Emma Cocker is a writer-artist based in Sheffield and Reader in Fine Art at Nottingham Trent University. Operating under the title Not Yet There, her research enquiry focuses on the process of artistic endeavour, alongside models of (art) practice and subjectivity that resist the pressure of a single, stable position by remaining wilfully unresolved. Cocker’s work unfolds restlessly along the threshold between writing/art. Whilst embracing the potential of the essayistic (as a tentative effort or trial), her writing includes experimental, performative and collaborative approaches to producing texts parallel to and as art practice. Cocker's recent writing has been published in Failure, 2010; Stillness in a Mobile World, 2010; Drawing a Hypothesis: Figures of Thought, 2011; Hyperdrawing: Beyond the Lines of Contemporary Art, 2012; Reading/Feeling (Affect), 2013; On Not Knowing: How Artists Think, 2013; and as a solo collection entitled The Yes of the No, 2016. She is currently a key-researcher on the project Choreo-graphic Figures: Deviations from the Line, with the artistic research findings published as an accompanying artists' book/research compendium, 2017.

Publication: Hives, Tribes, Assemblages: New Collectivities

My essay ‘R.S.V.P. Choreographing Collectivity through Invitation and Response’ has been accepted for a forthcoming issue of the online journal Rhizomes, entitled Hives, Tribes, Assemblages: New Collectivities.

Hives, Tribes, Assemblages: New Collectivities
In introducing A Thousand Plateaus Deleuze and Guattari famously quipped: "The two of us wrote Anti-Oedipus together. Since each of us was several, there was already quite a crowd." And matters only get more congested as their mental geography unfolds among landscapes traversed by herds, swarms, bands, gangs, hoards, flocks, packs, masses and multiple other collective becomings. This special issue of Rhizomes invites essays and multimodal works that consider new manifestations of and approaches to collectively, community or other multiplicities—whether inspired by Deleuze & Guattari or not. Topics might include: intentional (or unintentional) communities; queer convergences; revolutionary congregations; posthuman aggregations; cross-species collaborations; symbiogeneses; collective intelligence; fan groups and other bolos of shared enthusiasms; flash mobs; clown armies; temporary activist assemblies; sleeper cells; conspiracies and other collective panic attacks; lodges; covens; communes; clubs; colonies; coalitions; digital swarms; tribalisms; hive minds; distributed contagions; panarchies; new ecological assemblages.
Background to Rhizomes journal
Rhizomes oppose the idea that knowledge must grow in a tree structure from previously accepted ideas. New thinking need not follow established patterns. Rhizomes promotes experimental work located outside current disciplines, work that has no proper location.