyphenhyphen9XngFldssk4kFbhYjuOhvbSfXlAhkzBdYVBDRbCOlKt21iXOvXK25YRX8gyXBKKx3rhPBoScavIykiGJh185sr6D7G2eZm5BwIzJW_9jW24FNlYqPyye62Ee98Q4LBDdK3thH3TMeuzXg2SWMfC-uahuK_gfx/s1546/Launch%204.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1240" data-original-width="1546" height="321" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRpmQtXDwiNtmlLIvWEZnH9pGNEnSbohyphenhyphen9XngFldssk4kFbhYjuOhvbSfXlAhkzBdYVBDRbCOlKt21iXOvXK25YRX8gyXBKKx3rhPBoScavIykiGJh185sr6D7G2eZm5BwIzJW_9jW24FNlYqPyye62Ee98Q4LBDdK3thH3TMeuzXg2SWMfC-uahuK_gfx/w400-h321/Launch%204.png" width="400" /></a></div><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="color: #444444; font-family: Book Antiqua;"><br /></span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="color: #444444; font-family: Book Antiqua; font-size: x-small;"><span>Images: </span><a id="x_plusReplyChip-0" style="background-color: white; border: 0px; font-feature-settings: inherit; font-kerning: inherit; font-optical-sizing: inherit; font-stretch: inherit; font-variant-alternates: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; font-variant-position: inherit; font-variation-settings: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">@i2ads 2023</a></span></p></div>emma cockerhttp://www.blogger.com/profile/17873911358955411091noreply@blogger.comtag:blogger.com,1999:blog-5374340893110933189.post-9905110356359877722023-11-14T11:53:00.000-08:002023-11-15T05:53:35.292-08:00Publication: VIS - Circulating Practices<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbX-39m3R4Ji39NvSjl82tU2t_AWOTwZnSXRFP3mKi4eq-5rtg-Cb4lc0qtj18BenlhB9eo8XXTWXIDBZJvGDoBLps4ztF5nEdPi5DiUehkTE8_Tn4uWvooC6AdLIIx4yWCJ_-STRjswqZ918hBRHBqrheOUJtM3WC02aDUVmwNrxjgIrtSLGdBMMkp41C/s1180/VIS%20image.png" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: Book Antiqua;"><img border="0" data-original-height="1086" data-original-width="1180" height="345" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbX-39m3R4Ji39NvSjl82tU2t_AWOTwZnSXRFP3mKi4eq-5rtg-Cb4lc0qtj18BenlhB9eo8XXTWXIDBZJvGDoBLps4ztF5nEdPi5DiUehkTE8_Tn4uWvooC6AdLIIx4yWCJ_-STRjswqZ918hBRHBqrheOUJtM3WC02aDUVmwNrxjgIrtSLGdBMMkp41C/w375-h345/VIS%20image.png" width="375" /></span></a></div><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Book Antiqua;"><i><br /></i></span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Book Antiqua;"><i>Textorium: Collaborative Writing-Reading with/in Public Space</i> is a collaborative article/exposition by Emma Cocker, Andrea Coyotzi Borja, Cordula Daus, Vidha Saumya, and Lena Séraphin, published in <i>VIS – Nordic Journal for Artistic Research</i>, Issue 10, <i>Circulating Practices </i>(October 2023).</span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Book Antiqua;"> </span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Book Antiqua;"><i>About the article/exposition:</i></span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Book Antiqua;">See exposition <u><a href="https://www.en.visjournal.nu/vis-10-textorium" target="_blank"><span style="color: #444444;">here.</span></a></u></span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Book Antiqua;"> </span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Book Antiqua;"><i>Textorium: Collaborative Writing-Reading with/in Public Space</i> is a language-based artistic research project that explores collaborative score-based approaches to live, situated writing-reading practices, for attending to experiential aspects of situated embodiment with/in public space. Between 30 May—4 June 2022, five artist-writers (Emma Cocker, Andrea Coyotzi Borja, Cordula Daus, Vidha Saumya and Lena Séraphin) met in Vaasa, Finland, to engage in a process of observational and collective score-based writing-reading with/in public space. With its conceptual anchor in Georges Perec’s short book <i>An Attempt at Exhausting a Place in Paris</i> (1975/2010), this enquiry evolves a distinctive approach that foregrounds a corporeal, sensorial and bodily approach to language, where writing and reading are conceived as a collaborative undertaking rather than a solitary endeavour. Working with and through different language-based practices — including performative, poetic, and phenomenology-oriented approaches — the research explores the potentiality of emergent spaces (perhaps even of emergent temporalities, subjectivities and collectivities) produced through the interweaving of shared writing and reading practices, as the cyclical rhythms of writing/reading intermingle with the circulating movements, momentums and flows of public space. Through developing and testing various embodied, corporeal, sensorial, and collaborative approaches, this research enquiry advocates the transformative capacity of language-based artistic research for cultivating new “ecologies of attention” (Yves Citton, 2017). This shared enquiry explores the critical potentiality of our “linguistic bodies” (Di Paolo, Cuffari, and De Jaegher, 2018) as sites of both resistance and affirmation.</span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Book Antiqua;"> </span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Book Antiqua;"><i>About the Issue</i></span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Book Antiqua;">See Issue overvie<span style="color: #444444;">w<a href="https://www.en.visjournal.nu/vis-10-theme-circulating-practices" target="_blank"><span style="color: #444444;"> <u>here.</u></span></a></span></span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Book Antiqua;">VIS issue 10 was published 20 October 2023. The theme is <i>Circulating Practices.</i> This issue presents six expositions, and a recorded conversation, that in their own way are discussing and challenging the circular, as a practice and method, as a model of collaboration, as a theme and as a symbol. Editors are Cecilia Roos and Gunhild Mathea Husvik-Olaussen. Issue number 10 of VIS, <em>Circulating Practices,</em> focus on collaborative artistic constellations that explore temporality and dramaturgy in the exchange of practice and methodology. Collaboration in artistic research often leads to unexpected and process-oriented discoveries. How do we define and situate research collaborations? How do matter, direction and time affectively interact? Who do we identify as the collaborating agents in an artistic research process and how can we discuss authorship/copyright in a co-creative whole? In the editorial work, it has been of interest to look at how the artistic process is reflected in the expositions. Documenting an artistic process can be sensitive and multifaceted. In the context of time-based art, interesting discussions arise regarding the enduring nature of documentation and how it relates to the temporary and processual materiality of the projects. This issue of VIS presents six expositions, and a recorded conversation, that in their own way are discussing and challenging the circular, as a practice and method, as a model of collaboration, as a theme and as a symbol.</span></p>emma cockerhttp://www.blogger.com/profile/17873911358955411091noreply@blogger.comtag:blogger.com,1999:blog-5374340893110933189.post-8925117440239782902023-11-14T11:52:00.001-08:002023-11-14T13:23:56.089-08:00Event: The Expanded Librarian <p><span style="color: #444444; font-family: Book Antiqua;"><i>Text+Image relations in post-photographic contexts and literary environments</i></span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="color: #444444; font-family: Book Antiqua;">On Friday 15 September 2023, I was an invited speaker (alongside artist Peter Liversidge) within the frame of a research group devised by artists Beverley Carruthers and Wiebke Leister, which investigates contemporary modes of collaborative image-text-production. My presentation involved me <span data-mce-style="font-size: 12.5pt; line-height: 25px;" style="line-height: 25px;">giving a sense of my own language-based artistic research practice, before talking about my involvement as co-founder of the Society for Artistic Research Special Interest Group for language-based artistic research.</span></span></p>emma cockerhttp://www.blogger.com/profile/17873911358955411091noreply@blogger.comtag:blogger.com,1999:blog-5374340893110933189.post-26262247258413913822023-11-14T11:52:00.000-08:002023-11-16T14:05:05.053-08:00Publication: Practice Sharing of Language-based Artistic Research<p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px; background: white;" style="background: white; line-height: 24px; margin: 0cm; padding: 0px;"></p><div class="separator" style="clear: both; text-align: center;"><br /></div><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px; background: white;" style="background: white; line-height: 24px; margin: 0cm; padding: 0px;"><span style="color: #444444; font-family: Book Antiqua;">Published in Autumn 2023, <em>PRACTICE SHARING II </em>is the second online presentation by the Special Interest Group for Language-based Artistic Research (Society for Artistic Research). Over 60 individuals and collaborations are included in this second ‘sharing’ of language-based artistic research practices presented on the research catalogue.<span data-mce-style="font-size: 9pt; line-height: 18px;" style="line-height: 18px;"> </span><em> </em><span data-mce-style="font-size: 9pt; line-height: 18px;" style="line-height: 18px;"> </span></span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px; background: white;" style="background: white; line-height: 24px; margin: 0cm; padding: 0px;"><em><span style="color: #444444; font-family: Book Antiqua;"> </span></em></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="color: #444444; font-family: Book Antiqua;"><em>See PRACTICE SHARING II </em> - </span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><em><span style="color: #444444; font-family: Book Antiqua;"><a data-mce-href="https://www.researchcatalogue.net/view/1538250/1538251" href="https://www.researchcatalogue.net/view/1538250/1538251"><span data-mce-style="color: blue;">https://www.researchcatalogue.net/view/1538250/1538251</span></a> </span></em></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="color: #444444; font-family: Book Antiqua;"> </span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="color: #444444; font-family: Book Antiqua;">With contributions from -- Annette Arlander -- Dave Ball -- Sue Brind & Jim Harold -- Katrina Brown -- Arturas Bukauskas -- Julia Calver -- Kimberly Campanello -- Delphine Chapuis Schmitz -- <b>Emma Cocker</b> -- Joanna Cook -- Adélia Santos Costa -- Michael Croft -- Cordula Daus -- Kostas Daflos -- Janhavi Dhamankar & Minou Tsambika Polleros -- C.C. Elian -- Martin.P. Eccles -- Federico Eisner Sagues -- João Emediato -- Kate Fahey -- Rob Flint -- Lynda Gaudreau -- Juan Pablo Gaviria Bedoya -- Sandra Golubjevaite -- Sara Gomez -- Vanessa Graf -- Maria Hedman Hvitfeldt, Mamdooh Afdile & Alexander Skantze -- Kirsi Heimonen & Leena Rouhiainen -- rosie heinrich with <em>An_assembling_“I”</em> -- Steffi Hofer -- Marianne Holm Hansen -- Rolf Hughes -- James Jack -- Benjamin Jenner -- Christina Marie Jespersen -- Molly Joyce -- Krystyna Kulisiewicz -- Andrea Liu -- Ling Liu -- Barb Macek -- Yorgos Maraziotis -- Klaus Maunuksela -- Annie Morrad -- Amelie Mourgue d'Algue -- Antrianna Moutoula -- Peta Murray -- Elena Peytchinska & Thomas Ballhausen -- Julieanna Preston -- Maryam Ramezankhani -- Maya Rasker -- Sarah Rinderer -- Hanns Holger Rutz -- Sarah Scaife -- Lena Séraphin -- Marianna Stefanitsi -- Anie Toole -- Tao G. Vrhovec Sambolec -- Litó Walkey -- Kai Ziegner -- </span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="color: #444444; font-family: Book Antiqua;"><br /></span></p><p data-mce-style="margin: 0cm; font-size: 12pt; times new roman", serif; line-height: 24px;" style="margin: 0cm; padding: 0px;"><span data-mce-style="avenir book"; border: 1pt none windowtext; padding: 0cm;"><span style="color: #444444; font-family: Book Antiqua;">Through the gathering of this second <em>PRACTICE SHARING </em>specific fields of resonance emerge including trans-linguality, embodied languaging, voice and vocalisation, site and situative writing, fictional approaches, text as material, experimental reading, just to mention a few. Rather than a definitive or exhaustive archive or survey of the field,<em> </em>the <em>PRACTICE SHARING </em>platform aims to provide a starting point from which future conversations and collaborations might emerge.