Emma Cocker is a writer-artist and Reader in Fine Art at Nottingham Trent University. Operating under the title Not Yet There, her research often addresses the endeavour of creative labour, focusing on models of (art) practice and subjectivity that resist or refuse the pressure of a single or stable position by remaining willfully unresolved. Not Yet There unfolds as an interdisciplinary, hybridized enquiry that operates restlessly along the threshold of writing/art, involving performative, collaborative and creative prose approaches to writing about, parallel to and as art practice. Cocker's recent writing has been published in Failure, 2010; Stillness in a Mobile World, 2011; Drawing a Hypothesis: Figures of Thought, 2011; Hyperdrawing: Beyond the Lines of Contemporary Art, 2012; On Not Knowing: How Artists Think, 2013, and Reading/Feeling, 2013.

Sunday, 14 November 2010

Publication: Field Notes - Extracts from an Event

Below are the PDF layouts of two text works, Field Notes: Extracts from an Event and Pay Attention to the Footnotes, which have both been commissioned for the publication, The Edge of Europe. Both works offer different responses to aspects of the ANTI festival in Kuopio, which I attended in September and October. Field Notes: Extracts from an Event is a 'partial' report on the ANTI festival seminar, Writing, Language and Site, Kuopio, 2010, which attempts to capture something of 'what was in the air' rather than presenting an accurate account of the seminar proceedings. Pay Attention to the Footnotes presents a series of postcards documented during the timeframe of ANTI festival, Kuopio, Finland 29th September – 3rd October. The documentation attempts to provide a tangential record of the festival, whilst testing a project conceived in relation to urban city space against the site-specificity of Kuopio.

More to follow soon.