Emma Cocker is a writer-artist based in Sheffield and Associate Professor in Fine Art at Nottingham Trent University. Operating under the title Not Yet There, Cocker's research enquiry focuses on the process of artistic endeavour, alongside models of (art) practice and subjectivity that resist the pressure of a single, stable position by remaining wilfully unresolved. Her mode of working unfolds restlessly along the threshold between writing/art, including experimental, performative and collaborative approaches to producing texts parallel to and as art practice. Cocker's recent writing has been published in Failure, 2010; Stillness in a Mobile World, 2010; Drawing a Hypothesis: Figures of Thought, 2011; Hyperdrawing: Beyond the Lines of Contemporary Art, 2012; Reading/Feeling (Affect), 2013; On Not Knowing: How Artists Think, 2013; Choreo-graphic Figures: Deviations from the Line, 2017; The Creative Critic: Writing as/about Practice, and as a solo collection entitled The Yes of the No, 2016.

Reading Group: Spinoza’s Concept of Affect


Affect Readings @ Site Gallery, Sheffield
Thursday 3 May 2012, 6pm onwards
Spinoza’s Concept of Affect

The final reading group session at Site moves from considering the affective potential of collective witnessing, towards a return to origins of sorts – engaging with the notion of affect through the prism of a specifically Deleuzian-Spinozist set of readings. The session takes Gilles Deleuze’s Lecture on Spinoza’s Concept of Affect (Cours Vincennes, 1978) as its starting point for discussion, alongside the additional reading of the chapter Spinoza and Us (taken from Gilles Deleuze, Spinoza: Practical Philosophy, 1988).