<em> </em></span></span></p><p data-mce-style="margin: 0cm; font-size: 12pt; times new roman", serif; line-height: 24px;" style="margin: 0cm; padding: 0px;"><span data-mce-style="avenir book"; border: 1pt none windowtext; padding: 0cm;"><span style="color: #444444; font-family: Book Antiqua;"> </span></span></p><p data-mce-style="margin: 0cm; font-size: 12pt; times new roman", serif; line-height: 24px;" style="margin: 0cm; padding: 0px;"><span style="color: #444444; font-family: Book Antiqua;"><em>PRACTICE SHARING II</em><span data-mce-style="avenir book"; border: 1pt none windowtext; padding: 0cm;"> is co-edited by <b>Emma Cocker,</b> Cordula Daus and Lena Séraphin. For more on the Special Interest Group for Language-based Artistic Research and to join the mailing list see - <a href="https://www.researchcatalogue.net/view/835089/835129">https://www.researchcatalogue.net/view/835089/835129</a></span></span></p>emma cockerhttp://www.blogger.com/profile/17873911358955411091noreply@blogger.comtag:blogger.com,1999:blog-5374340893110933189.post-1396279799185120692023-11-14T11:51:00.000-08:002023-11-15T03:19:10.431-08:00Event: Convocation - A Gathering of Language-based Artistic Research<p data-mce-style="margin: 0cm; font-size: 12pt; times new roman", serif; line-height: 24px;" style="margin: 0cm; padding: 0px;"><span style="color: #444444; font-family: "Book Antiqua"; font-style: inherit; font-variant-caps: inherit; font-variant-ligatures: inherit; font-weight: inherit;"><br /></span></p><p data-mce-style="margin: 0cm; font-size: 12pt; times new roman", serif; line-height: 24px;" style="margin: 0cm; padding: 0px;"><span style="color: #444444; font-family: "Book Antiqua"; font-style: inherit; font-variant-caps: inherit; font-variant-ligatures: inherit; font-weight: inherit;">LINK TO programme </span><u style="color: #444444; font-family: "Book Antiqua"; font-style: inherit; font-variant-caps: inherit; font-variant-ligatures: inherit; font-weight: inherit;"><a href="https://www.researchcatalogue.net/view/835089/2272207 " target="_blank">here</a>.</u></p><p data-mce-style="margin: 0cm; font-size: 12pt; times new roman", serif; line-height: 24px;" style="margin: 0cm; padding: 0px;"><span data-mce-style="font-style: inherit; font-variant: inherit; font-weight: inherit; font-stretch: inherit; line-height: inherit; font-optical-sizing: inherit; font-kerning: inherit; font-feature-settings: inherit; font-variation-settings: inherit;" style="font-feature-settings: inherit; font-kerning: inherit; font-optical-sizing: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-variation-settings: inherit; font-weight: inherit; line-height: inherit;"><span style="color: #444444; font-family: Book Antiqua;"> </span></span></p><p data-mce-style="margin: 0cm; font-size: 12pt; times new roman", serif; line-height: 24px;" style="margin: 0cm; padding: 0px;"><span data-mce-style="font-style: inherit; font-variant: inherit; font-weight: inherit; font-stretch: inherit; line-height: inherit; font-optical-sizing: inherit; font-kerning: inherit; font-feature-settings: inherit; font-variation-settings: inherit;" style="font-feature-settings: inherit; font-kerning: inherit; font-optical-sizing: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-variation-settings: inherit; font-weight: inherit; line-height: inherit;"><span style="color: #444444; font-family: Book Antiqua;">Taking place at the Zentrum Fokus Forschung, University of Applied Arts in Vienna (3 – 6 October 2023), <em>CONVOCATION II</em> was a gathering of expanded language-based artistic research hosted by the Society of Artistic Research Special Interest Group for Language-based Artistic Research. Rather than a public conference or symposium as such, <em>CONVOCATION II</em> had a more personal format, allowing for exchange and conversation between the 65 contributors, especially through a process of ‘practice sharing’. The focus of <em>CONVOCATION II</em> was on language-based artistic research “practices”. How can we share research “practices”? What new formats and models might be required? What happens as different practices are brought into relation, into dialogue, into proximity? How might we practise together? </span></span></p><p data-mce-style="margin: 0cm; font-size: 12pt; times new roman", serif; line-height: 24px;" style="margin: 0cm; padding: 0px;"><span data-mce-style="font-style: inherit; font-variant: inherit; font-weight: inherit; font-stretch: inherit; line-height: inherit; font-optical-sizing: inherit; font-kerning: inherit; font-feature-settings: inherit; font-variation-settings: inherit;" style="font-feature-settings: inherit; font-kerning: inherit; font-optical-sizing: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-variation-settings: inherit; font-weight: inherit; line-height: inherit;"><span style="color: #444444; font-family: Book Antiqua;"> </span></span></p><p data-mce-style="margin: 0cm; font-size: 12pt; times new roman", serif; line-height: 24px;" style="margin: 0cm; padding: 0px;"><span data-mce-style="font-style: inherit; font-variant: inherit; font-weight: inherit; font-stretch: inherit; line-height: inherit; font-optical-sizing: inherit; font-kerning: inherit; font-feature-settings: inherit; font-variation-settings: inherit;" style="font-feature-settings: inherit; font-kerning: inherit; font-optical-sizing: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-variation-settings: inherit; font-weight: inherit; line-height: inherit;"><span style="color: #444444; font-family: Book Antiqua;">With contributions from: Gretel Acosta -- Louise Adkins -- adO/Aptive (Barnabás Bácsi, Mel Sasha Berger, Martin Gius, Melanie Haberl, Daniel Hüttler, Saara Hukka & Janina Weißengruber) -- Ruth Anderwald & Leonhard Grond – Katrina Brown & Emma Cocker -- Julia Calver -- Beverley Carruthers -- Delphine Chapuis Schmitz & Ines Marita Schärer -- Cordula Daus & Charlotta Ruth -- (D)raft ( Sarah Jackson, Delphine Grass, Helena Hunter, Hannah van Hove, and Maria Gil Ulldemolins) -- Bogdan Florea & Ileana Gherghina -- Gabrielė Gervickaitė -- Sara Gomez -- Miriana Faieta -- Rob Flint -- Sabina Holzer -- Anouk Hoogendoorn & Mariana Renthel -- Sophie Hope & Henry Mulhall -- Benjamin Jenner -- Aleksandra Komsta & Cecilie Fang -- Linnea Langfjord Kristensen -- Wiebke Leister -- Barb Macek -- Tatjana Macić -- Cristiana de Marchi -- Elke Mark -- Adelheid Mers -- Antrianna Moutoula -- Anna Nygren -- Elena Peytchinska & Thomas Ballhausen -- Emílio Remelhe -- Simon Roloff -- Lena Séraphin -- Erika Tsimbrovsky -- The un | common ground collective (Regina Dürig, Marinos Koutsomichalis, Phoenix Savage) -- Litó Walkey -- Kai Ziegner. </span></span></p><p data-mce-style="margin: 0cm; font-size: 12pt; times new roman", serif; line-height: 24px;" style="margin: 0cm; padding: 0px;"><span data-mce-style="font-style: inherit; font-variant: inherit; font-weight: inherit; font-stretch: inherit; line-height: inherit; font-optical-sizing: inherit; font-kerning: inherit; font-feature-settings: inherit; font-variation-settings: inherit;" style="font-feature-settings: inherit; font-kerning: inherit; font-optical-sizing: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-variation-settings: inherit; font-weight: inherit; line-height: inherit;"><span style="color: #444444; font-family: Book Antiqua;"> </span></span></p><p data-mce-style="margin: 0cm; font-size: 12pt; times new roman", serif; line-height: 24px;" style="margin: 0cm; padding: 0px;"><span data-mce-style="font-style: inherit; font-variant: inherit; font-weight: inherit; font-stretch: inherit; line-height: inherit; font-optical-sizing: inherit; font-kerning: inherit; font-feature-settings: inherit; font-variation-settings: inherit;" style="font-feature-settings: inherit; font-kerning: inherit; font-optical-sizing: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-variation-settings: inherit; font-weight: inherit; line-height: inherit;"><span style="color: #444444; font-family: Book Antiqua;"><em><span data-mce-style="avenir book"; border: 1pt none windowtext; padding: 0cm;">CONVOCATION II</span></em><span data-mce-style="avenir book"; border: 1pt none windowtext; padding: 0cm;"> was co-organised by Emma Cocker, Cordula Daus and Lena Séraphin, with the support of the Zentrum Fokus Forschung. </span></span></span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span data-mce-style="font-style: inherit; font-variant: inherit; font-weight: inherit; font-stretch: inherit; line-height: inherit; font-optical-sizing: inherit; font-kerning: inherit; font-feature-settings: inherit; font-variation-settings: inherit;" style="font-feature-settings: inherit; font-kerning: inherit; font-optical-sizing: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-variation-settings: inherit; font-weight: inherit; line-height: inherit;"><span style="color: #444444; font-family: Book Antiqua;"> </span></span></p>emma cockerhttp://www.blogger.com/profile/17873911358955411091noreply@blogger.comtag:blogger.com,1999:blog-5374340893110933189.post-1267255104381076942023-11-14T11:50:00.000-08:002023-11-15T06:21:32.447-08:00Lectures: Being in the Midst - Approaches to Language-based Artistic Research<p><span style="color: #444444; font-family: Book Antiqua;">On the 8 May 2023, I gave a lecture to MFA students at UniArts, Helsinki, called <em>Towards the Not-Yet-Known: Writing as an Artistic Research Practice</em>. In this talk, I explored different ways of writing from the site of practice, writing as practice. Towards a mode of writing the not-yet-known, where content is not already known in advance, but rather emerges through the material and poetic process of working-with language. </span></p><p style="text-align: center;"><span style="color: #444444; font-family: Book Antiqua;">***</span></p><p><span style="color: #444444; font-family: "Book Antiqua";">In June 2023, I was invited as a guest speaker to talk about language-based artistic research (especially through the lens of embodied practices) within the frame of the </span><i style="color: #444444; font-family: "Book Antiqua";">EU4ART differences project.</i><span style="color: #444444; font-family: "Book Antiqua";"> Drawing on some of my recent collaborations, in my lecture </span><i style="color: #444444; font-family: "Book Antiqua";">Being in the Midst: An Approach to Language-based Artistic Research</i><span style="color: #444444; font-family: "Book Antiqua";">, I explored different performative, process-orientated and embodied approaches to working with and through language, sharing my evolving approach to language-based artistic research. </span><i style="color: #444444; font-family: "Book Antiqua";">EU4ART differences</i><span style="color: #444444; font-family: "Book Antiqua";"> is supported by Horizon2020’s SWAF (Science with and for Society) programme. The EU4ART alliance comprises art academies in Riga, Rome, Budapest, and Dresden. A recording of the session can be found </span><a href="https://www.youtube.com/watch?v=fX9kcaiVD0M" style="font-family: "Book Antiqua";" target="_blank"><u>here</u>.</a></p>emma cockerhttp://www.blogger.com/profile/17873911358955411091noreply@blogger.comtag:blogger.com,1999:blog-5374340893110933189.post-36495299065362043152023-04-10T04:58:00.007-07:002023-11-15T03:26:00.997-08:00Conference: Dorsal Practices @ SAR<p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"></p><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvKIvK375nBW2ulVfFircgW_VEt_3MpmmiSK5W47ml5neAlor7I7OgdsdczFFGwAa1Hk9cRzPGfC4F5rJ5fusH9J1O0J0Hg3hEHHFU8kVIg7Z2nqt8uxjuSHrpjU1WMxnIMEzXT7G_JjRzu7Cuw09z35uZHjjoeTA87NV5n7onJ_wl6qtCHaT-JOjfqA/s1184/Dorsal%20practices.png" style="clear: left; margin-bottom: 1em; margin-right: 1em;"><span style="font-family: trebuchet;"><img border="0" data-original-height="1184" data-original-width="1040" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvKIvK375nBW2ulVfFircgW_VEt_3MpmmiSK5W47ml5neAlor7I7OgdsdczFFGwAa1Hk9cRzPGfC4F5rJ5fusH9J1O0J0Hg3hEHHFU8kVIg7Z2nqt8uxjuSHrpjU1WMxnIMEzXT7G_JjRzu7Cuw09z35uZHjjoeTA87NV5n7onJ_wl6qtCHaT-JOjfqA/w351-h400/Dorsal%20practices.png" width="351" /></span></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Book Antiqua;">We – Katrina Brown and Emma Cocker – will be presenting a "practice" from our collaborative project, <i>Dorsal Practices,</i> at the forthcoming Society of Artistic Research conference,<i> Too Early/Too Late, </i>in Trondheim, 9-21 April 2023 – see https://sar2023.no/</span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Book Antiqua;"><br /></span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Book Antiqua;">Abstract: <em>Dorsal Practices</em></span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Book Antiqua;">Rather than a mode of withdrawal, of turning one’s back, how might a backwards-leaning orientation support an open, receptive ethics of relation? A back-oriented approach foregrounds the active letting go, releasing, even de-privileging, of habits of uprightness + frontality — the head-oriented, sight-oriented, forward-facing, future-leaning tendencies of a culture intent on grasping a sense of the world through naming + control. How can this tilt — or inclination — towards a receptive dorsal (dis)orientation enable new modes of thinking, perceiving and being-with; more connected, sustainable ways of living and aliveness?