Emma Cocker is a writer-artist and Associate Professor in Fine Art at Nottingham Trent University, UK. Her research enquiry unfolds at the threshold between writing/art, involving diverse process-oriented, dialogic-collaborative and aesthetic-poetic approaches to working with and through language. Cocker often works in collaboration with other artists on durational projects, where the studio-gallery or site-specific context is approached as a live laboratory for shared artistic research. Cocker’s writing has been published in Failure, 2010; Stillness in a Mobile World, 2010; Drawing a Hypothesis: Figures of Thought, 2011; Hyperdrawing: Beyond the Lines of Contemporary Art, 2012; On Not Knowing: How Artists Think, 2013; Choreo-graphic Figures: Deviations from the Line, 2017; The Creative Critic: Writing as/about Practice, 2018; Live Coding: A User's Manual, 2023, and in the solo collections, The Yes of the No, 2016, and How Do You Do?, 2025. Cocker is co-founder of the international Society for Artistic Research Special Interest Group for Language-based Artistic Research. See also https://orcid.org/0000-0002-2985-7839

Research workshop: Tender Dialogues

Tender Dialogues: Suspending Artistic Research Writing as Meaning-Making

Initiated by Emma Cocker and Lena Séraphin, Tender Dialogues was a 3-hour workshop which took place on 2 July 2022 activated within the frame of the 13th Society of Artistic Research Conference (Mend, Blend, Attend) held at the Bauhaus-Universität Weimar.

 

The proposition for the workshop was to critically assess artistic research writing as meaning-making and suggests suspension of end results in favour of collaborative thought processes. The Tender Dialogues workshop is inspired by the writings of Georges Perec and his book An Attempt at Exhausting a Place in Paris that acknowledges overlooked phenomena in a Parisian square in 1974. The aim is to further develop Perec’s writing experiment by collectively making a non-conclusive inventory of public space, rather than referencing the book. The workshop devices observational writing on civic space. It consists of conversations, readings and writings that challenge language as representation. A procedural approach disentangles writing from singular perspectives and suspends writing from meaning making by an epistemic inquiry that advances open-minded dialogue. The writing bridges the corporeal and cerebral and arrives at circumventing isolated objects and thus lacks control of semantic appearances.

 

In this 180min workshop, we will together test writing in public space beginning with a prompt outlining the role of a sole writer by noting singular words about phenomena in our field of vision. From there we continue to write as a group, a collective that decides on a spatial score for the writers on site, and the observational writing is tested on behalf of bodily perception and sensation. The third prompt continues to be based on bodily awareness, but the writers now move and write simultaneously in a pattern that is collectively decided on. This third writing prompt rejects naming and nouns and is inspired by quantum theory. Each of the three writing sessions is merged with readings and discussions about the experiences of writing and the diverse textual qualities buoyed by a procedural approach. The prompts demonstrate how writing has capacities for forming affinities, how writing can be a collective attempt and therefore attend to reflective collaboration.


More here.