- emma cocker
- Emma Cocker is a writer-artist and Reader in Fine Art at Nottingham Trent University. Operating under the title Not Yet There, her research often addresses the endeavour of creative labour, focusing on models of (art) practice and subjectivity that resist or refuse the pressure of a single or stable position by remaining willfully unresolved. Not Yet There unfolds as an interdisciplinary, hybridized enquiry that operates restlessly along the threshold of writing/art, involving performative, collaborative and creative prose approaches to writing about, parallel to and as art practice. Cocker's recent writing has been published in Failure, 2010; Stillness in a Mobile World, 2011; Drawing a Hypothesis: Figures of Thought, 2011; Hyperdrawing: Beyond the Lines of Contemporary Art, 2012; On Not Knowing: How Artists Think, 2013, and Reading/Feeling, 2013.
Friday, 22 June 2007
Transmission : Speaking and Listening Publication
From 2001 -5 I was one of the co-editors of the publication and lecture series, Transmission : Speaking and Listening Volumes 3 - 5, which is a collaboration between Site Gallery and Sheffield Hallam University. Volumes 3- 5 took up the themes Daily Encounters, Provenance / Inscription and Ornament and Utility/ Responsibility, inviting artists, curators and speakers from other disciplines to respond. the resulting discussions formed the basis of the publications. The publications listed below can be bought from www.cornerhouse.org/books/
Volume 5: Daily Encounters
Editors Emma Cocker, Sharon Kivland, Jaspar Joseph Lester
Volume 5, the last in this series of publications developed from lecture series, addresses the habits and rituals shaping our everyday lives, and their relation with art. When taken out of the context of the everyday and made into works of art, those practices that we perceive as natural or real appear as constructed fabrications. In exploring the theme of daily encounters , artists and writers address the ways in which art may provoke and antagonize patterns of behaviour and systems of belief that often remain unquestioned. The contributors consider how works of art appropriate and re-deliver the naturalized and the everyday as a series of fictions and, in so doing, reflect the mechanisms and frameworks constructing our lives. Contributors include: Jaspar Joseph-Lester, Becky Shaw, Ryan Gander, Neal Rock, Imogen Stidworthy Neil Cummings and Marysia Lewandowska, Nayan Kulkarni, Mike Marshall, Carey Young, Dave Beech Robert Milin, Doug Fishbone, Richard Wentworth, Hewitt and Jordan, Malcolm Miles, Amanda Beech and Chris Oakley.
Transmission: Speaking and Listening. Vol. 4 Provenance / Inscription (ISBN 1899926666)
Co-editors Emma Cocker, Sharon Kivland, Jaspar Joseph Lester
This is the fourth volume published from the annual series of lectures organised by Sheffield Hallam University and Showroom Cinema, which features leading and emerging artists and other practitioners discussing their works in relation to a particular theme. This volume takes up two themes: Provenance, which generally means the place of origin, and here takes on rather more complex meanings in relation to art and art objects, and the market or value systems that contain them; and Inscription, which addresses the reading of works of art, when they are produced as texts or incorporate text within them. Also included is a symposium on Inscription. The Transmission series makes a significant contribution in mapping current debates about contemporary art. Contributors: Gabriel Gbadamosi, Christopher Landoni, Goshka Macuga, Elizabeth Price, Nigel Cooke, Julian Walker, Nick Stewart, Steve Edwards, Simon Morris, Victor Burgin, Mark Titchner, ArtLab, C. Cullinan and J. Richards, Lucy Harrison, Brigid McLeer, Vera Dieterich and Caroline Rooney, Jane Rendell, Sally O’Reilly, Pavel Büchler
Speaking and Listening Volume 3, Ornament and Utility/ Responsibility (ISBN 1899926518)
Co-editors Emma Cocker, Sharon Kivland, Lesley Sanderson
Transmission: Speaking and Listening is an annual series of lectures organised by the Fine Art Department at Sheffield Hallam University, in collaboration with Site Gallery. Leading and emerging artists from the UK and abroad discuss their work in relation to a particular theme with an audience of students and the public. The discussions, with examples of the artists’ work and specially commissioned essays, are published each year and make a significant contribution to current debate about artistic practice. This volume, the third in the series, takes up two themes: Ornament and Utility, which addresses the question of aesthetic judgement and the use (or usefulness) of a work of art; and Responsibility, which considers the ideology of artistic production.Contributors: Jananne Al-Ani, David Bate, Kate Blacker, Kathrin Böhm, Pavel Büchler, Conroy / Sanderson, Mikey Cuddihy, Eggebert-and-Gould, Dan Hays, David Mabb, Monica Oechsler, Simon Periton, Paul Rooney, George Shaw, Sarah Staton, Jemima Stehli, Essays by Jeanne Randolph and David Thorp