My interview with artist Katharina Fitz is now published in her new book When Seams Become Audible: Sculpture and Photography 2013-2022 (Beam Editions, 2022).
About the book: "This book focuses on the artist’s major installation ‘When Seams Become Audible’, which is brilliantly unpacked by Sarah Tutt’s insightful writing. The book also shows the artist's journey from photography to sculpture through related works made between 2017 and 2022. Tutt demonstrates how the artist’s work and process are inseparable and its conceptual and poetic resonants. Jennifer Higgie’s contribution connects the artist’s early photographic practice with her current engagement with sculpture, while relating it’s position within art history. Emma Cocker’s interview explores the artist’s working methods and how the artist investigates the limits of materials, how photography has informed her practice and the boundaries between the process and the finished artwork. These essays unpack the work of Katharina Fitz but perhaps more importantly, alongside a series of details, installations and artworks in transition, provide a lens by which to observe the material world. A reminder of the need for humans to remain connected to process and materiality in a world facing profound change". Introduction by Jonathan Casciani, Director Beam Editions
Read more and order a copy here.
1. "When Seams Become Audible" is a quote from Emma Cocker, The Yes of the No, (Site Gallery, 2016)