Emma Cocker is a writer-artist based in Sheffield and Reader in Fine Art at Nottingham Trent University. Operating under the title Not Yet There, her research enquiry focuses on the process of artistic endeavour, alongside models of (art) practice and subjectivity that resist the pressure of a single, stable position by remaining wilfully unresolved. Cocker’s work unfolds restlessly along the threshold between writing/art. Whilst embracing the potential of the essayistic (as a tentative effort or trial), her writing includes experimental, performative and collaborative approaches to producing texts parallel to and as art practice. Cocker's recent writing has been published in Failure, 2010; Stillness in a Mobile World, 2010; Drawing a Hypothesis: Figures of Thought, 2011; Hyperdrawing: Beyond the Lines of Contemporary Art, 2012; Reading/Feeling (Affect), 2013; On Not Knowing: How Artists Think, 2013; and as a solo collection entitled The Yes of the No, 2016. She is currently a key-researcher on the project Choreo-graphic Figures: Deviations from the Line, with the artistic research findings published as an accompanying artists' book/research compendium, 2017.

Event + Writing: Margins of Indeterminacy

Exhibition Tour
Agnieska Polska and Raphael Hefti
17th December 2014: 6pm - 6.45pm

I have been invited to explore both exhibitions – Agnieska Polska and Raphael Hefti - through the prism of my own research interests, in relation to the process of practice and of ‘not knowing’. My introduction will focus around the idea of ‘Margins of Indeterminacy’ drawing also on a text I have recently produced for Camera Austria, responding to Hefti’s work in the current exhibition. A version of the text can be read below.

Raphael Hefti, installation view of Raw Draw at RaebervonStenglin, 2014. 
Courtesy the artist and RaebervonStenglin