</span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Book Antiqua;"> </span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Book Antiqua;"><i>Dorsal Practices </i>is an interdisciplinary collaboration between choreographer Katrina Brown + writer-artist Emma Cocker, exploring the notion of dorsality in relation to how we as moving bodies orientate to self, others, world. Since January 2021, Brown + Cocker have investigated the felt experience of a dorsal orientation through body-based, somatic-informed movement scores, followed by a process of conversation on ZOOM for reflecting with-and-through their embodied practising, alongside the poetic-philosophical concepts of the dorsal that arise in this working-with and together. Often undertaken back-to-back (subverting frontal habits of online meeting) the conversations foster sensitive interaction, heightening attention to the experience of listening + being listened to, allowing for an emergent “dorsal voicing”. The ‘conversation’ transcripts are reactivated through a shared experimental reading practice, where fresh insights and understanding emerge in the intersubjective and improvisatory interplay of spoken word, through unexpected conjunctions, (re)combinations, the circling and looping of language.</span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Book Antiqua;"> </span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Book Antiqua;">For SAR, Brown + Cocker will reactivate their conversational transcripts through sharing/enacting the experimental reading practice as a live event, in the very moment of voicing creating a ‘new’ and contingent unfolding of dorsal sense-making.</span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Book Antiqua;"> </span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Book Antiqua;">Details:</span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Book Antiqua;">See programme here - https://sar2023.no/program3</span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Book Antiqua;">Friday, April 21, 2023 - 15:30 – 17.00</span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Book Antiqua;">OLAVSHALLEN: LILLE SAL</span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: trebuchet;"> </span></p>emma cockerhttp://www.blogger.com/profile/17873911358955411091noreply@blogger.comtag:blogger.com,1999:blog-5374340893110933189.post-51193988925308094112023-04-10T04:47:00.005-07:002023-04-10T04:48:35.754-07:00Event/research: Language-based Artistic Research (SIG)<p><span style="font-size: 12pt;"><span style="font-family: Book Antiqua;"></span></span></p><div class="separator" style="clear: both; text-align: left;"><span style="font-family: trebuchet;">Language-based Artistic Research </span></div><div><p><span><span style="font-family: trebuchet;">@ Society of Artistic Research Conference 2023</span></span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: trebuchet;">Trondheim, Norway</span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: trebuchet;">Wednesday 19 April 2023</span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: trebuchet;">13:00</span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: trebuchet;">SIG slot #1 @Cinemateket</span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: trebuchet;">Kjøpmannsgata 48, 7011 Trondheim</span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: trebuchet;"> </span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: trebuchet;">In April 2023, we – Emma Cocker, Alexander Damianisch and Cordula Daus - will be in Trondheim, Norwary, attending the International Conference of the Society for Artistic Research (SAR), 19-21 April 2023 – see https://sar2023.no/</span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: trebuchet;">During the conference, we will be introducing the activities of the SAR Special Interest Group for Language-based Artistic Research. This in-person session during the SAR conference will share recent activities, introducing the current ‘Practice Sharing’ (2023) alongside announcing future events. During the conference we will also announce the contributors for the second edition of ‘Practice Sharing’. See first edition of Practice Sharing here.</span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: trebuchet;"> </span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: trebuchet;">The Society for Artistic Research Special Interest Group (SAR SIG) in Language-based Artistic Research was founded and is co-organised by Emma Cocker (UK), Alexander Damianisch (AT), Cordula Daus (DE/AT), and Lena Séraphin (FI). This Special Interest Group was inaugurated in the context of the Research Pavilion, Venice, 2019, within the frame of Convocation, a three-day gathering of expanded language-based practices. Since 2019, this SAR SIG has – through a variety of different formats and forms – connected over 300 artistic researchers interested in language-based practices</span></p></div>emma cockerhttp://www.blogger.com/profile/17873911358955411091noreply@blogger.comtag:blogger.com,1999:blog-5374340893110933189.post-1790004480671907742023-04-07T14:28:00.003-07:002023-04-10T04:59:51.876-07:00Project: Simultaneous Arrivals<p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: trebuchet;"><br /></span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: trebuchet;">During April 2023, I will be in Austria contributing to the research project, <i>Simultaneous Arrivals</i>, which is led by sound and digital artists Hanns Holger Rutz (KUG Graz and GMPU Klagenfurt), installation artist Nayarí Castillo and architectural researcher Franziska Hederer (ISD, TU Graz). Across the project, they are working with invited artists-researchers, including myself as a ‘guest advisor’.</span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: trebuchet;"> </span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: trebuchet;"><span>About the project: <i>Simultaneous Arrivals</i> is an artistic research project on novel forms of collaborative practices within the FWF framework PEEK (AR 714-G), running from 2022 until 2025. The past decades saw growing entanglement, simultaneity and proximity within a networked world, announcing spatio-temporal changes. Global instabilities demand new practices of sharing responsibilities. Despite a rich history of collaborative practices, artist-researchers still work mostly isolated in their core capacity in the arts and through the arts. Transformative practices such as relaying (Stengers) and a singularly plural conception of being (Nancy) are interrogated as ways-of-doing in artistic research. The project joins artists using spatial practices (installation, sound and new media art) with a perceptual exploration of spatiality, questioning it to look at the background from which one arrives in and orientates within a space (Ahmed). The project posits a novel mode of collaborative artistic process based on simultaneity and spatiality. They act as ‘basic’ or ‘boundary’ concepts that complementarily guide artists working together, preserving diversity and individuality among the group, while binding the process as a whole and bridging boundaries between different practices. The project designs methods that facilitate contact among the concurrent artistic processes and understand how these concepts affect them. What are reference frames that allow to establish a “togetherness, at the same time”, and how do different types of spaces—thought spaces, aesthetic spaces, architectural spaces—and their corresponding modes of spatiality interact and interfere? </span><span>See https://simularr.net/</span></span></p>emma cockerhttp://www.blogger.com/profile/17873911358955411091noreply@blogger.comtag:blogger.com,1999:blog-5374340893110933189.post-34778808668272734912023-04-07T14:18:00.004-07:002023-04-10T05:00:13.948-07:00Event: Doing Together<p><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCRiVh_1yO6jSxjlZq9-EkzNF55AT-HqhBpbKEVZ68R01jCiHrHTSfQ5OgempnxYM9Jun5_yOKBHLe8PvceAH0m9DmI_kOEYYwDtMf2Ts8WnqC269BrAwLRvwpGBw7e4FwA6Aj6O0Lmj7mBBcodRsYPj_X3kfgT3BGfrK9uzVY5Dpx5EcJMyRYGTKcEA/s1652/FsnJu6zWAAENaz8.jpg" style="clear: left; margin-bottom: 1em; margin-right: 1em; text-align: center;"><span style="font-family: trebuchet;"><img border="0" data-original-height="756" data-original-width="1652" height="183" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCRiVh_1yO6jSxjlZq9-EkzNF55AT-HqhBpbKEVZ68R01jCiHrHTSfQ5OgempnxYM9Jun5_yOKBHLe8PvceAH0m9DmI_kOEYYwDtMf2Ts8WnqC269BrAwLRvwpGBw7e4FwA6Aj6O0Lmj7mBBcodRsYPj_X3kfgT3BGfrK9uzVY5Dpx5EcJMyRYGTKcEA/w400-h183/FsnJu6zWAAENaz8.jpg" width="400" /></span></a></p><p><span style="font-family: trebuchet;">Between 3-4 April 2023, I was at Bath Spa University as an invited ‘ethnographer’ or interlocutor to observe the unfolding “doing together” symposium, and initiate conversation as a plenary session.</span></p><div class="separator" style="clear: both; text-align: center;"><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px; text-align: start;"><span style="font-family: trebuchet;"><i>Issues in Creative Practice: doing together</i></span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px; text-align: start;"><span style="font-family: trebuchet;">3rd-4th April 2023</span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px; text-align: start;"><span style="font-family: trebuchet;">Locksbrook Road Campus, Bath</span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px; text-align: start;"><span style="font-family: trebuchet;"> </span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="line-height: 24px; margin: 0cm; padding: 0px; text-align: start;"><span><span style="font-family: trebuchet;"><em>doing together </em>is a two-day making and sharing practice symposium at Locksbrook Campus, hosted by the <a data-mce-href="https://www.bathspa.ac.uk/research-and-enterprise/research-centres/centre-for-cultural-and-creative-industries/" href="https://www.bathspa.ac.uk/research-and-enterprise/research-centres/centre-for-cultural-and-creative-industries/" target="_blank"><span data-mce-style="color: black;" style="color: black;">Centre for Cultural and Creative Industries</span></a> and the <a data-mce-href="https://www.bathspa.ac.uk/research-and-enterprise/research-centres/art-research-centre/" href="https://www.bathspa.ac.uk/research-and-enterprise/research-centres/art-research-centre/" target="_blank"><span data-mce-style="color: black;" style="color: black;">Art Research Centre</span></a> (School of Art, Film and Media).