Emma Cocker is a writer-artist whose research focuses on artistic processes and practices, and the performing of thinking-in-action therein. Cocker’s language-based artistic research comprises a matrix of writing, reading and conversation practices, including diverse process-oriented, dialogic-collaborative and aesthetic-poetic approaches to working with and through language. Cocker’s writing has been published in Failure, 2010; Stillness in a Mobile World, 2010; Drawing a Hypothesis: Figures of Thought, 2011; Hyperdrawing: Beyond the Lines of Contemporary Art, 2012; On Not Knowing: How Artists Think, 2013; Choreo-graphic Figures: Deviations from the Line, 2017; The Creative Critic: Writing as/about Practice, 2018; Live Coding: A User's Manual, 2023, and in the solo collections, The Yes of the No, 2016, and How Do You Do?, 2024. Cocker is co-founder of the international Society for Artistic Research Special Interest Group for Language-based Artistic Research. She is Associate Professor in Fine Art, Nottingham Trent University.

Performance: Drawing on Drawing a Hypothesis (III)


On 23 November 2011, Nikolaus Gansterer and Emma Cocker presented the third iteration of their performance lecture Drawing on Drawing a Hypothesis at the Kunsthalle Project Space in Vienna. Previous iterations of the lecture took place at (Part I) M HKA, Antwerp and (Part II) KNAW. A further iteration of the work will take place in Berlin (February 2012). Below are some images from the launch event and from the performance-lecture (Chapters I - VI).