An excerpt from my essay 'Over and Over, Again and Again' has been selected for inclusion in Failure, ed. Lisa Le Feuvre, (Documents of Contemporary Art Series, MIT Press/Whitechapel Gallery). This text belongs to a cluster of research entitled The Potentiality of Failure (within my broader research enquiry, Not Yet There. It focuses on developing a vocabulary for advocating a critical value for failure, by positing it as a form of resistance to or refusal of the dominant progressive, teleological or goal-oriented tendencies of contemporary experience. Central to this enquiry is an elaboration of a specifically Sisyphean model of failure, where the familiar (but habitually under-interrogated) figure of Sisyphus is considered as a cipher for investigating irresolution and incompletion as purposeful, generative strategies within artistic activity, where practice is valued as a contingent space of rehearsal, trial and endeavour. This enquiry focuses on an analysis of contemporary and historical practices where the ‘fail and repeat’ gesture is used as a critical device to thwart or challenge the authority within models of normative (habitually outcome or result-oriented) ‘success’. An text extract (of over 4000 words) is going to be included in Failure (ed.) Lisa Le Feuvre (Documents of Contemporary Art series, Whitechapel /MIT, 2010), a survey publication including writing by Giorgio Agamben, Samuel Beckett, Gilles Deleuze, Jörg Heiser and Stuart Morgan.
Below is a draft version of the chapter.
- emma cocker
- Emma Cocker is a writer-artist whose research focuses on artistic processes and practices, and the performing of thinking-in-action therein. Cocker’s language-based artistic research comprises a matrix of writing, reading and conversation practices, including diverse process-oriented, dialogic-collaborative and aesthetic-poetic approaches to working with and through language. Cocker’s writing has been published in Failure, 2010; Stillness in a Mobile World, 2010; Drawing a Hypothesis: Figures of Thought, 2011; Hyperdrawing: Beyond the Lines of Contemporary Art, 2012; On Not Knowing: How Artists Think, 2013; Choreo-graphic Figures: Deviations from the Line, 2017; The Creative Critic: Writing as/about Practice, 2018; Live Coding: A User's Manual, 2023, and in the solo collections, The Yes of the No, 2016, and How Do You Do?, 2024. Cocker is co-founder of the international Society for Artistic Research Special Interest Group for Language-based Artistic Research. She is Associate Professor in Fine Art, Nottingham Trent University.