<br /> <br />This <i>Issues in Creative Practice Symposium </i>will host approximately 20 practical workshops, delivered by staff and PGR students from across the University. Workshops will share practice-based research methods and a broad range of approaches to practice through doing together. <br /><br /><em>doing together</em> is proposed as a generous space to make/do/share and discuss practice with others from across the university. During this two-day event we will test out ways of doing work together, making our practice-based research explicit. </span><br /></span></p></div>emma cockerhttp://www.blogger.com/profile/17873911358955411091noreply@blogger.comtag:blogger.com,1999:blog-5374340893110933189.post-90338482284403693352023-03-09T08:41:00.007-08:002023-04-10T05:01:02.230-07:00Event: Performing Process / Embracing Uncertainty<p data-mce-style="margin: 0cm; font-size: 12pt; times new roman", serif; line-height: 18.4px;" style="margin: 0cm; padding: 0px;"><span style="font-family: trebuchet;">Thursday 23 MARCH 2023</span></p><p data-mce-style="margin: 0cm; font-size: 12pt; times new roman", serif; line-height: 24px; background: white; vertical-align: baseline;" style="margin: 0cm; padding: 0px;"><span lang="EN-US" style="font-family: trebuchet;">From 18.00 – 22.30</span></p><p data-mce-style="margin: 0cm; font-size: 12pt; times new roman", serif; line-height: 24px; background: white; vertical-align: baseline;" style="margin: 0cm; padding: 0px;"><span lang="EN-US" style="font-family: trebuchet;">BEAM, Primary Studios, Nottingham </span></p><p class="xmsonormal" data-mce-style="margin: 0cm; font-size: 12pt; times new roman", serif; line-height: 24px; background: white;" style="margin: 0cm; padding: 0px;"><span style="font-family: trebuchet;"> </span></p><p data-mce-style="margin: 0cm; font-size: 12pt; times new roman", serif; line-height: 24px; background: white; vertical-align: baseline;" style="margin: 0cm; padding: 0px;"><span style="font-family: trebuchet;">An evening exploring the value of not knowing, uncertainty and failure as generative forces from the perspectives of art and science, exploring tactics for knowing how to <em>not know</em> and for embracing uncertainty during uncertain times. Artistic practice, pedagogy and research often foreground the value of uncertainty and not knowing; are underscored by principles of curiosity and open-endedness, the importance of risk, of trial and error. Yet, how do we <em>know</em> how to not <em>know</em>? Can not knowing and the capacity to embrace uncertainty be taught or even practised? How do we cultivate receptivity to experiences and encounters beyond our zone of habitual comfort? Towards an ethics of uncertainty, how can an encounter with the unfamiliar and strange(r) operate as a micro-political practice that embraces mutual care and reciprocal respect?</span></p><p data-mce-style="margin: 0cm; font-size: 12pt; times new roman", serif; line-height: 24px; background: white; vertical-align: baseline;" style="margin: 0cm; padding: 0px;"><span style="font-family: trebuchet;"> </span></p><p data-mce-style="margin: 0cm; font-size: 12pt; times new roman", serif; line-height: 24px; background: white; vertical-align: baseline;" style="margin: 0cm; padding: 0px;"><span lang="EN-US" style="font-family: trebuchet;">Join us for an evening of ‘in-conversation’ between writer-artist Emma Cocker and neuroscientist Stuart Firestein exploring ‘embracing uncertainty’, alongside the UK launch of the publication <em>No Telos!</em> with readings and projections. </span></p><p data-mce-style="margin: 0cm; font-size: 12pt; times new roman", serif; line-height: 24px; background: white; vertical-align: baseline;" style="margin: 0cm; padding: 0px;"><span lang="EN-US" style="font-family: trebuchet;"> </span></p><p data-mce-style="margin: 0cm; font-size: 12pt; times new roman", serif; line-height: 24px; background: white; vertical-align: baseline;" style="margin: 0cm; padding: 0px;"><span lang="EN-US" style="font-family: trebuchet;">This event marks the launch a research project called PERFORMING PROCESS as part of the Artistic Research Centre at Nottingham Trent University, co-led by Emma Cocker and Danica Maier, both Associate Professors in Fine Art. PERFORMING PROCESS explores what is at stake in focusing on the process of practice — the embodied, experiential, relational and material dimensions of artistic making, thinking and knowing?</span></p><p class="xmsonormal" data-mce-style="margin: 0cm; font-size: 12pt; times new roman", serif; line-height: 24px; background: white;" style="margin: 0cm; padding: 0px;"><span style="font-family: trebuchet;"> </span></p><p class="xmsonormal" data-mce-style="margin: 0cm; font-size: 12pt; times new roman", serif; line-height: 24px; background: white;" style="margin: 0cm; padding: 0px;"><span style="font-family: trebuchet;"><span lang="EN-US">Free event but booking required on Eventbrite</span>: <a data-mce-href="https://eur03.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.eventbrite.co.uk%2Fe%2Fperforming-process-embracing-uncertainty-tickets-566642301377&data=05%7C01%7Cemma.cocker%40ntu.ac.uk%7C8fb2a5ccb462424c729708db2085f552%7C8acbc2c5c8ed42c78169ba438a0dbe2f%7C1%7C0%7C638139532034589251%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&sdata=9ioqGoNOSTmCVviLypEkB28exSqlSyQkKHhfPMypdHE%3D&reserved=0" data-mce-style="color: #0563c1;" href="https://eur03.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.eventbrite.co.uk%2Fe%2Fperforming-process-embracing-uncertainty-tickets-566642301377&data=05%7C01%7Cemma.cocker%40ntu.ac.uk%7C8fb2a5ccb462424c729708db2085f552%7C8acbc2c5c8ed42c78169ba438a0dbe2f%7C1%7C0%7C638139532034589251%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&sdata=9ioqGoNOSTmCVviLypEkB28exSqlSyQkKHhfPMypdHE%3D&reserved=0" style="color: #0563c1;" target="_blank" title="Original URL: https://www.eventbrite.co.uk/e/performing-process-embracing-uncertainty-tickets-566642301377. Click or tap if you trust this link."><span data-mce-style="color: #0563c1;">https://www.eventbrite.co.uk/e/performing-process-embracing-uncertainty-tickets-566642301377</span></a></span></p><p class="xmsonormal" data-mce-style="margin: 0cm; font-size: 12pt; times new roman", serif; line-height: 24px; background: white;" style="margin: 0cm; padding: 0px;"><span style="font-family: trebuchet;"> </span></p><p class="xmsonormal" data-mce-style="margin: 0cm; font-size: 12pt; times new roman", serif; line-height: 24px; background: white;" style="margin: 0cm; padding: 0px;"><span style="font-family: trebuchet;">-------------</span></p><p class="xmsonormal" data-mce-style="margin: 0cm; font-size: 12pt; times new roman", serif; line-height: 24px; background: white;" style="margin: 0cm; padding: 0px;"><span style="font-family: trebuchet;"><strong>No Telos!</strong></span></p><p class="xmsonormal" data-mce-style="margin: 0cm; font-size: 12pt; times new roman", serif; line-height: 24px; background: white;" style="margin: 0cm; padding: 0px;"><span style="font-family: trebuchet;">The artists’ publication No Telos! considers different tactics for resisting the increasingly outcome-motivated or achievement-oriented tendencies of contemporary culture, by shifting emphasis from a mode of telos- or goal-driven productivity towards experimental forms of process-led exploration, subversive playfulness and wilful irresolution. This artist's book comprises a series of 'scores' drawing on exercises and practices first developed and tested in Venice. The city is approached as a live laboratory for artistic research. With contributors from Andrew Brown, Emma Cocker, Steve Dutton, Katja Hock, Tracy Mackenna, Danica Maier, Andy Pepper, Elle Reynolds, Derek Sprawson. <a data-mce-href="https://eur03.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.beameditions.uk%2Fstore%2Fno-telos&data=05%7C01%7Cemma.cocker%40ntu.ac.uk%7C8fb2a5ccb462424c729708db2085f552%7C8acbc2c5c8ed42c78169ba438a0dbe2f%7C1%7C0%7C638139532034589251%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&sdata=zkrZeMZkiZAYJ0G%2FjvlbMdZDVAOpgTPNzcQug8JATx0%3D&reserved=0" data-mce-style="color: #0563c1;" href="https://eur03.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.beameditions.uk%2Fstore%2Fno-telos&data=05%7C01%7Cemma.cocker%40ntu.ac.uk%7C8fb2a5ccb462424c729708db2085f552%7C8acbc2c5c8ed42c78169ba438a0dbe2f%7C1%7C0%7C638139532034589251%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&sdata=zkrZeMZkiZAYJ0G%2FjvlbMdZDVAOpgTPNzcQug8JATx0%3D&reserved=0" style="color: #0563c1;" target="_blank" title="Original URL: https://www.beameditions.uk/store/no-telos. Click or tap if you trust this link."><span data-mce-style="color: #0563c1;">https://www.beameditions.uk/store/no-telos</span></a></span></p>emma cockerhttp://www.blogger.com/profile/17873911358955411091noreply@blogger.comtag:blogger.com,1999:blog-5374340893110933189.post-84711469265829326282023-01-11T05:55:00.008-08:002023-04-10T05:00:24.952-07:00Call: Language-based Artistic Research Practice Sharing<p><span style="font-family: trebuchet;"><span style="font-style: inherit; font-variant-caps: inherit; font-variant-ligatures: inherit; font-weight: inherit;">NEW Call for Contributions </span><span style="font-style: inherit; font-variant-caps: inherit; font-variant-ligatures: inherit; font-weight: inherit;"> </span></span></p><p data-mce-style="margin: 0cm; font-size: 12pt; times new roman", serif; line-height: 24px; background: white;" style="margin: 0cm; padding: 0px;"><span style="font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit;"><span data-mce-style="border: 1pt none windowtext; padding: 0cm;" lang="EN-US" style="border: 1pt none windowtext; font-family: trebuchet; padding: 0cm;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXGP2JK4tXZMy1umMVSOjbhOV9YC3WgMQiPHYrulAJSmgqnw60hRv0XXse8oz9Cnz2aQy8CDxMaeiJFlo1FQk3pLz51sIpTC9h9QqEPyMIUoJQ7FdIoOPxg06RGilf3_A8xFES61KIKsuuKJdDutH9jrsHoGEw-ORFkVmJMv3o1XX1-K5tW4g_o2JGbQ/s2362/SIG%20IMAGE.jpg" style="clear: left; margin-bottom: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="1402" data-original-width="2362" height="238" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXGP2JK4tXZMy1umMVSOjbhOV9YC3WgMQiPHYrulAJSmgqnw60hRv0XXse8oz9Cnz2aQy8CDxMaeiJFlo1FQk3pLz51sIpTC9h9QqEPyMIUoJQ7FdIoOPxg06RGilf3_A8xFES61KIKsuuKJdDutH9jrsHoGEw-ORFkVmJMv3o1XX1-K5tW4g_o2JGbQ/w400-h238/SIG%20IMAGE.jpg" width="400" /></a></span></span></p><p data-mce-style="margin: 0cm; font-size: 12pt; times new roman", serif; line-height: 24px; background: white;" style="margin: 0cm; padding: 0px;"><span style="font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit;"><span data-mce-style="border: 1pt none windowtext; padding: 0cm;" lang="EN-US" style="border: 1pt none windowtext; font-family: trebuchet; padding: 0cm;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: trebuchet;"><br /></span></div><span style="font-family: trebuchet;">The Society of Artistic Research Special Interest Group in Language-based Artistic Research are delighted to announce a new call for contributions. </span><div><span style="font-family: trebuchet;"><br /></span><p data-mce-style="margin: 0cm; font-size: 12pt; times new roman", serif; line-height: 24px; background: white;" style="margin: 0cm; padding: 0px;"><span style="font-family: trebuchet; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit;"><span data-mce-style="border: 1pt none windowtext; padding: 0cm;" style="border: 1pt none windowtext; padding: 0cm;">Artist-researchers working with language are invited to contribute to <em>PRACTICE SHARING,</em> an online presentation/publication of expanded approaches to language-based practice within the field of artistic research. </span><span data-mce-style="font-style: inherit; font-variant: inherit; font-weight: inherit; font-stretch: inherit; font-size: inherit; line-height: inherit;" style="font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit;">Examples of language-based artistic research are invited focusing on <em>specific </em><span color="inherit" data-mce-style="color: inherit;">practice</span>s, processes, approaches, or methods.