Emma Cocker is a writer-artist based in Sheffield and Associate Professor in Fine Art at Nottingham Trent University. Operating under the title Not Yet There, Cocker's research focuses on artistic processes and practices, and the performing of ‘thinking-in-action’ emerging therein; on models of (art) practice and subjectivity that resist the pressure of a single, stable position by remaining wilfully unresolved. Her mode of working unfolds restlessly along the threshold between writing/art, including experimental, performative and collaborative approaches. Cocker's practice involves ‘contiguous writing’ — a mode of creative-critical writing that seeks to touch upon rather than being explicitly about. Her writing has been published in Failure, 2010; Stillness in a Mobile World, 2010; Drawing a Hypothesis: Figures of Thought, 2011; Hyperdrawing: Beyond the Lines of Contemporary Art, 2012; Reading/Feeling (Affect), 2013; On Not Knowing: How Artists Think, 2013; Choreo-graphic Figures: Deviations from the Line, 2017; The Creative Critic: Writing as/about Practice, and as a solo collection, The Yes of the No, 2016.

Publication: Cultural Borrowings

The publication Cultural Borrowings: Appropriation, Reworking, Transformation (ed.) Iain Robert Smith is now available to buy as a hard copy here. The publication was previously only available as an online resource and e-book hereCultural Borrowings: Appropriation, Reworking, Transformation includes my essay ‘Ethical Possession: Borrowing from the Archives’ which investigates the appropriation or 'borrowing' of existing found-footage and archival material within artists' film and video through the prism of the work of Yervant Gianikian and Angela Ricci Lucchi.