Emma Cocker is a writer-artist based in Sheffield and Associate Professor in Fine Art at Nottingham Trent University. Operating under the title Not Yet There, Cocker's research enquiry focuses on the process of artistic endeavour, alongside models of (art) practice and subjectivity that resist the pressure of a single, stable position by remaining wilfully unresolved. Her mode of working unfolds restlessly along the threshold between writing/art, including experimental, performative and collaborative approaches to producing texts parallel to and as art practice. Cocker's recent writing has been published in Failure, 2010; Stillness in a Mobile World, 2010; Drawing a Hypothesis: Figures of Thought, 2011; Hyperdrawing: Beyond the Lines of Contemporary Art, 2012; Reading/Feeling (Affect), 2013; On Not Knowing: How Artists Think, 2013; Choreo-graphic Figures: Deviations from the Line, 2017; The Creative Critic: Writing as/about Practice, and as a solo collection entitled The Yes of the No, 2016.

Event: Site/Off-Site/Non-Site

Wednesday 11 April, 10 – 12.00

Nottingham Trent University
Becky Beinart and Mat Trivett (Wasteland Twinning Project); Jennie Syson (Hinterland) and Emma Cocker (Urban Retreat / Manual for Marginal Places).
This lecture explores three different projects that deal with specific marginal sites as their point of provocation. Drawing on the experiences of these projects, invited speakers interrogate the critical and creative potential of the wastleand or 'edgeland', addressing notions of liminality, classification and questions around the social, ecological and cultural value of the marginal landscape.
Suggested Reading
Ignasi de Solà-Morales, Terrain Vague