Emma Cocker is a writer-artist based in Sheffield and Reader in Fine Art at Nottingham Trent University. Operating under the title Not Yet There, her research enquiry focuses on the process of artistic endeavour, alongside models of (art) practice and subjectivity that resist the pressure of a single, stable position by remaining wilfully unresolved. Cocker’s work unfolds restlessly along the threshold between writing/art. Whilst embracing the potential of the essayistic (as a tentative effort or trial), her writing includes experimental, performative and collaborative approaches to producing texts parallel to and as art practice. Cocker's recent writing has been published in Failure, 2010; Stillness in a Mobile World, 2010; Drawing a Hypothesis: Figures of Thought, 2011; Hyperdrawing: Beyond the Lines of Contemporary Art, 2012; Reading/Feeling (Affect), 2013; On Not Knowing: How Artists Think, 2013; and as a solo collection entitled The Yes of the No, 2016. She is currently a key-researcher on the project Choreo-graphic Figures: Deviations from the Line, with the artistic research findings published as an accompanying artists' book/research compendium, 2017.

Symposium: Showing and Writing Training


On Showing and Writing Training: A Symposium
Department of Drama, Theatre and Dance
Royal Holloway, University of London
Wednesday, 30 November 
14:00 to 17:00 

What is the difference between what you do and how you talk about what you do?
What remains unsaid? What remains undone? What gets undone?
What is impossible to explain?
Who do you think you're talking to?

The special issue of Theatre, Dance and Performance Training 'On Showing and Writing Training' (eds.) Dick McCaw and guest-editor Mary Paterson, brings together writing, improvisation, experimentation and images to explore how performance is made manifest, represented and reproduced through training. In doing so, the journal addresses wider questions about pedagogy, the live and the remembered in relation to the practices of art. This afternoon of discussions aims to celebrate the special issue and further explore these ideas. The event will feature an artist's response from the performer Karen Christopher, as well as talks and provocations from John Hall, Franc Chamberlain, Ysabel Clare, Emma Cocker and Clare Thornton, Joa Hug and other contributors.