I will be chairing and undertaking specific research in relation to this event, organised by my colleague, Frank Abbott
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Performing Space
Friday 22 February 2008
Nottingham Trent University School of Art and Design
Throughout the world new types of communication networks based on wireless interactive ICT technology are transforming our understanding of contemporary public and private space.
They are increasingly being explored by live media artist projects through events like the Radiator Festival (Nottingham), First Play Berlin and Dis-locate (Tokyo). Within other humanities subjects like geography, architecture and social urban planning new insights into the changing nature of public space are being addressed . The research aim of this hybrid workshop is to bring together a range of humanities researchers and artists to examine how the common ground between these disciplines can be developed through examining ICT wireless network strategies borrowed from the work of artists; and conversely how the development of research, particularly in the areas of geography and architecture, can inform the artists` research and development. Arising from the hybrid event will be an account of where related disciplines of geography, architecture and potentially others can collaborate with live media artists and community cultural agencies in ICT led projects. The event will investigate how the outcomes of artist practice can pioneer new areas of engagement. This will specifically be in relation to understanding the technological changes affecting the nature of space in the contemporary environment and the value of engaging in such ICT led research activities.
I am hoping to develop ideas from the symposium into a paper which explores the practice of artists against the foil of the myth of Hermes. See posting on PSi 14: Interregnum: States in Between here
- emma cocker
- Emma Cocker is a writer-artist whose research focuses on artistic processes and practices, and the performing of thinking-in-action therein. Cocker’s language-based artistic research comprises a matrix of writing, reading and conversation practices, including diverse process-oriented, dialogic-collaborative and aesthetic-poetic approaches to working with and through language. Cocker’s writing has been published in Failure, 2010; Stillness in a Mobile World, 2010; Drawing a Hypothesis: Figures of Thought, 2011; Hyperdrawing: Beyond the Lines of Contemporary Art, 2012; On Not Knowing: How Artists Think, 2013; Choreo-graphic Figures: Deviations from the Line, 2017; The Creative Critic: Writing as/about Practice, 2018; Live Coding: A User's Manual, 2023, and in the solo collections, The Yes of the No, 2016, and How Do You Do?, 2024. Cocker is co-founder of the international Society for Artistic Research Special Interest Group for Language-based Artistic Research. She is Associate Professor in Fine Art, Nottingham Trent University.