Emma Cocker is a writer-artist based in Sheffield and Associate Professor in Fine Art at Nottingham Trent University. Operating under the title Not Yet There, Cocker's research enquiry focuses on the process of artistic endeavour, alongside models of (art) practice and subjectivity that resist the pressure of a single, stable position by remaining wilfully unresolved. Her mode of working unfolds restlessly along the threshold between writing/art, including experimental, performative and collaborative approaches to producing texts parallel to and as art practice. Cocker's recent writing has been published in Failure, 2010; Stillness in a Mobile World, 2010; Drawing a Hypothesis: Figures of Thought, 2011; Hyperdrawing: Beyond the Lines of Contemporary Art, 2012; Reading/Feeling (Affect), 2013; On Not Knowing: How Artists Think, 2013; Choreo-graphic Figures: Deviations from the Line, 2017; The Creative Critic: Writing as/about Practice, and as a solo collection entitled The Yes of the No, 2016.

Performance: Re- (Afterlive)

Below are images from the performance reading Re- which was presented as part of the launch event for Afterlive at Norwich Arts Centre on Saturday 4th September. The performance reading was presented in conjunction with Re- (Reader). Re- is an iterative work which responds and is reworked in relation to the specificity of an invitation to perform. A previous iteration of the work can be found here. 


Re-
Rachel Lois Clapham and Emma Cocker essay the relationship between performance/document, live/recording, writing/written. This collaborative reading presses on two writers – and two writing practices- coming together to explore process, product and performance (of text).