Emma Cocker is a writer-artist based in Sheffield and Reader in Fine Art at Nottingham Trent University. Operating under the title Not Yet There, her research enquiry focuses on the process of artistic endeavour, alongside models of (art) practice and subjectivity that resist the pressure of a single, stable position by remaining wilfully unresolved. Cocker’s work unfolds restlessly along the threshold between writing/art. Whilst embracing the potential of the essayistic (as a tentative effort or trial), her writing includes experimental, performative and collaborative approaches to producing texts parallel to and as art practice. Cocker's recent writing has been published in Failure, 2010; Stillness in a Mobile World, 2010; Drawing a Hypothesis: Figures of Thought, 2011; Hyperdrawing: Beyond the Lines of Contemporary Art, 2012; Reading/Feeling (Affect), 2013; On Not Knowing: How Artists Think, 2013; and as a solo collection entitled The Yes of the No, 2016. She is currently a key-researcher on the project Choreo-graphic Figures: Deviations from the Line, with the artistic research findings published as an accompanying artists' book/research compendium, 2017.

Exhibition/Project: UNFIXED



Image: Rachel Lois Clapham and Emma Cocker, Re- (UNFIXED), 2010



READING FOR READING'S SAKE: UNFIXED

2nd December—4th December '10
Reading for Reading's Sake is an ongoing platform for a discursive series of events that shift in geographical and conjectural location with each installment.

Flat Time House is pleased to host a weekend of events organised by Reading for Reading's Sake with David Berridge, Maurice Carlin, Rachel Lois Clapham and Emma Cocker, Patrick Coyle, Ella Finer, John Hill, Helen Kaplinsky and Stefan Sulzer



To read is to absorb, comprehend, determine and evaluate. These processes come to pass not only in the interpretation of a text, but in the perception of any given material. All material is data to be read, accordingly all material is privy to the particular positioning of a participant within a given time and space. 

John Latham understood books as symbols of fixed knowledge. The printed word, inscribed for its purpose in a particular moment lays unchanged, whilst the universe moves on regardless. How can artists reactivate the fixedness of publications and make the words move with the universe?

Contributors to the programme work with an attention to the publicness and privateness of any given reading moment and the activation therein. Certain discourses reappear across works in the show, most prominently: collectivity and singularity, text as score, pedagogy, haptic gestures, instruction and fallibility, displaced words, the mediation of one text with another, dissemination, dialogue, bodies of knowledge, publishing as performance, and the fixedness of the printed word. 



Rachel Lois Clapham and Emma Cocker
Re – (UNFIXED) 

Re – is an ongoing, iterative performance reading that presses on two writers – and two writing practices – coming together to explore process, product and performance (of text). For UNFIXEDRachel Lois Clapham and Emma Cocker present a re-iteration of Re – that essays the relationship between performance/document, live/recording, writing/written through the collision of spoken, textual and gestural languages. This re-staging (of a previous performance, Re – Afterlive) attempts to re-activate or unfix how the performance document functions, where the disparate parts or fragments of documentation inevitably begin to fall out of sync, creating the potential for new connections and relations between the different elements of the work. Presented side-by-side, two monitors relay fragments of a performance, two facets of the same event rubbing up against one another: the promise of dialogue. A live spoken text fluctuates in and out of the installation – sometimes as a scheduled reading for an audience, at times unannounced, on other occasions silently – at first attempting to synchronize with the elements presented on the monitors, but gradually failing to keep pace over time.


Programme: 

Thursday 2 December 6 - 9pm


6pm Launch of GO WITH ME
Library of offprints * run by Helen Kaplinsky and Maurice Carlin


7pm Performances by David Berridge, Patrick Coyle, Ella Finer and John Hill



*An offprint is an excerpt from a larger publication. Please bring an offprint to donate to the library along with an instruction for reading to accompany this. Visitors are invited to borrow offprints from the library over the weekend. On Saturday afternoon there will be a discussion of readings made over the period of the show. Donations to the library will be taken throughout December



Friday 3 December 12 - 6pm

2pm Flat Time Seminar A discussion of John Latham's theoretical writings with Flat Time House's Mental Furniture Department

3.30pm Reading as Publishing Workshop and presentation by David Berridge



Saturday 4 December 12 - 6pm

2pm Screening of Stefan Sulzer's project The Reading Room
3pm Re - (Unfixed) A reading by Rachel Lois Clapham and Emma Cocker

4pm GO WITH ME drop in reading group to return and discuss texts in the library



Events are free and open to all. To RSVP for a specific event and for reading lists please contact info@flattimeho.org.uk




Over the past year Reading for Readings Sake have organised a series of symposia focused on reading, through artistic practice. Over 20 programmed events have taken place at venues including Spike Island, Bristol, Islington Mill, Salford