Emma Cocker is a writer-artist whose research focuses on artistic processes and practices, and the performing of thinking-in-action therein. Cocker’s language-based artistic research comprises a matrix of writing, reading and conversation practices, including diverse process-oriented, dialogic-collaborative and aesthetic-poetic approaches to working with and through language. Cocker’s writing has been published in Failure, 2010; Stillness in a Mobile World, 2010; Drawing a Hypothesis: Figures of Thought, 2011; Hyperdrawing: Beyond the Lines of Contemporary Art, 2012; On Not Knowing: How Artists Think, 2013; Choreo-graphic Figures: Deviations from the Line, 2017; The Creative Critic: Writing as/about Practice, 2018; Live Coding: A User's Manual, 2023, and in the solo collections, The Yes of the No, 2016, and How Do You Do?, 2024. Cocker is co-founder of the international Society for Artistic Research Special Interest Group for Language-based Artistic Research. She is Associate Professor in Fine Art, Nottingham Trent University.

Research Project: Thinking Aesthetic Thinking Through Aesthetic Research Practices




Alex Arteaga | Emma Cocker | Nicole Wendel | Sabine Zahn

initiated by Alex Arteaga

 

thinking aesthetic thinking through aesthetic research practices focuses on ways in which aesthetic research practices realize a specific form of thinking: aesthetic thinking. The aim of this project is to explore the following working hypotheses through aesthetic research practices as a foundation for different forms of reflection and dialogue between philosophical aesthetics and aesthetic research.

- Firstly, aesthetic research practices systematize forms of preeminently sensorimotor and emotional action, which are neither target-oriented nor will-based.

- Secondly, aesthetic action enables and intensifies immediate and unmediated interactions between researchers and the inquired issues, co-constituting a field of nonhierarchical, shared agencies.

- Thirdly, aesthetic interaction conditions the ongoing processes of sense-making between researchers and the inquired issues with the agency of destabilizing the habitualized forms and meanings with which these issues appear.

- Fourthly, on this basis, aesthetic thinking allows for disclosing new intelligibilities for the researched issues, that is, it enables the potentialities of radically new understandings to arise.


Since 2019, we — four artistic researchers: Alex Arteaga, Emma Cocker, Nicole Wendel and Sabine Zahn — have been working together intensively within a series of exploratory sessions or even ‘laboratories’, inquiring through specific aesthetic practices the concept, performance and conditions of and for aesthetic thinking. This exposition presents a set of aesthetic research practices, a series of "Ecologies in Action' (a set of interconnected aesthetic research practices in relation) and research artefacts generated through this research project.

 

See research exposition here