- emma cocker
- Emma Cocker is a writer-artist based in Sheffield and Reader in Fine Art at Nottingham Trent University. Operating under the title Not Yet There, her research enquiry focuses on the process of artistic endeavour, alongside models of (art) practice and subjectivity that resist the pressure of a single, stable position by remaining wilfully unresolved. Cocker’s work unfolds restlessly along the threshold between writing/art. Whilst embracing the potential of the essayistic (as a tentative effort or trial), her writing includes experimental, performative and collaborative approaches to producing texts parallel to and as art practice. Cocker's recent writing has been published in Failure, 2010; Stillness in a Mobile World, 2010; Drawing a Hypothesis: Figures of Thought, 2011; Hyperdrawing: Beyond the Lines of Contemporary Art, 2012; Reading/Feeling (Affect), 2013; On Not Knowing: How Artists Think, 2013; and as a solo collection entitled The Yes of the No, 2016. She is currently a key-researcher on the project Choreo-graphic Figures: Deviations from the Line, with the artistic research findings published as an accompanying artists' book/research compendium, 2017.
Now available for free PDF download, featuring experiments in essaying from:
David Berridge; Rachel Lois Clapham; Emma Cocker; Alex Eisenberg; Fiona Fullam; Alex Hardy; Éilis Kirby; Jenny Lawson; Patricia Lyons; Pete McPartian; John Pinder.
Assembled by David Berridge as part of ESSAYING ESSAYS: A TEMPORARY COLLECTIVE OF READERS, one of seven projects by the FREE PRESS collective exploring economies of ideas and alternative modes of dissemination and exchange.
Download your copy here
FREE PRESS: AN ASSEMBLING no.1
To try, to tentatively attempt
The full PDF of the issue, Nascent can be found below