'All Noble Pursuits' is a developing list of impossible, improbable, abstract or absurd quests and searches. Drawing together the factual and fictional, the searches in the list operate at the point where ‘legitimate research activity’ collapses into the quest for rather more indefinable or speculative (or alternatively Romantic or even quixotic) objectives: the search for everything; final meaning; the real self; love; a third way; extraterrestrial intelligence; individualized therapies; a shared moral order; the perfect drug; hope, faith, and a six-second ride; the origins of his evil; the best strain of bees; the real and right; the missing science of consciousness; distant relatives; a patriarchal ideal; common ground; selective interventions; labour-saving inventions; treasure on a desert island; the Cheddar Man.
Image: still/slide from 'All Noble Pursuits'
This is an ongoing multi-format project which attempts to decontextualise and release the process of exploration from its teleological goal, by liberating existing searches from a sense of definite purpose, enabling them to remain irresolvable or unattainable.
- emma cocker
- Emma Cocker is a writer-artist based in Sheffield and Reader in Fine Art at Nottingham Trent University. Operating under the title Not Yet There, her research enquiry focuses on the process of artistic endeavour, alongside models of (art) practice and subjectivity that resist the pressure of a single, stable position by remaining wilfully unresolved. Cocker’s work unfolds restlessly along the threshold between writing/art. Whilst embracing the potential of the essayistic (as a tentative effort or trial), her writing includes experimental, performative and collaborative approaches to producing texts parallel to and as art practice. Cocker's recent writing has been published in Failure, 2010; Stillness in a Mobile World, 2010; Drawing a Hypothesis: Figures of Thought, 2011; Hyperdrawing: Beyond the Lines of Contemporary Art, 2012; Reading/Feeling (Affect), 2013; On Not Knowing: How Artists Think, 2013; and as a solo collection entitled The Yes of the No, 2016. She is currently a key-researcher on the project Choreo-graphic Figures: Deviations from the Line, with the artistic research findings published as an accompanying artists' book/research compendium, 2017.