Emma Cocker is a writer-artist based in Sheffield and Associate Professor in Fine Art at Nottingham Trent University. Operating under the title Not Yet There, Cocker's research focuses on artistic processes and practices, and the performing of ‘thinking-in-action’ emerging therein; on models of (art) practice and subjectivity that resist the pressure of a single, stable position by remaining wilfully unresolved. Her mode of working unfolds restlessly along the threshold between writing/art, including experimental, performative and collaborative approaches. Cocker's practice involves ‘contiguous writing’ — a mode of creative-critical writing that seeks to touch upon rather than being explicitly about. Her writing has been published in Failure, 2010; Stillness in a Mobile World, 2010; Drawing a Hypothesis: Figures of Thought, 2011; Hyperdrawing: Beyond the Lines of Contemporary Art, 2012; Reading/Feeling (Affect), 2013; On Not Knowing: How Artists Think, 2013; Choreo-graphic Figures: Deviations from the Line, 2017; The Creative Critic: Writing as/about Practice, and as a solo collection, The Yes of the No, 2016.

Event: Research Pavilion Assembly

Next week I will be in Helsinki for the 3rd 'Assembly' for bringing together researchers in preparation for the Research Pavilion taking place in Venice in the Summer. I am currently involved in a research 'cell' led by Alex Arteaga called Through Phenomena Themselves - this 'cell' will be inhabiting the Research Pavilion throughout May and June. More about the Research Pavilion here. A description of the research cell Through Phenomena Themselves can be read below.

Through Phenomena ThemselvesExploring new possibilities of mutual transformation between artistic and phenomenological research practices 
This research cell proposes an inquiry into research practices developed in two fields—artistic research and phenomenology—that operate with and through phenomena as their object of research or as the primary medium of exposure to and/or of their object of research. Accordingly this cell is to be understood as a network of practice-based research processes on phenomena based and/or phenomena-oriented research practices. The main focus of this research cell is to explore new possibilities of mutual enhancement, refinement and hybridization between specific artistic and phenomenological research practices. Although the research goals might be divergent, both evolving fields of practice share a common base: an interest in the generative nature of our existence, alongside the mobilization of embodied subjectivity in first-person perspective processes of inquiry whose primary objects are emergent, co-constituted, intuitive, evident presences—that is, phenomena.

Shared reflection based on processes of artistic and phenomenological research and the artifacts they produce as well as texts and dialogues in different formats and constellations, will aim to bridge the gaps and mutual misapprehensions that hinder tapping the full potential for the further development of both fields of research. Specifically, interpretations and uses of phenomenological theories by artist researchers can diverge, sometimes fundamentally, from the understanding of these theories in the phenomenological context, focusing on a restricted concept of phenomenology as a set of theories, whilst ignoring that phenomenology is, first of all, a method of research. In parallel, the distance of phenomenologists to artistic practices can result in their reluctance to acknowledge such practices as research. The aim of this research cell is not to defend phenomenology but to investigate unexplored possibilities by exposing phenomenological concepts and practices and practices of artistic research to one another. In this open-ended investigation, critical views elaborated in the framework of process philosophy, poststructuralism, feminism, new materialism and speculative realism will also be addressed.

Cell’s participants (provisory list. State: November 2018): Emmanuel Alloa, Alex Arteaga, Emma Cocker, Alexander Damianisch, Nikolaus Gansterer, Saara Hannula, Esa Kirkkopelto, Tuomas Leitinen, Leena Rouhiainen, Jaakko Ruuska and Tülay Schakir.

This research cell is conceived and coordinated by Alex Arteaga in cooperation with Emma Cocker, Leena Rouhiainen and Alexander Damianisch and produced as a collaboration of the University of Applied Arts Vienna and the University of the Arts Helsinki.