Emma Cocker is a writer-artist based in Sheffield and Associate Professor in Fine Art at Nottingham Trent University. Operating under the title Not Yet There, Cocker's research focuses on the process of artistic exploration and the performing of ‘thinking-in-action’ emerging therein; on models of (art) practice and subjectivity that resist the pressure of a single, stable position by remaining wilfully unresolved. Her mode of working unfolds restlessly along the threshold between writing/art, including experimental, performative and collaborative approaches to producing texts parallel to and as art practice. Cocker's recent writing has been published in Failure, 2010; Stillness in a Mobile World, 2010; Drawing a Hypothesis: Figures of Thought, 2011; Hyperdrawing: Beyond the Lines of Contemporary Art, 2012; Reading/Feeling (Affect), 2013; On Not Knowing: How Artists Think, 2013; Choreo-graphic Figures: Deviations from the Line, 2017; The Creative Critic: Writing as/about Practice, and as a solo collection entitled The Yes of the No, 2016.

Publication: Field Notes - Extracts from an Event

Below are the PDF layouts of two text works, Field Notes: Extracts from an Event and Pay Attention to the Footnotes, which have both been commissioned for the publication, The Edge of Europe. Both works offer different responses to aspects of the ANTI festival in Kuopio, which I attended in September and October. Field Notes: Extracts from an Event is a 'partial' report on the ANTI festival seminar, Writing, Language and Site, Kuopio, 2010, which attempts to capture something of 'what was in the air' rather than presenting an accurate account of the seminar proceedings. Pay Attention to the Footnotes presents a series of postcards documented during the timeframe of ANTI festival, Kuopio, Finland 29th September – 3rd October. The documentation attempts to provide a tangential record of the festival, whilst testing a project conceived in relation to urban city space against the site-specificity of Kuopio.

More to follow soon.