Emma Cocker is a writer-artist and Associate Professor in Fine Art at Nottingham Trent University, UK. Her research enquiry unfolds at the threshold between writing/art, involving diverse process-oriented, dialogic-collaborative and aesthetic-poetic approaches to working with and through language. Cocker often works in collaboration with other artists on durational projects, where the studio-gallery or site-specific context is approached as a live laboratory for shared artistic research. Cocker’s writing has been published in Failure, 2010; Stillness in a Mobile World, 2010; Drawing a Hypothesis: Figures of Thought, 2011; Hyperdrawing: Beyond the Lines of Contemporary Art, 2012; On Not Knowing: How Artists Think, 2013; Choreo-graphic Figures: Deviations from the Line, 2017; The Creative Critic: Writing as/about Practice, 2018; Live Coding: A User's Manual, 2023, and in the solo collections, The Yes of the No, 2016, and How Do You Do?, 2025. Cocker is co-founder of the international Society for Artistic Research Special Interest Group for Language-based Artistic Research. See also https://orcid.org/0000-0002-2985-7839

Project: Summer Lab update


Summer Method Lab
14 July – 14 August 2016
AILab, Vienna, in conjunction with ImPulsTanz



During the Summer Lab 2016, we – Nikolaus Gansterer, Mariella Greil and Emma Cocker – staged an intensive residency laboratory in collaboration with AILab and ImPulsTanz Festival. In dialogue with a team of international critical interlocutors and guests including Alex Arteaga, Lilia Mestre, Werner Möbius, Jörg Piringer and Christine De Smedt, this research residency focused towards experimental forms of publication, for ‘making public’ the live intensity of our exploration, its moments of discovery and revelation. An account and documentation of this phase of our research project can be found here.