19 May 10.45 - 8pm
Old Mining Building, University of Leeds, Woodhouse Lane, Leeds LS2 9JT
Contributors include David Berridge, Rachel Lois Clapham, Emma Cocker, Victoria Gray, Claire Hind, Mary Paterson
Charles Olson’s Projective Verse invites writing to be considered spatially, as OPEN, or as FIELD (of) composition in three dimensions. His proposition is one of text as space of action, of breath as punctuation, and of the bodily pressures of writing in which ‘form is never more than an extension of content’. Drawing together the practices of UK artists and writers, this day-long event attempts to further explore notions of physical and spatial writing, drawing on the installation Re – (WRITING (the) SPACE) and Olson’s notion of Projective Verse.
10.45 – 6pm: OPEN OLSON OPEN Laboratory
A laboratory exploring practice-based examples of Olson’s Projective Verse. Presenting is David Berridge talking on PHRASE POETICS and Olson’s “field”, Rachel Lois Clapham on FINGER and three dimensional ‘diagramming’, Emma Cocker explores the 'spacing' of extraction, condensation and close reading, Victoria Gray unpicks her performance of Loop (2011), Claire Hind examines voice and breath in response to Olson’s insistence upon the author’s body and Mary Paterson uses her online text 'Navigation Through Unbound' as a case study for writing the unknown. Audience space is limited so booking essential, please email firstname.lastname@example.org.
6-8pm : How is Art Writing?
Dinner, drink and a live performance by Giles Bailey as part of the In a word…artists’ dinner series. Free but booking essential via email@example.com or by clicking here.
This event has been developed in conjunction with the exhibition WRITING (the) SPACE, a presentation of the project Re – by Rachel Lois Clapham and Emma Cocker at the Wild Pansy Project Space.