</span><span data-mce-style="font-style: inherit; font-variant: inherit; font-weight: inherit; font-stretch: inherit; font-size: inherit; line-height: inherit;" style="font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit;"> <span data-mce-style="border: 1pt none windowtext; padding: 0cm;" lang="EN-US" style="border: 1pt none windowtext; padding: 0cm;">The focus on language within artistic research is considered from a broad and transforming perspective to include diverse fields such as visual arts, performance, film, theatre, music, choreography as well as literature; where language-based practices might include (as well as move beyond) different approaches to writing, reading, speaking, listening. The intent is not to define or fix what language-based artistic research <em>is</em> but rather to reflect <em>how</em> it is practised in its diversity. </span></span></span></p><p data-mce-style="margin: 0cm; font-size: 12pt; times new roman", serif; line-height: 24px; background: white;" style="margin: 0cm; padding: 0px;"><span style="font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit;"><span data-mce-style="border: 1pt none windowtext; padding: 0cm;" lang="EN-US" style="border: 1pt none windowtext; font-family: trebuchet; padding: 0cm;"> </span></span></p><p data-mce-style="margin: 0cm; font-size: 12pt; times new roman", serif; line-height: 24px; background: white;" style="margin: 0cm; padding: 0px;"><span style="font-family: trebuchet;"><span data-mce-style="font-style: inherit; font-variant: inherit; font-weight: inherit; font-stretch: inherit; font-size: inherit; line-height: inherit;" style="font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit;"><span data-mce-style="border: 1pt none windowtext; padding: 0cm;" lang="EN-US" style="border: 1pt none windowtext; padding: 0cm;">CALL SUMMARY: </span></span><span data-mce-style="font-style: inherit; font-variant: inherit; font-weight: inherit; font-stretch: inherit; font-size: inherit; line-height: inherit;" style="font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit;"><span data-mce-style="border: 1pt none windowtext; padding: 0cm;" style="border: 1pt none windowtext; padding: 0cm;">How does your enquiry in-and-through language-based artistic research manifest in specific practices and examples? Outline one or two examples from your own artistic- or practice-based research — focusing on specific language-based ‘practices’ (in other words: specific processes, approaches or methods; ways of working, constellations of activity; particular projects or lines of enquiry-in-practice). </span></span></span></p><p data-mce-style="margin: 0cm; font-size: 12pt; times new roman", serif; line-height: 24px; background: white;" style="margin: 0cm; padding: 0px;"><span style="font-family: trebuchet; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit;"> </span></p><p data-mce-style="margin: 0cm; font-size: 12pt; times new roman", serif; line-height: 24px; background: white;" style="margin: 0cm; padding: 0px;"><span style="border: 1pt none windowtext; font-family: trebuchet; padding: 0cm;">MORE DETAILS<br />See the full call and details on how to submit your contribution<span style="color: #20124d;"> <a href="https://www.researchcatalogue.net/view/835089/1889405 " target="_blank">here</a>.</span></span></p><p data-mce-style="margin: 0cm; font-size: 12pt; times new roman", serif; line-height: 24px; background: white;" style="margin: 0cm; padding: 0px;"><span style="font-family: trebuchet; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit;"> </span></p><p data-mce-style="margin: 0cm; font-size: 12pt; times new roman", serif; line-height: 24px; background: white;" style="margin: 0cm; padding: 0px;"><span style="font-family: trebuchet;"><span data-mce-style="font-style: inherit; font-variant: inherit; font-weight: inherit; font-stretch: inherit; font-size: inherit; line-height: inherit;" style="font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit;"><span data-mce-style="border: 1pt none windowtext; padding: 0cm;" style="border: 1pt none windowtext; padding: 0cm;">DEADLINE FOR SUBMISSIONS: Monday 6 March 2023 at noon CET.</span></span><span data-mce-style="font-style: inherit; font-variant: inherit; font-weight: inherit; font-stretch: inherit; font-size: inherit; line-height: inherit;" style="font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit;"><span data-mce-style="border: 1pt none windowtext; padding: 0cm;" lang="EN-US" style="border: 1pt none windowtext; padding: 0cm;"> </span></span></span></p></div>emma cockerhttp://www.blogger.com/profile/17873911358955411091noreply@blogger.comtag:blogger.com,1999:blog-5374340893110933189.post-77257876355148867262022-12-13T00:27:00.003-08:002023-01-11T07:17:44.397-08:00Training: Micro-phenomenological Interview<p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: "libre baskerville", serif; font-size: 11pt; line-height: 22px;">Between 5 – 9 December 2022, I was undertaking training in Micro-phenomenological interview training online with Claire Petitmengin.</span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: "libre baskerville", serif; font-size: 11pt; line-height: 22px;">About: Micro-phenomenology is a new scientific discipline enabling us to discover ordinary inaccessible dimensions of our lived experience and describe them accurately and reliably. The development of this "psychological microscope" opens vast fields of investigation in the educational, technological, clinical and therapeutic, as well as artistic and contemplative domains.</span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: "libre baskerville", serif; font-size: 11pt; line-height: 22px;">Objective of the training: For the purpose of a research project, the course is aimed at mastering the micro-phenomenological interview, a method enabling the researcher to collect fine-grained descriptions of the lived experience associated with a given sensorial, emotional or cognitive process, or with a specific expertise, in order to gather a corpus of accurate data that are relevant for the research objective.</span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: "libre baskerville", serif; font-size: 11pt; line-height: 22px;">More here: <a data-mce-href="https://www.blogger.com/blog/post/edit/5374340893110933189/7725787635514886726" href="https://www.blogger.com/blog/post/edit/5374340893110933189/7725787635514886726"><span data-mce-style="color: #20124d;" style="color: #20124d;">https://www.microphenomenology.com/</span></a></span></p>emma cockerhttp://www.blogger.com/profile/17873911358955411091noreply@blogger.comtag:blogger.com,1999:blog-5374340893110933189.post-48329403906971408272022-12-13T00:26:00.013-08:002023-01-11T07:21:03.452-08:00Research: Dorsal Practices<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivFax_W5WgxagEYfue_9XNZK7gBxgsiABviYZ69rvBixv0Eqt9JqY-mqlWT5auksm1d6Fqn92gWcDiivytPEpVzozzPxBYD-LMIPL79D3403bryqPRtTcJutc84iCo4skul-ImjjwJaOR2tdF6JSHjUQtT0D5ocodRWL0zjmhdRGouat08fWwY-7efyA/s2008/Dorsal%20Practices%20November%202022-reading.png" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"></a></div><div class="separator" style="clear: both; text-align: left;"><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span data-mce-style="font-size: 11pt; line-height: 22px;" style="font-family: "libre baskerville", serif; font-size: 11pt; line-height: 22px;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3UAn_6dzu1f3D1M1_F_WW3xOhvm5ZXsGuUi4kpF_nOhDNbA8oyvNIiwtWS49cXfAAslBy4ueO_m4XY-px27uh6DqCWrykm9e1yFH32vT8lYo55t7tt-oIgX1gyHo3_abU81TmRVoJItjgVkx-oDvnIIHdHNzRR9sjkuCIOEpdc9Wxg1cNsNE6IuVoIQ/s2080/Dorsal%20Practices%20November%202022.png" style="clear: left; margin-bottom: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="1162" data-original-width="2080" height="224" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3UAn_6dzu1f3D1M1_F_WW3xOhvm5ZXsGuUi4kpF_nOhDNbA8oyvNIiwtWS49cXfAAslBy4ueO_m4XY-px27uh6DqCWrykm9e1yFH32vT8lYo55t7tt-oIgX1gyHo3_abU81TmRVoJItjgVkx-oDvnIIHdHNzRR9sjkuCIOEpdc9Wxg1cNsNE6IuVoIQ/w400-h224/Dorsal%20Practices%20November%202022.png" width="400" /></a></span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><br /></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span data-mce-style="font-size: 11pt; line-height: 22px;" style="font-family: "libre baskerville", serif; font-size: 11pt; line-height: 22px;">In late November, I was working in Sheffield with choreographer Katrina Brown, further developing our collaborative research project <em>Dorsal Practices</em>. Though we have been working together since early 2020, this was really our first in-person exploration together (with the exception of us presenting a workshop and performance reading at the <em>Sentient Performativities </em>symposium in June 2022). Our shared exploration together in Sheffield including a live back-to-back process of ‘dorsal conversation’, a series of movement practices exploring walking backwards, leaning, and lying down, alongside working with filmmaker Leon Lockley to make a recording of a performance reading / reading practice based on previous transcript material from earlier conversations. An extract of the recording of the reading can be encountered</span><span data-mce-style="font-size: 11pt; line-height: 22px;" style="font-family: "libre baskerville", serif; font-size: 11pt; line-height: 22px;"> </span><span data-mce-style="text-decoration: underline;" style="font-family: "libre baskerville", serif; text-decoration-line: underline;"><span data-mce-style="font-size: 11pt; line-height: 22px; color: #741b47;" style="color: #741b47; font-size: 11pt; line-height: 22px;"><a data-mce-href="https://www.blogger.com/blog/post/edit/5374340893110933189/4832940390697140827" data-mce-style="color: blue;" href="https://vimeo.com/777798694" style="color: blue;" target="_blank">here</a></span></span><span data-mce-style="font-size: 11pt; line-height: 22px; color: #741b47;" style="color: #741b47; font-family: "libre baskerville", serif; font-size: 11pt; line-height: 22px;">.</span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span data-mce-style="font-size: 11pt; line-height: 22px; color: #741b47;" style="color: #741b47; font-family: "libre baskerville", serif; font-size: 11pt; line-height: 22px;"><br /></span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span data-mce-style="font-size: 11pt; line-height: 22px; color: #741b47;" style="color: #741b47; font-family: "libre baskerville", serif; font-size: 11pt; line-height: 22px;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivFax_W5WgxagEYfue_9XNZK7gBxgsiABviYZ69rvBixv0Eqt9JqY-mqlWT5auksm1d6Fqn92gWcDiivytPEpVzozzPxBYD-LMIPL79D3403bryqPRtTcJutc84iCo4skul-ImjjwJaOR2tdF6JSHjUQtT0D5ocodRWL0zjmhdRGouat08fWwY-7efyA/s2008/Dorsal%20Practices%20November%202022-reading.png" style="clear: left; font-family: Times; font-size: medium; margin-bottom: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="1102" data-original-width="2008" height="220" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivFax_W5WgxagEYfue_9XNZK7gBxgsiABviYZ69rvBixv0Eqt9JqY-mqlWT5auksm1d6Fqn92gWcDiivytPEpVzozzPxBYD-LMIPL79D3403bryqPRtTcJutc84iCo4skul-ImjjwJaOR2tdF6JSHjUQtT0D5ocodRWL0zjmhdRGouat08fWwY-7efyA/w400-h220/Dorsal%20Practices%20November%202022-reading.png" width="400" /></a></span></p></div><p></p>emma cockerhttp://www.blogger.com/profile/17873911358955411091noreply@blogger.comtag:blogger.com,1999:blog-5374340893110933189.post-50721346718712115342022-12-13T00:24:00.005-08:002023-01-11T07:18:57.092-08:00Publication: Live Coding - A User's Manual<p></p><div class="separator" style="clear: both; text-align: left;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgk8QnyDryl1IgXpfaSzeJt4WSM8oLlKe8mGNdmlG0FQQ9vjnN6y9WWLfhxJAnin7-FU9MV24uLGNWvmWaNqkFaQsQ9wWyq4M7s9IRkUTiDpfyY-k8wUiw7i-6_XcAgFeTOrgCmCSCbSmlvhLePUkCswNM1LicgmakZlPmk3fFgJjfMuxDqp-RYRyPTxw/s2045/Live%20coding.jpg" style="clear: left; margin-bottom: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="2045" data-original-width="1536" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgk8QnyDryl1IgXpfaSzeJt4WSM8oLlKe8mGNdmlG0FQQ9vjnN6y9WWLfhxJAnin7-FU9MV24uLGNWvmWaNqkFaQsQ9wWyq4M7s9IRkUTiDpfyY-k8wUiw7i-6_XcAgFeTOrgCmCSCbSmlvhLePUkCswNM1LicgmakZlPmk3fFgJjfMuxDqp-RYRyPTxw/w300-h400/Live%20coding.jpg" width="300" /></a></div><p></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="background: white; color: #333333; font-family: "libre baskerville", serif; font-size: 11pt; line-height: 22px;">Performative, improvised, on the fly: live coding is about how people interact with the world and each other via code. In the last few decades, live coding has emerged as a dynamic creative practice, gaining attention across cultural and technical fields—from music and the visual arts to computer science.