Emma Cocker is a writer-artist based in Sheffield and Associate Professor in Fine Art at Nottingham Trent University. Operating under the title Not Yet There, Cocker's research enquiry focuses on the process of artistic endeavour, alongside models of (art) practice and subjectivity that resist the pressure of a single, stable position by remaining wilfully unresolved. Her mode of working unfolds restlessly along the threshold between writing/art, including experimental, performative and collaborative approaches to producing texts parallel to and as art practice. Cocker's recent writing has been published in Failure, 2010; Stillness in a Mobile World, 2010; Drawing a Hypothesis: Figures of Thought, 2011; Hyperdrawing: Beyond the Lines of Contemporary Art, 2012; Reading/Feeling (Affect), 2013; On Not Knowing: How Artists Think, 2013; Choreo-graphic Figures: Deviations from the Line, 2017; The Creative Critic: Writing as/about Practice, and as a solo collection entitled The Yes of the No, 2016.

Exhibition: An Exhibition of a Study on Knowledge

An Exhibition of a Study on Knowledge

Opening Event: 13th April 2012: Lecture Performance 'Drawing on Drawing a Hypothesis' with Emma Cocker and Nikolaus Gansterer. Artists: Rossella Biscotti, Marjolijn Dijkman, Nikolaus Gansterer, Toril Johannessen, Pilvi Takala, Haegue Yang, Gernot Wieland

The knowledge society, designed for livelong learning, serves as foundation of the present capitalist order, cognitive capitalism, which foregrounds multiplicity evoked through cognitive work in knowledge economies. Here knowledge is not longer a tool but becomes the actual ‘product’. Such to a large extent interdisciplinary functioning economies involve a broad range of specialists: economists, computer scientists, engineers, mathematicians, geographers, chemists and physicists, as well as cognitivists, psychologists or sociologists. For the knowledge flows they generate, livelong learning, prescient education and communication are increasingly fundamental. Currently, we witness how education stratifies societies and plays an important role in the class struggles in schools and universities. Self-learning methods are becoming increasingly significant as precarious developments in the public education and fields knowledge-production have lead to privatization of knowledge as well as restricted access to education. The exhibition itself as a study brings together a group of international artists in the midst of current changes of the production and position of knowledge. Their artistic practices expand on other domains of critical thinking to bring out scientific, statistical, discursive, empirical, playful or artistic perspectives on knowledge. Aiming at an encapsulation of ephemerality (knowledge), the exhibition will enhance the position of an investigation at large, than a mere display of conceptual objects.

Curated by: Margit Neuhold and Fatos Ustek 
Opening: Friday, April 13, 2012. 6:00 pm
Duration: 14. 4. – 12. 5. 2012
Part of the festival: aktuelle Kunst in Graz: 4. – 6. 5. 2012