Emma Cocker is a writer-artist based in Sheffield and Associate Professor in Fine Art at Nottingham Trent University. Operating under the title Not Yet There, Cocker's research enquiry focuses on the process of artistic endeavour, alongside models of (art) practice and subjectivity that resist the pressure of a single, stable position by remaining wilfully unresolved. Her mode of working unfolds restlessly along the threshold between writing/art, including experimental, performative and collaborative approaches to producing texts parallel to and as art practice. Cocker's recent writing has been published in Failure, 2010; Stillness in a Mobile World, 2010; Drawing a Hypothesis: Figures of Thought, 2011; Hyperdrawing: Beyond the Lines of Contemporary Art, 2012; Reading/Feeling (Affect), 2013; On Not Knowing: How Artists Think, 2013; Choreo-graphic Figures: Deviations from the Line, 2017; The Creative Critic: Writing as/about Practice, and as a solo collection entitled The Yes of the No, 2016.

Moving // Dialogues - Modes of Being (Together)



Curated and conceived by choreographer Sara Wookey, Moving // Dialogues: Modes of Being (Together) is a pilot programme and mobile platform that aims to create space and time for moving together and experimenting with forms of dialogue in order to imagine what can become. From 25 - 27 August, 2017 it was hosted by Kitiniras: Artistic Network for Performing Arts in Athens and involved Roderick Schrock, Director of Eyebeam (New York); Rennie Tang, architect and designer (Los Angeles); Emma Cocker, writer-artist (Sheffield/Nottingham, England). The programme consisted of: Moving // mixing and circulating; Improvising // imagination, participation, adaptation; Eating // environments and inter-action; Dialoguing // social interstices, interlocutors and states of encounter; Materialising // making and sharing from doing

*photo credit: Rennie Tang