</span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px;" style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="background: white; color: #333333; font-family: "libre baskerville", serif; font-size: 11pt; line-height: 22px;"><br /></span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px; background: white;" style="background: white; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="color: #333333; font-family: "libre baskerville", serif;"><em><span data-mce-style="font-size: 11pt; line-height: 22px;" style="font-size: 11pt; line-height: 22px;">Live Coding: A User’s Manual</span></em><span data-mce-style="font-size: 11pt; line-height: 22px;" style="font-size: 11pt; line-height: 22px;"> is the first comprehensive introduction to the practice and a broader cultural commentary on the potential for live coding to open up deeper questions about contemporary cultural production and computational culture. This multiauthored book—by artists and musicians, software designers, and researchers—provides a practice-focused account of the origins, aspirations, and evolution of live coding, including expositions from a wide range of live coding practitioners. In a more conceptual register, the authors consider liveness, temporality, and knowledge in relation to live coding, alongside speculating on the practice’s future forms.</span></span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px; background: white;" style="background: white; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="color: #333333; font-family: "libre baskerville", serif; font-size: 11pt; line-height: 22px;"><br /></span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px; background: white;" style="background: white; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="color: #333333; font-family: "libre baskerville", serif;"><em><span data-mce-style="font-size: 11pt; line-height: 22px;" style="font-size: 11pt; line-height: 22px;">Read the book!</span></em></span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px; background: white;" style="background: white; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="color: #333333; font-family: "libre baskerville", serif; font-size: 11pt; line-height: 22px;">This book is published open access by MIT Press, widely available in paperback (please consider using an <a data-mce-href="https://www.ethicalbooksearch.com/books/m/is:9780262372626/live-coding-a-user-s-manual-software-studies-alan-f-blackwell-emma-cocker-geoff-cox-alex-mclean-thor-magnusson" href="https://www.ethicalbooksearch.com/books/m/is:9780262372626/live-coding-a-user-s-manual-software-studies-alan-f-blackwell-emma-cocker-geoff-cox-alex-mclean-thor-magnusson" target="_blank"><span data-mce-style="color: #333333;" style="color: #333333;">ethical bookseller</span></a>), and for free download as epub, pdf or mobi files:</span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px; background: white;" style="background: white; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span data-mce-style="font-size: 10pt; line-height: 20px;" style="color: #333333; font-family: "libre baskerville", serif; font-size: 10pt; line-height: 20px; text-indent: -18pt;"><span data-mce-style="font-variant-numeric: normal; font-variant-east-asian: normal; font-stretch: normal; font-size: 7pt; line-height: normal;" style="font-size: 7pt; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal;"> * </span></span><span data-mce-style="font-size: 11pt; line-height: 22px;" style="color: #333333; font-family: "libre baskerville", serif; font-size: 11pt; line-height: 22px; text-indent: -18pt;"><a data-mce-href="https://static.livecodingbook.toplap.org/books/livecoding.epub" href="https://static.livecodingbook.toplap.org/books/livecoding.epub" target="_blank"><span data-mce-style="color: #333333;" style="color: #333333;">Download as epub</span></a> (recommended for e-readers)</span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px; background: white;" style="background: white; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="color: #333333; font-family: "libre baskerville", serif; font-size: 9.33333px; text-indent: -24px;"> * </span><a data-mce-href="https://static.livecodingbook.toplap.org/books/livecoding.pdf" href="https://static.livecodingbook.toplap.org/books/livecoding.pdf" style="font-family: "libre baskerville", serif; font-size: 11pt; text-indent: -18pt;" target="_blank"><span data-mce-style="color: #333333;" style="color: #333333;">Download as pdf</span></a><span style="color: #333333; font-family: "libre baskerville", serif; font-size: 11pt; text-indent: -18pt;"> (may be easiest for laptops/desktops)</span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px; background: white;" style="background: white; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="color: #333333; font-family: "libre baskerville", serif; font-size: 9.33333px; text-indent: -24px;"> * </span><span style="color: #333333; font-family: "libre baskerville", serif; font-size: 11pt; text-indent: -18pt;">individual chapters are also available as </span><a data-mce-href="https://direct.mit.edu/books/oa-monograph/5495/Live-CodingA-User-s-Manual" href="https://direct.mit.edu/books/oa-monograph/5495/Live-CodingA-User-s-Manual" style="font-family: "libre baskerville", serif; font-size: 11pt; text-indent: -18pt;" target="_blank"><span data-mce-style="color: #333333;" style="color: #333333;">separate PDFs</span></a><span style="color: #333333; font-family: "libre baskerville", serif; font-size: 11pt; text-indent: -18pt;"> via MIT Press</span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px; background: white;" style="background: white; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span data-mce-style="font-size: 10pt; line-height: 20px;" style="color: #333333; font-family: "libre baskerville", serif; font-size: 10pt; line-height: 20px; text-indent: -18pt;"><span data-mce-style="font-variant-numeric: normal; font-variant-east-asian: normal; font-stretch: normal; font-size: 7pt; line-height: normal;" style="font-size: 7pt; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal;"> * </span></span><span data-mce-style="font-size: 11pt; line-height: 22px;" style="color: #333333; font-family: "libre baskerville", serif; font-size: 11pt; line-height: 22px; text-indent: -18pt;"><a data-mce-href="https://static.livecodingbook.toplap.org/books/livecoding.mobi" href="https://static.livecodingbook.toplap.org/books/livecoding.mobi" target="_blank"><span data-mce-style="color: #333333;" style="color: #333333;">Download as mobi</span></a></span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px; background: white;" style="background: white; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="color: #333333; font-family: "libre baskerville", serif; font-size: 11pt; line-height: 22px;">For e-readers, please refer to your device’s manual for how to load them. For example on kindle, you could use the <a data-mce-href="https://www.amazon.com/gp/sendtokindle" href="https://www.amazon.com/gp/sendtokindle" target="_blank"><span data-mce-style="color: #333333;" style="color: #333333;">send to kindle</span></a> service, and on others you might transfer via usb cable from a computer.</span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px; background: white;" style="background: white; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="color: #333333; font-family: "libre baskerville", serif; font-size: 11pt; line-height: 22px;">There is also an experimental version <a data-mce-href="https://livecodingbook.toplap.org/book/" href="https://livecodingbook.toplap.org/book/"><span data-mce-style="color: #333333;" style="color: #333333;">readable online</span></a>.</span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px; background: white;" style="background: white; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="color: #333333; font-family: "libre baskerville", serif; font-size: 11pt; line-height: 22px;"><br /><span style="font-size: 11pt;">Authors</span></span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px; background: white;" style="background: white; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="color: #333333; font-family: "libre baskerville", serif; font-size: 11pt; line-height: 22px;">This book is written by Alan Blackwell, Emma Cocker, Geoff Cox, Alex McLean and Thor Magnusson, with an expositions chapter consisting of contributions from Rangga Aji, ALGOBABEZ, Jack Armitage, Rafaele Andrade, Pietro Bapthysthe, Lina Bautista, Renick Bell, Alexandra Cardenas, Lucy Cheesman, Joana Chicau, Nick Collins, Malitzin Cortes, Mamady Diara, Claudio Donaggio, Rebecca, a Fernandes, Jason Freeman, Flor de Fuego, Sarah Groff Hennigh-Palermo, Mike Hodnick, Timo Hoogland, Miri Kaat, Abhinay Khoparzi, Shawn Lawson, Melody Loveless, Mynah Marie, Fabrice Mogini, Kofi Oduro, David Ogborn, Jonathan Reus, MicoRex, Antonio Roberts, Charlie Roberts, Jessica Rodriguez, Iris Saladino, Kate Sicchio, th4, Rodrigo Velasco, Elizabeth Wilson, and Anna Xambo.</span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px; background: white;" style="background: white; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="color: #333333; font-family: "libre baskerville", serif; font-size: 11pt; line-height: 22px;">Please refer to the acknowledgments section of the book for a (unfortunately but necessarily incomplete) list of all those who made this book possible.</span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px; background: white;" style="background: white; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="color: #333333; font-family: "libre baskerville", serif; font-size: 11pt; line-height: 22px;"> </span></p><p class="MsoNormal" data-mce-style="margin: 0cm; font-size: 12pt; line-height: 24px; background: white;" style="background: white; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="color: #333333; font-family: "libre baskerville", serif; font-size: 11pt; line-height: 22px;">Design: </span><span style="color: #333333; font-family: "libre baskerville", serif; font-size: 11pt;">The cover design is by </span><a data-mce-href="https://joanachicau.com/" href="https://joanachicau.com/" style="font-family: "libre baskerville", serif; font-size: 11pt;" target="_blank"><span data-mce-style="color: #333333;" style="color: #333333;">Joana Chicau</span></a><span style="color: #333333; font-family: "libre baskerville", serif; font-size: 11pt;">, using FT88 from the </span><a data-mce-href="https://velvetyne.fr/fonts/degheest/" href="https://velvetyne.fr/fonts/degheest/" style="font-family: "libre baskerville", serif; font-size: 11pt;" target="_blank"><span data-mce-style="color: #333333;" style="color: #333333;">Degheest font family</span></a><span style="color: #333333; font-family: "libre baskerville", serif; font-size: 11pt;"> designed by Mandy Elbé and Oriane Charvieux, based on typeface by Ange Degheest.</span></p>emma cockerhttp://www.blogger.com/profile/17873911358955411091noreply@blogger.comtag:blogger.com,1999:blog-5374340893110933189.post-17157315437091578342022-11-13T11:09:00.008-08:002022-11-13T11:12:28.106-08:00Symposium: There is no knowledge, only encounters<p><i style="font-family: Calibri, sans-serif; font-size: 12pt;"><span style="color: #444444; font-family: Garamond, serif;">There is no knowledge, only encounters</span></i></p><p><span style="color: #444444; font-family: Garamond, serif; font-size: 12pt;">Thursday 17 November 2022</span></p><p><span style="color: #444444;"><span style="font-family: Garamond, serif; font-size: 12pt;">Backbone050, </span><span style="font-family: Garamond, serif; font-size: 12pt;">Groningen</span></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"></p><div class="separator" style="clear: both; text-align: left;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfYiwgMZBcJQh-swQ2hEUc-mAl4S-34l4jXkTib3on3zgGXj6FD34T-9DulkpJHVNDtI3JDVU_9z8vB8yRT84aZVqt1I367yILj2YQKVEyVDUh70XjJyhyqWeIllR5Sg3Z6sbFK4kOSkUBEDG7TPS_IuRdegnQk-tbwDY_U1p0Ct-jUiHjIZlc06eanw/s1080/swimmingpool.jpg" style="clear: left; margin-bottom: 1em; margin-right: 1em; text-align: center;"><span style="color: #444444;"><img border="0" data-original-height="701" data-original-width="1080" height="260" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfYiwgMZBcJQh-swQ2hEUc-mAl4S-34l4jXkTib3on3zgGXj6FD34T-9DulkpJHVNDtI3JDVU_9z8vB8yRT84aZVqt1I367yILj2YQKVEyVDUh70XjJyhyqWeIllR5Sg3Z6sbFK4kOSkUBEDG7TPS_IuRdegnQk-tbwDY_U1p0Ct-jUiHjIZlc06eanw/w400-h260/swimmingpool.jpg" width="400" /></span></a></div><p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="color: #444444; font-family: Garamond, serif; font-size: 12pt;"><br /></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="color: #444444;"><span style="font-family: Garamond, serif; font-size: 12pt;">Taking the quote “</span><i style="font-family: Garamond, serif; font-size: 12pt;">There is no knowledge, only encounters” (</i><span style="font-family: Garamond, serif; font-size: 12pt;">Bibi Straatman) as a point of departure, this 'hands-on' </span><span style="font-family: Garamond, serif; font-size: 12pt;">symposium is an exploration on the attitude of not knowing. In what way can ‘not knowing’ be transformative for an artistic practice? In what ways can this kind of artistic practice bridge and contribute to new ways of seeing and acting in different layers of our society?