Emma Cocker is a writer-artist whose research focuses on artistic processes and practices, and the performing of thinking-in-action therein. Cocker’s language-based artistic research comprises a matrix of writing, reading and conversation practices, including diverse process-oriented, dialogic-collaborative and aesthetic-poetic approaches to working with and through language. She was a key-researcher within the project Choreo-graphic Figures: Deviations from the Line (2014 – 2017) for exploring the thinking-feeling-knowing between choreography, drawing and writing. Cocker’s writing has been published in Failure, 2010; Stillness in a Mobile World, 2010; Drawing a Hypothesis: Figures of Thought, 2011; Hyperdrawing: Beyond the Lines of Contemporary Art, 2012; On Not Knowing: How Artists Think, 2013; The Creative Critic: Writing as/about Practice, 2018; Live Coding: A User's Manual, 2023, and in the solo collections, The Yes of the No, 2016, and How Do You Do?, 2024. Cocker is co-founder of the international Society for Artistic Research Special Interest Group for Language-based Artistic Research. She is Associate Professor in Fine Art, Nottingham Trent University.

While You Wait, Anachron-Gen

Review of the exhibition 'While You Wait’, by artist collective Anachron-Gen at twenty+3 projects in Manchester.
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"The exhibition 'While you Wait' by the artists group Anachron-Gen attempted to communicate the experience of the city from the position of the visitor, that of an outsider. The group were clear that this was not about the experience of the tourist visitor, the mediated encounter with a city determined and directed by various authorities, whose guidance on the ‘places you should see’ and ‘no-go areas’ inevitably maps out only a sanitised experience of a given place. To the tourist visitor, the city remains a polite host, but one that refuses to give away too many of its secrets; it forever remains at a distance however close you think you are. Anachron-gen were more interested in the perspective of the regular visitor, the liminal experience of someone who inhabits the charged threshold of being both inside and outside of a city or system, of being within and yet also remaining without. Here, the laws of polite hosting become relaxed, and the city begins to yield, drop its guard. The regular visitor occupies the same state as an initiand or novice - they have been given partial access to the unspoken codes and customs of a place, but do not yet have the status or knowledge (or responsibility) of a full inhabitant. They operate in a space in-between one order and another – their experiences hover at the point between the familiar and the strange, as certain zones within the city become repeatedly navigated, emotionally and psychologically mapped out and inhabited. Being a visitor in a city is like having only a partial grasp of a language, where certain meanings might indeed make it across the gulf of translation in one piece, whilst others remain incomprehensible; blank signs that remain opaque, incommunicable."

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