Emma Cocker is a writer-artist based in Sheffield and Reader in Fine Art at Nottingham Trent University. Operating under the title Not Yet There, her research enquiry focuses on the process of artistic endeavour, alongside models of (art) practice and subjectivity that resist the pressure of a single, stable position by remaining wilfully unresolved. Cocker’s work unfolds restlessly along the threshold between writing/art. Whilst embracing the potential of the essayistic (as a tentative effort or trial), her writing includes experimental, performative and collaborative approaches to producing texts parallel to and as art practice. Cocker's recent writing has been published in Failure, 2010; Stillness in a Mobile World, 2010; Drawing a Hypothesis: Figures of Thought, 2011; Hyperdrawing: Beyond the Lines of Contemporary Art, 2012; Reading/Feeling (Affect), 2013; On Not Knowing: How Artists Think, 2013; and as a solo collection entitled The Yes of the No, 2016. She is currently a key-researcher on the project Choreo-graphic Figures: Deviations from the Line, with the artistic research findings published as an accompanying artists' book/research compendium, 2017.

Interview: Meaningful Meaninglessness

Below is a transcript from the 'in conversation' I had with artist Candice Jacobs at G39 in Cardiff. The text chimes with some of the ideas explored in my recent text, Without Rhyme or Reason on the work of Vlatka Horvat. An edited version of the transcript will be appearing in a forthcoming issue of the Nottingham Visual Arts magazine. 

Image: Candice Jacobs, Sculpture made by crane driver using the crane and materials on site at 'Nottingham Contemporary' and documented from the cab of the crane by the crane driver using his mobile phone, (2008)

Meaningful Meaninglessness