Emma Cocker is a writer-artist based in Sheffield and Associate Professor in Fine Art at Nottingham Trent University. Operating under the title Not Yet There, Cocker's research enquiry focuses on the process of artistic endeavour, alongside models of (art) practice and subjectivity that resist the pressure of a single, stable position by remaining wilfully unresolved. Her mode of working unfolds restlessly along the threshold between writing/art, including experimental, performative and collaborative approaches to producing texts parallel to and as art practice. Cocker's recent writing has been published in Failure, 2010; Stillness in a Mobile World, 2010; Drawing a Hypothesis: Figures of Thought, 2011; Hyperdrawing: Beyond the Lines of Contemporary Art, 2012; Reading/Feeling (Affect), 2013; On Not Knowing: How Artists Think, 2013; Choreo-graphic Figures: Deviations from the Line, 2017; The Creative Critic: Writing as/about Practice, and as a solo collection entitled The Yes of the No, 2016.

Lecture: Transmission - Who is the Artist?


I have been invited to give an 'artist's' talk as part of the Sheffield Hallam Transmission artists lecture series, on Tuesday 24 January 2017, 4.00pm



About the lecture series: The Transmission lecture series takes as its theme for 2016 to 2017 the question of who is an artist. This is not a faint echo of Joseph’s Beuys’s famous statement, reiterated endlessly by Beuys and others, that everyone is an artist (by which in any case, Beuys intended to suggest that everyone could apply a bit of creative thinking in whatever field they work, rather than that sort of thinking belonging solely to those who call themselves artists). We ask if it in an act of self-identification to name oneself an artist, or if it is exteriorised, that one is named as such by others. We ask if one learns to call oneself an artist, or if the title precedes the act, even produces it, as though an autopoesis, in response to or as part of an environment or system (or what might occur or be invested beyond this). We ask if to be an artist is more than a business term, one produced by and subject to market forces; if it is more than a job or less than a job or unlike a job. We ask if it demands a measure of skill, of technical competence, and to what extent this is contingent on cultural determination (and likewise, we suppose, for terms such as beauty). We ask what lies in a name and in a title. Transmission is convened by, Sharon Kivland, TC McCormack, Hester Reeve, and Julie Westerman, in collaboration with Site Gallery, Sheffield. The programme for 2016-17 is available here.