Emma Cocker is a writer-artist whose research focuses on artistic processes and practices, and the performing of thinking-in-action therein. Cocker’s language-based artistic research comprises a matrix of writing, reading and conversation practices, including diverse process-oriented, dialogic-collaborative and aesthetic-poetic approaches to working with and through language. Cocker’s writing has been published in Failure, 2010; Stillness in a Mobile World, 2010; Drawing a Hypothesis: Figures of Thought, 2011; Hyperdrawing: Beyond the Lines of Contemporary Art, 2012; On Not Knowing: How Artists Think, 2013; Choreo-graphic Figures: Deviations from the Line, 2017; The Creative Critic: Writing as/about Practice, 2018; Live Coding: A User's Manual, 2023, and in the solo collections, The Yes of the No, 2016, and How Do You Do?, 2024. Cocker is co-founder of the international Society for Artistic Research Special Interest Group for Language-based Artistic Research. She is Associate Professor in Fine Art, Nottingham Trent University.

Dialogue: Embracing Uncertainty (Centre of Complexity)



On 15 June 2021, I engaged in an invited conversation on ‘Embracing Uncertainty’ with neuroscientist Stuart Firestein to discuss failure and ‘not knowing’ as generative forces from the perspectives of art and science, exploring tactics for knowing how to not know and for embracing uncertainty during uncertain times. The conversation formed part of the programme for the Carry Forward Symposium (June 14-16, 2021) hosted by the Center for Complexity at the Rhode Island School of Design.


More on the conversation here 

More on the overall symposium here