Emma Cocker is a writer-artist based in Sheffield and Reader in Fine Art at Nottingham Trent University. Operating under the title Not Yet There, her research enquiry focuses on the process of artistic endeavour, alongside models of (art) practice and subjectivity that resist the pressure of a single, stable position by remaining wilfully unresolved. Cocker’s work unfolds restlessly along the threshold between writing/art. Whilst embracing the potential of the essayistic (as a tentative effort or trial), her writing includes experimental, performative and collaborative approaches to producing texts parallel to and as art practice. Cocker's recent writing has been published in Failure, 2010; Stillness in a Mobile World, 2010; Drawing a Hypothesis: Figures of Thought, 2011; Hyperdrawing: Beyond the Lines of Contemporary Art, 2012; Reading/Feeling (Affect), 2013; On Not Knowing: How Artists Think, 2013; and as a solo collection entitled The Yes of the No, 2016. She is currently a key-researcher on the project Choreo-graphic Figures: Deviations from the Line, with the artistic research findings published as an accompanying artists' book/research compendium, 2017.

Project: Weaving Codes | Coding Weaves

I will be working in Dusseldorf from 25 – 28 January on the Weaving Codes | Coding Weaves project along with Alex Mclean, Ellen Harlizius-Klück, Dave Griffiths and Julian Rohrhuber.

The AHRC project Weaving Codes – Coding Weaves (Alex McLean, Ellen Harlizius-Klück, Dave Griffiths, Emma Cocker) will have their second residency at the IMM, presenting an overview of the project so far and exploring the connection of weaves and codes with the students. We want to explore (tablet-)weaving and live coding together, considering both looms and computers as algorithmic environments for creative work with pattern. The connection between computing and the Jacquard loom is well explored, but we want to go deeper to investigate traditional weaving for its digital nature, including the genesis of discrete mathematics in ancient textile technologies. Thus we like to connect to an alternative account of computer programming with its roots in arts and craft.

As part of this mini-workshop/residency I will be developing ideas for a series of research articles exploring Live Coding in relation to ideas of kairos (opportune timing) and mêtis (cunning or wily intelligence), as well as reflecting on the specific temporalities of live coding.