Emma Cocker is a writer-artist based in Sheffield and Reader in Fine Art at Nottingham Trent University. Operating under the title Not Yet There, her research enquiry focuses on the process of artistic endeavour, alongside models of (art) practice and subjectivity that resist the pressure of a single, stable position by remaining willfully unresolved. Cocker’s work unfolds restlessly along the threshold between writing/art, often involving experimental, collaborative and performative approaches to writing in dialogue with, parallel to and as art practice. Her recent writing has been published in Failure, 2010; Stillness in a Mobile World, 2010; Drawing a Hypothesis: Figures of Thought, 2011; Hyperdrawing: Beyond the Lines of Contemporary Art, 2012, and On Not Knowing: How Artists Think, 2013, and as a collection entitled The Yes of the No, 2016. She is currently co-researcher on the project Choreo-graphic Figures: Deviations from the Line, 2014 – 2017.

Text: Tactics for Not Knowing: Preparing for the Unexpected

Below is my essay Tactics for Not Knowing: Preparing for the Unexpected commissioned for the forthcoming publication, On Not Knowing: How Artists Think (eds.) Rebecca Fortnum and Elizabeth Fisher (Black Dog Publishing, 2013), which will be presented alongside two collaborative artists' pages (The Italic I, from my collaboration with Clare Thornton, and Re-  performance extracts from my collaboration with Rachel Lois Clapham). More details on the publication to follow soon.