Emma Cocker is a writer-artist based in Sheffield and Associate Professor in Fine Art at Nottingham Trent University. Operating under the title Not Yet There, Cocker's research enquiry focuses on the process of artistic endeavour, alongside models of (art) practice and subjectivity that resist the pressure of a single, stable position by remaining wilfully unresolved. Her mode of working unfolds restlessly along the threshold between writing/art, including experimental, performative and collaborative approaches to producing texts parallel to and as art practice. Cocker's recent writing has been published in Failure, 2010; Stillness in a Mobile World, 2010; Drawing a Hypothesis: Figures of Thought, 2011; Hyperdrawing: Beyond the Lines of Contemporary Art, 2012; Reading/Feeling (Affect), 2013; On Not Knowing: How Artists Think, 2013; Choreo-graphic Figures: Deviations from the Line, 2017; The Creative Critic: Writing as/about Practice, and as a solo collection entitled The Yes of the No, 2016.

Book launch: Apeirophobia

Apeirophobia – Karin Kihlberg & Reuben Henry
Book Launch at Motto Berlin, Friday February 17th, at 19.00

Presented by the Reading Room


Apeirophobia by artists Karin Kihlberg & Reuben Henry, designed and co-edited by James Langdon, includes texts by: Emma Cocker / Brian Dillon / Mladen Dolar / Eli Noé. Published by VIVID 2011.

Apeirophobia is a new publication by artists Karin Kihlberg & Reuben Henry exploring the processes of translating an artwork into book format, an extension of a theme in Kihlberg and Henry’s work of things changing form through processes such as memory and recall, documentation and revisiting histories and possible futures.