Emma Cocker is a writer-artist and Associate Professor in Fine Art at Nottingham Trent University, UK. Her research enquiry unfolds at the threshold between writing/art, involving diverse process-oriented, dialogic-collaborative and aesthetic-poetic approaches to working with and through language. Cocker often works in collaboration with other artists on durational projects, where the studio-gallery or site-specific context is approached as a live laboratory for shared artistic research. Cocker’s writing has been published in Failure, 2010; Stillness in a Mobile World, 2010; Drawing a Hypothesis: Figures of Thought, 2011; Hyperdrawing: Beyond the Lines of Contemporary Art, 2012; On Not Knowing: How Artists Think, 2013; Choreo-graphic Figures: Deviations from the Line, 2017; The Creative Critic: Writing as/about Practice, 2018; Live Coding: A User's Manual, 2023, and in the solo collections, The Yes of the No, 2016, and How Do You Do?, 2025. Cocker is co-founder of the international Society for Artistic Research Special Interest Group for Language-based Artistic Research. See also https://orcid.org/0000-0002-2985-7839

Event: Manchester Contemporary




Bloc Projects 
Manchester Contemporary
24 - 27 September 2015

Bloc Projects will be presenting new work by four artists who have featured in our programme over the last 12 months - Helen de Main, Graeme Durant, Louisa Martin and Rebecca Ounstead - alongside editions and publications by Emma Cocker and Victoria Gray, Dale Holmes, Rebecca Lennon, Louisa Martin, David McLeavy and Rebecca Ounstead. The fair previews on Thursday 24 September 2015, find out about the public events programme, location and opening hours here.