</span><i style="font-family: Garamond, serif; font-size: 12pt;"> </i><span style="font-family: Garamond, serif; font-size: 12pt;">The thematic focus and desired outcome of the symposium is the ‘performative’ in its multitude of meanings.</span></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="color: #444444; font-family: Garamond, serif;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="color: #444444; font-family: Garamond, serif;">This event is a stepping stone in ongoing research by the independent research unit Not Knowing Core (NK Core) from Artistic Research Community in the North (ARC). NK Core is formed by Adri, Kevin, Simona and T.S.Anna. The event is organised in collaboration with professorship “Image in Context”, and supported by Kunstraad Groningen. A temporary collective, formed by Emma Cocker (UK), Ernest Truely (US/FIN), Adri Schokker (NL), Kevin Perrin (NL/FR), Simona Kicurovska (NL/MK) and T.S. Anna (NL/LV), is preparing to host and facilitate encounters that will create a field of action: one where process, not-knowing and public meet in a shared space.<o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="color: #444444; font-family: Garamond, serif;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="color: #444444; font-family: Garamond, serif;">The symposium will be held at Backbone050, a form college school and cultural hub where more than 100 artists, designers, musicians and other cultural and social organisations have their studio’ s and offices. The beautiful abandoned indoor swimming pool will be the center stage for our event.<o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="color: #444444; font-family: Garamond, serif;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="color: #444444;"><span style="font-family: Garamond, serif;">Address: </span><span style="font-family: Garamond, serif; font-size: 12pt;">Travertijnstraat 12, </span><span style="font-family: Garamond, serif; font-size: 12pt;">9743 SZ, Groningen. Tickets available <a href="https://artisticresearchinthenorth.nl/notknowing/" target="_blank">here</a>.</span></span></p>emma cockerhttp://www.blogger.com/profile/17873911358955411091noreply@blogger.comtag:blogger.com,1999:blog-5374340893110933189.post-23701075860747942242022-10-12T01:51:00.006-07:002023-11-15T09:58:28.104-08:00Publication: When Seams Become Audible<p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"></p><div class="separator" style="clear: both; text-align: center;"><br /></div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyPcofE49V3jKAfgvwkdWghPiIt38MvQqggzO99q5xpIqq4scPFfHDiRxojmVSOUhwxkOc2dPDJdVdIBe-giRhSj_ozmhAEgMkkbsLe3wJ1rEeBKoovqLYs_iuPYKX2I6b6esr5BSa277bhS3hOzIbPHDZ8v18cifpUku2D_muH58lcuENuVB19I8U1w/s2000/COVER.jpg" style="clear: left; margin-bottom: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="1328" data-original-width="2000" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyPcofE49V3jKAfgvwkdWghPiIt38MvQqggzO99q5xpIqq4scPFfHDiRxojmVSOUhwxkOc2dPDJdVdIBe-giRhSj_ozmhAEgMkkbsLe3wJ1rEeBKoovqLYs_iuPYKX2I6b6esr5BSa277bhS3hOzIbPHDZ8v18cifpUku2D_muH58lcuENuVB19I8U1w/w400-h265/COVER.jpg" width="400" /></a><div><br /><p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIX7CSL-wb7cBlB03N7YbVUCHIFe2pTLHQSBUOebugAywJuc6Sybu1Y0JuwC1--Ije2cHSzHRf2RhimA0_wwrNoQLgv-PEQZD5nH7n8oGPVtJPr_GQFVUa1EPSAgiqUneOnHU07uiEwtlVY5Q2G_DhNszEYiOC7k8QPil9atQb6iUi6abx6A2MxsVlUg/s2000/Fitz.jpg" style="clear: left; font-family: Times; font-size: medium; margin-bottom: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="1328" data-original-width="2000" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIX7CSL-wb7cBlB03N7YbVUCHIFe2pTLHQSBUOebugAywJuc6Sybu1Y0JuwC1--Ije2cHSzHRf2RhimA0_wwrNoQLgv-PEQZD5nH7n8oGPVtJPr_GQFVUa1EPSAgiqUneOnHU07uiEwtlVY5Q2G_DhNszEYiOC7k8QPil9atQb6iUi6abx6A2MxsVlUg/w400-h265/Fitz.jpg" width="400" /></a></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbtGtBEZjkEpz9d7eOXCUFCd9hERS0EgMkSQCLXemhKyEm722TYSvgpTfOev5D5b_aNujDuKnu0qz8hHpnrbZ9LWs0yfnfk61GuligiYrkZjUjxW19hIC8_TXWGzHUdhzS0S8tFyWiUdmvXCKWT8qv_iYnRZgBYousAnzb_bAiHKEUzdOtH3LoiLQcpw/s2000/interview.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1328" data-original-width="2000" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbtGtBEZjkEpz9d7eOXCUFCd9hERS0EgMkSQCLXemhKyEm722TYSvgpTfOev5D5b_aNujDuKnu0qz8hHpnrbZ9LWs0yfnfk61GuligiYrkZjUjxW19hIC8_TXWGzHUdhzS0S8tFyWiUdmvXCKWT8qv_iYnRZgBYousAnzb_bAiHKEUzdOtH3LoiLQcpw/w400-h265/interview.jpg" width="400" /></a></div><br /><p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><br /></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnXXfVY_dzJpA0iJ945CsTwf8JlGCbsvyDr4LaLHgvCrpYcOWCynX3iW2cTEBVsf2b6OQ41awuBMe4X64Ui-YQ5L9a5PF0AMwo-ZsVYRuF9mYiZNAgJBDXEpkAi7f7OoyTdwJtSEbB-SfdhdtH4icFKhq8uAXT01noHjr_34Y_jfeT4z-g_EH2MUKIhnrY/s2000/6+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1328" data-original-width="2000" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnXXfVY_dzJpA0iJ945CsTwf8JlGCbsvyDr4LaLHgvCrpYcOWCynX3iW2cTEBVsf2b6OQ41awuBMe4X64Ui-YQ5L9a5PF0AMwo-ZsVYRuF9mYiZNAgJBDXEpkAi7f7OoyTdwJtSEbB-SfdhdtH4icFKhq8uAXT01noHjr_34Y_jfeT4z-g_EH2MUKIhnrY/w400-h265/6+copy.jpg" width="400" /></a></div><br /><div class="separator" style="clear: both; text-align: left;"><br /></div><p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Garamond, serif; font-size: 12pt;">My interview with artist Katharina Fitz is now published in her new book </span><i style="font-family: Garamond, serif; font-size: 12pt;">When Seams Become Audible: Sculpture and Photography 2013-2022</i><span style="font-family: Garamond, serif; font-size: 12pt;"> (Beam Editions, 2022).</span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Garamond, serif;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Garamond, serif;">About the book: "This book focuses on the artist’s major installation ‘When Seams Become Audible’, which is brilliantly unpacked by Sarah Tutt’s insightful writing. The book also shows the artist's journey from photography to sculpture through related works made between 2017 and 2022. Tutt demonstrates how the artist’s work and process are inseparable and its conceptual and poetic resonants. Jennifer Higgie’s contribution connects the artist’s early photographic practice with her current engagement with sculpture, while relating it’s position within art history. Emma Cocker’s interview explores the artist’s working methods and how the artist investigates the limits of materials, how photography has informed her practice and the boundaries between the process and the finished artwork. These essays unpack the work of Katharina Fitz but perhaps more importantly, alongside a series of details, installations and artworks in transition, provide a lens by which to observe the material world. A reminder of the need for humans to remain connected to process and materiality in a world facing profound change". Introduction by Jonathan Casciani, Director Beam Editions<o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Garamond, serif;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Garamond, serif; font-size: 12pt;">Read more and order a copy </span><u style="font-family: Garamond, serif; font-size: 12pt;"><a href="http://www.katharinafitz.com/project_editions/katharina_fitz_book.html" target="_blank">here.</a></u></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><br /></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; line-height: 32px; margin: 0cm; padding: 0px;"><span style="font-family: Garamond, serif;"><span style="font-size: x-small;"><i>1. </i>"When Seams Become Audible" is a quote from Emma Cocker, <i>The Yes of the No, (Site Gallery, 2016)</i></span></span></p></div>emma cockerhttp://www.blogger.com/profile/17873911358955411091noreply@blogger.comtag:blogger.com,1999:blog-5374340893110933189.post-9742915965095831542022-10-11T13:23:00.006-07:002022-10-11T13:24:19.895-07:00Visit: ARC in the North<p><span style="font-family: Garamond, serif; font-size: 16px;">In November, I will be in Groningen, Netherlands, invited by the Not Knowing Core of ARC in the North. Together we will be exploring dimenions of 'not knowing' within artistic research and practice. About ARC in the North: ARC, the Artistic Research Community, is a dialectic umbrella organization for explorative research-creation, composed by a network of researchers and knowledge institutions in the north of the Netherlands. The network aims to stimulate artistic and explorative research practices and its impact by focusing on: How different forms of artistic research can be performed, articulated, presented and documented. How artistic research practice can offer novel ways of producing knowledge, applicable to various fields, as well as how such practices might catalyze new forms of knowing and producing knowledge in ways that sidestep traditional dichotomies existing between art (technê) and science (epistêmê). More to follow soon. https://artisticresearchinthenorth.nl/</span></p>emma cockerhttp://www.blogger.com/profile/17873911358955411091noreply@blogger.comtag:blogger.com,1999:blog-5374340893110933189.post-48925571472277443802022-10-11T13:15:00.009-07:002022-10-11T13:18:37.671-07:00Event: Open Studios, Exchange Place<p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"></p><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSdIHTXcWk9zqFvkQlhv4vbfQJzvIYnRrdaWdOWjfI8XP4vG7lmPTDP97ch7IgHy2DL7DlxX8dn_IP7ktRTBtnNaa6UdtR1fpgwNaVoHH2pbr5DEcNNUGKHD-BTmxWa94PirknSpC6xMkaUARudDwqo0B5qJbbrU0DT8ivX-0Av5A_MM-SSUutuEaztw/s1046/OS22%20EPS%20Image.jpg" style="clear: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1044" data-original-width="1046" height="399" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSdIHTXcWk9zqFvkQlhv4vbfQJzvIYnRrdaWdOWjfI8XP4vG7lmPTDP97ch7IgHy2DL7DlxX8dn_IP7ktRTBtnNaa6UdtR1fpgwNaVoHH2pbr5DEcNNUGKHD-BTmxWa94PirknSpC6xMkaUARudDwqo0B5qJbbrU0DT8ivX-0Av5A_MM-SSUutuEaztw/w400-h399/OS22%20EPS%20Image.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;"><p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Garamond, serif; font-size: 12pt;">On 19 - 20 November 2022, I will be opening my studio at Exchange Place Studios in Sheffield as part of Yorkshire Artspace's annual Open Studio weekend. Tickets to attend the Open Studios event are free but need to be booked in advance via Eventbrite </span><span style="color: black; font-family: Garamond, serif; font-size: 12pt;"><a href="https://exchangeplace.eventbrite.com/ " target="_blank">here</a>.</span></p></div><p></p>emma cockerhttp://www.blogger.com/profile/17873911358955411091noreply@blogger.comtag:blogger.com,1999:blog-5374340893110933189.post-32696659112648600752022-10-10T02:22:00.010-07:002022-10-10T02:23:46.878-07:00Journal Article: Conversation-as-material<p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Garamond, serif;"><br /></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Garamond, serif;">My article 'Conversation-as-material' is now published in the Special Issue, 'Practices of Phenomenological and Artistic Research, <i>Phenomenology & Practice,</i> Volume 17 (2022), No.1, pp.193-223. See <u><a href="https://journals.library.ualberta.ca/pandpr/index.php/pandpr/article/view/29475/21483" target="_blank">here</a></u>.