Emma Cocker is a writer-artist whose research focuses on artistic processes and practices, and the performing of thinking-in-action therein. Cocker’s language-based artistic research comprises a matrix of writing, reading and conversation practices, including diverse process-oriented, dialogic-collaborative and aesthetic-poetic approaches to working with and through language. Cocker’s writing has been published in Failure, 2010; Stillness in a Mobile World, 2010; Drawing a Hypothesis: Figures of Thought, 2011; Hyperdrawing: Beyond the Lines of Contemporary Art, 2012; On Not Knowing: How Artists Think, 2013; Choreo-graphic Figures: Deviations from the Line, 2017; The Creative Critic: Writing as/about Practice, 2018; Live Coding: A User's Manual, 2023, and in the solo collections, The Yes of the No, 2016, and How Do You Do?, 2024. Cocker is co-founder of the international Society for Artistic Research Special Interest Group for Language-based Artistic Research. She is Associate Professor in Fine Art, Nottingham Trent University.

Publication: Field Notes - Extracts from an Event

Below are the PDF layouts of two text works, Field Notes: Extracts from an Event and Pay Attention to the Footnotes, which have both been commissioned for the publication, The Edge of Europe. Both works offer different responses to aspects of the ANTI festival in Kuopio, which I attended in September and October. Field Notes: Extracts from an Event is a 'partial' report on the ANTI festival seminar, Writing, Language and Site, Kuopio, 2010, which attempts to capture something of 'what was in the air' rather than presenting an accurate account of the seminar proceedings. Pay Attention to the Footnotes presents a series of postcards documented during the timeframe of ANTI festival, Kuopio, Finland 29th September – 3rd October. The documentation attempts to provide a tangential record of the festival, whilst testing a project conceived in relation to urban city space against the site-specificity of Kuopio.

More to follow soon.