Emma Cocker is a writer-artist and Associate Professor in Fine Art at Nottingham Trent University, UK. Her research enquiry unfolds at the threshold between writing/art, involving diverse process-oriented, dialogic-collaborative and aesthetic-poetic approaches to working with and through language. Cocker often works in collaboration with other artists on durational projects, where the studio-gallery or site-specific context is approached as a live laboratory for shared artistic research. Cocker’s writing has been published in Failure, 2010; Stillness in a Mobile World, 2010; Drawing a Hypothesis: Figures of Thought, 2011; Hyperdrawing: Beyond the Lines of Contemporary Art, 2012; On Not Knowing: How Artists Think, 2013; Choreo-graphic Figures: Deviations from the Line, 2017; The Creative Critic: Writing as/about Practice, 2018; Live Coding: A User's Manual, 2023, and in the solo collections, The Yes of the No, 2016, and How Do You Do?, 2025. Cocker is co-founder of the international Society for Artistic Research Special Interest Group for Language-based Artistic Research. See also https://orcid.org/0000-0002-2985-7839

Publication: Make of It What you Will



I am currently developing and shaping ideas for a forthcoming collection of writing entitled Make of It What You Will, invited by Manchester-based experimental poetry publisher, if p then q. Linked to this, I will be reading fragments of the proposed book (alongside other text-works) as part of a special 10 years experimental poetry celebration of if p then q on 11 July 2018.

Focus on making, rather than making it. Make time; make do; make believe; make light of; make light work of; make the most of. Make up one’s own mind. Make one’s (own) way. Make tracks; make sail, make waves. Make a difference. Make an entrance (however small). Make ends meet. Make a virtue of necessity. Make a day of doing, but make haste slowly. Make some fun, for all work and no play makes Jack a dull boy. Make great play of, but don’t just make the right noises. Don’t just be on the make. That inroad or advance made is often at another’s expense. Remember, as you make your bed so must you lie. Heed that empty vessels often make the most sound; that one swallow does not a summer make; that hope deferred makes the heart sick. So, make a go of it. Make oneself conspicuous: make mischief; make the dust fly. Make heads swim. Make hair stand on end. Make conversation. Make friends not enemies, for many hands make light work. Make common cause. Make something out of nothing. Make it worthwhile. Make no apologies. Do what makes you tick.

Experimental Poetry
11 July 2018, 7 pm
Tim Allen | Lucy Harvest Clarke | Emma Cocker | Stephen Emmerson | Peter Jaeger | Tom Jenks
@ The Peer Hat, 14 - 16 Faraday St, Northern Quarter, Manchester, UK