</span><span style="font-family: Times; font-size: 13.5pt; line-height: 27px;"><o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Garamond, serif;"><br /></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Garamond, serif;">Abstract</span><o:p></o:p></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Garamond, serif;">Conversation-as-material is a language-based artistic research practice for attempting to speak from within the experience of collaborative artistic exploration, a linguistic practice attentive to the lived experience of aesthetic co-creation. The practice of conversation-as-material, which forms the basis of this article, has evolved through tentative exploration of the questions: How can the shared act of conversation bring into reflective awareness the live and lived, yet often hidden or undisclosed, experience of artistic practice and process, especially within collaboration? How can the event of conversation be developed as an artistic research practice for attempting to give tangibility, whilst also remaining in fidelity, to the pre-reflective aspects of this lived experience? Considered less as a means for talking about, conversation-as-material may be understood as a practice for inviting immanent, inter-subjective modes of verbal-linguistic sense-making emerging through different voices enmeshed in live exchange. Conversation —from <i>con-</i> meaning ‘with, together’ and<i> versare</i>, ‘to turn, bend’; or else, from <i>conversare </i>— ‘to turn about, to turn about with’. Conversation-as-material has emerged as a practice of collaborative writing, which unfolds through the interplay of different voices ‘turning about’ together in conversation. In this sense, the practice can be differentiated from that of interview —for in the practice of conversation-as-material there is no researcher/researched dichotomy. Within the practice, an attempt is made to develop an approach to writing that finds expression first through verbal conversation, which is then subsequently distilled, even densified, towards poetic text. Conversation-as-material involves the gradual revelation of an artistic-poetic, perhaps even phenomenological, mode of emergent writing for speaking from the experience of collaborative co-creation, where linguistic content is not already known in advance, but rather emerges in and through the lived working-with of language. The practice of conversation-as-material thus comprises a quadripartite process of conversation, transcription, distillation, and presentation, where each part involves the activation of a particular aesthetic or poetic mode of attention, perhaps even a specific phenomenological attitude or disposition.</span><o:p></o:p></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Garamond, serif;"> </span><o:p></o:p></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Garamond, serif;">Keywords: conversation, artistic research, phenomenological writing, collaboration, inceptual thinking.</span><o:p></o:p></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Garamond, serif;"> </span><o:p></o:p></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><o:p> </o:p></p>emma cockerhttp://www.blogger.com/profile/17873911358955411091noreply@blogger.comtag:blogger.com,1999:blog-5374340893110933189.post-37318204956731029022022-10-10T02:16:00.001-07:002022-10-10T02:16:33.353-07:00Journal Special Issue: Practices of Phenomenological and Artistic Research<p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Garamond, serif; font-size: 12pt;"><br /></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Garamond, serif; font-size: 12pt;">The Special Issue of </span><i style="font-family: Garamond, serif; font-size: 12pt;">Phenomenology & Practice</i><span style="font-family: Garamond, serif; font-size: 12pt;">, Vol. 17 No. 1 (2022) on 'Practices of Phenomenological and Artistic Research', (eds.) Alex Arteaga, Emma Cocker, Juha Himanka, Erika Goble, is now published online <span style="color: #444444;"><u><a href="https://journals.library.ualberta.ca/pandpr/index.php/pandpr/issue/view/1951" target="_blank">here</a>.</u></span></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><br /></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Garamond, serif;">This Special Issue explores existing and possible connections between two different sets of practices: phenomenological research practice and artistic research practice. On the one hand, both sets of practices share a basic aspect: they approach their object of research as phenomena, that is, through their phenomenal presences. On the other hand, these sets of practice are configured by different forms of action developed in different media —among many others, written or oral language, drawing, video, photography, sound or body movement.<o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Garamond, serif;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Garamond, serif;">How do the commonalities between practices of artistic and phenomenological research manifest? How can phenomenological research be accomplished in artistic media and by artistic means? How can artistic research extend the scope of phenomenology as a field of research practices? In turn, how can phenomenology contribute to further develop artistic research practices?<o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Garamond, serif;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Garamond, serif;">The focus of this Special Issue goes beyond traditional views of the relationships between art and phenomenology by considering both as fields of research, or more specifically, as ways of researching through phenomena. For the purposes of this Special Issue, art was not approached as an object of research for phenomenologists and phenomenology was not treated as a theoretical reference for artists producing art works. Accordingly, we neither focused on inquiry into practices of artistic production based in or inspired by phenomenology nor on phenomenological theories of art. Instead, we focused on research practices developed through the influence, combination, and even hybridization of phenomenological and artistic approaches in order to advance the methodological development of both fields.<o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Garamond, serif;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Garamond, serif;">This Special Issue is understood as a continuation of the work initiated by <i>Through Phenomena Themselves</i>, one of the research cells within the Research Pavilion #3, a catalyst of emerging cooperations in the field of artistic research hosted by the University of the Arts Helsinki in the framework of the Venice Biennale, 2019 (www.researchpavilion.fi).<o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Garamond, serif;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Garamond, serif;">Including contributions from Alex Arteaga, Michael Biggs, Emma Cocker, Michael Croft, Maria Gil Ulldemolins and Kris Pint, Katja Hock, Esa Kirkkopelto, Rebecca Lloyd, Edvin Østergaard, <span style="background: white;">Halla Steinunn Stefánsdóttir and Stefan Östersjö.</span><span style="background: white;"><o:p></o:p></span></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Garamond, serif; font-size: 12pt;"> </span></p>emma cockerhttp://www.blogger.com/profile/17873911358955411091noreply@blogger.comtag:blogger.com,1999:blog-5374340893110933189.post-72473629328518906132022-09-29T10:20:00.003-07:002022-09-29T10:22:57.502-07:00Conference: Alliances and Commonalities<p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Garamond, serif;"><br /></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Garamond, serif;">I will be participating in the forthcoming conference, <i>Alliances and Commonalities</i>, hosted by Stockholm University of the Arts (20–22 October, 2022). We - myself, Alex Arteaga and Nicole Wendel - will be activating an "ecology of aesthetic research practices" in relation to our ongoing research collaboration, thinking aesthetic thinking through aesthetic research practices. More on our project <u><a href="https://www.blogger.com/blog/post/edit/5374340893110933189/7247362932851890613"><span style="color: blue;">here</span></a></u>. <o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Garamond, serif;"> <o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><i><span style="font-family: Garamond, serif;">Our Proposal: </span></i><span style="font-family: Garamond, serif;">Through live activation of an ecology of aesthetic research practices, the aim is to provide the conditions for acquiring evidence of a specific form of thinking: aesthetic thinking. The performed aesthetic research practices are not presented as illustrative examples but rather as ongoing processes of research, as aesthetic thinking in action. To practice and to reflect aesthetic thinking through aesthetic thinking contributes to destabilize the hegemonic epistemic paradigms and, furthermore, epistemology as theoretical framework. We understand these processes as a contribution to disclose new forms of transformative understanding in order to approach the current collective crises in more skillful ways.<o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Garamond, serif;"> <o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><i><span style="font-family: Garamond, serif;">Conference profile area: </span></i><span style="font-family: Garamond, serif;">We will be presenting within the frame of the "Art, Technology, Materiality" profile area. This profile area takes as it starting point that humans are connected to the world and to each other through material entanglements and invites an exploration of these relationships.<o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><i><span style="font-family: Garamond, serif;">- Material thinking: </span></i><span style="font-family: Garamond, serif;">The profile area serves as a context for questioning the nature of the materiality of artistic practice and its implications. It enables discussions on what occurs in and through artistic practice, in the interplay between making and thinking where knowledge and meaning is acquired through engaging in the world, with other beings as well as through materials and things. Here, objects are considered active and co-creating rather than discovered or revealed.<o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><i><span style="font-family: Garamond, serif;">- Performativity: </span></i><span style="font-family: Garamond, serif;">Materials and technological devices are interrogated in relation to this interplay between making and thinking, according to what they do, how they form significant interconnections. Ongoing research is in particular interested in how cameras and other devices activate particular kinds of networks. It explores how technical devices enable forms of conversations with both material entities, place, and other agents, and how they enable relevant forms of inquiry. Technological devices are considered as tools for engagement, imaginative tools that connects the known and the unimaginable, activate relationships between here and there, then and now.<o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><i><span style="font-family: Garamond, serif;">- Unstable processes: </span></i><span style="font-family: Garamond, serif;">This profile area addresses the artistic development of technological and material processes, and technological extensions or material challenges to existing artistic practices. It activates a framework of projects, experiments and discourses that explores artistic practice as a way of bringing elements into relationship with each other and that critically engages with the material and technical conditions involved.<o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><i><span style="font-family: Garamond, serif;">- Ecological entanglement: </span></i><span style="font-family: Garamond, serif;">This profile area invites reflection and research from a perspective on the world where the human is not always the privileged position. Considering interconnections with and between material matter enables and requires a reconsideration of how humans are connected in the world as well as of the concept of nature and the impact of technology in society.<o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Garamond, serif;"> <o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Garamond, serif;">See the full programme and register <u><a href="https://www.blogger.com/blog/post/edit/5374340893110933189/7247362932851890613"><span style="color: blue;">here</span></a></u><o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Garamond, serif;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 12pt; line-height: 24px; margin: 0cm; padding: 0px;"><span style="font-family: Garamond, serif;"> </span></p>emma cockerhttp://www.blogger.com/profile/17873911358955411091noreply@blogger.com