Between 2 – 9 February 2017, I was working at Zentrum Fokus Forschung in Vienna, with Nikolaus Gansterer, Mariella Greil and designer Simona Koch, on the final content, layout and graphic design of our forthcoming book, Choreo-graphic Figures: Deviations from the Line. how-ness — the qualitative-processual, aesthetic-epistemological and ethico-empathetic dynamics — withinexploration, directing attention to an affective realm of forces and intensities operating before, between and beneath the more readable gestures of artistic practice. Hybrid of an artists-book and research compendium, Choreo-graphic Figures: Deviations from the Line invokes action by operating as a 'score' that can be activated by others, providing artists, theorists and creative practitioners with a modular system of performative and notational tools for future experimental play. More on the publication and related launch events to follow.
- emma cocker
- Emma Cocker is a writer-artist based in Sheffield and Reader in Fine Art at Nottingham Trent University. Operating under the title Not Yet There, her research enquiry focuses on the process of artistic endeavour, alongside models of (art) practice and subjectivity that resist the pressure of a single, stable position by remaining willfully unresolved. Cocker’s work unfolds restlessly along the threshold between writing/art, often involving experimental, collaborative and performative approaches to writing in dialogue with, parallel to and as art practice. Her recent writing has been published in Failure, 2010; Stillness in a Mobile World, 2010; Drawing a Hypothesis: Figures of Thought, 2011; Hyperdrawing: Beyond the Lines of Contemporary Art, 2012, and On Not Knowing: How Artists Think, 2013, and as a collection entitled The Yes of the No, 2016. She is currently co-researcher on the project Choreo-graphic Figures: Deviations from the Line, 2014 – 2017.