Emma Cocker is a writer-artist based in Sheffield and Reader in Fine Art at Nottingham Trent University. Operating under the title Not Yet There, her research enquiry focuses on the process of artistic endeavour, alongside models of (art) practice and subjectivity that resist the pressure of a single, stable position by remaining wilfully unresolved. Cocker’s work unfolds restlessly along the threshold between writing/art. Whilst embracing the potential of the essayistic (as a tentative effort or trial), her writing includes experimental, performative and collaborative approaches to producing texts parallel to and as art practice. Cocker's recent writing has been published in Failure, 2010; Stillness in a Mobile World, 2010; Drawing a Hypothesis: Figures of Thought, 2011; Hyperdrawing: Beyond the Lines of Contemporary Art, 2012; Reading/Feeling (Affect), 2013; On Not Knowing: How Artists Think, 2013; and as a solo collection entitled The Yes of the No, 2016. She is currently a key-researcher on the project Choreo-graphic Figures: Deviations from the Line, with the artistic research findings published as an accompanying artists' book/research compendium, 2017.

Reading Group: Affect




In partnership with If I Can't Dance I Don't Want to be Part of Your Revolution,  I will be hosting a series of reading group discussions at Site Gallery in Sheffield, for exploring a number of texts relating to the notion of AFFECT. Often used interchangeably with the experience of feeling or emotion, this term can also describe an individual’s capacity to affect others and in turn to be affected by them. Affect was a key concern underpinning the citywide festival Art Sheffield 2010 – Life: A User’s Manual. The reading group forms part of the wider programme of events relating to the forthcoming solo exhibition at Site by Jeremiah Day


There will be more information about the reading groups here.


Background to the reading group.

If I Can’t Dance’s Reading Group is a gathering of artists, critical thinkers, writers and various other readers from in and outside the field of contemporary art, who come together once a month to discuss new topics and directions in performative art practice and their relation to social and political issues. If I Can’t Dance’s current field of research is the notion of affect, which can be read in the light of our continuing investigations into the construction of subjectivity and the politics of identity. It builds on those intellectual paradigms such as performativity, theatricality and feminism(s), all of which have emerged from the activity of If I Can’t Dance over the last years

If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution produces art works and thematic programmes. Departing from a spirit of open questioning and long term enquiry with artists, If I Can’t Dance is dedicated to exploring the evolution and typology of performance and performativity in contemporary art.