Emma Cocker is a writer-artist and Associate Professor in Fine Art at Nottingham Trent University, UK. Her research enquiry unfolds at the threshold between writing/art, involving diverse process-oriented, dialogic-collaborative and aesthetic-poetic approaches to working with and through language. Cocker often works in collaboration with other artists on durational projects, where the studio-gallery or site-specific context is approached as a live laboratory for shared artistic research. Cocker’s writing has been published in Failure, 2010; Stillness in a Mobile World, 2010; Drawing a Hypothesis: Figures of Thought, 2011; Hyperdrawing: Beyond the Lines of Contemporary Art, 2012; On Not Knowing: How Artists Think, 2013; Choreo-graphic Figures: Deviations from the Line, 2017; The Creative Critic: Writing as/about Practice, 2018; Live Coding: A User's Manual, 2023, and in the solo collections, The Yes of the No, 2016, and How Do You Do?, 2025. Cocker is co-founder of the international Society for Artistic Research Special Interest Group for Language-based Artistic Research. See also https://orcid.org/0000-0002-2985-7839

Publication: Being in Two Minds


My article 'Being in Two Minds' and interview 'Beyond Belief' with artist Ben Judd have both been published in the online magazine /Seconds. The interview has also been published in the online journal Soanyway, in Issue 7, Something and Nothing.





Soanyway is an international project centred on words, pictures and sound that tell stories. We interpret the idea of a ‘story’ very openly, in relation to fact and fiction, narration or implication, and structure or a lack of it. And we regard most history, theory and critique as stories about stories. The work is eclectic as usual, including writing, poetry, music, photography, painting, and video.