Emma Cocker is a writer-artist based in Sheffield and Associate Professor in Fine Art, Nottingham Trent University. Emma's research focuses on artistic processes and practices, and the performing of ‘thinking-in-action’ therein. Her practice unfolds restlessly along the threshold between writing/art, including experimental, performative and collaborative approaches, alongside a mode of ‘contiguous writing’ — a way of writing-with that seeks to touch upon rather than being explicitly about. Her writing is published in Failure, 2010; Stillness in a Mobile World, 2010; Drawing a Hypothesis: Figures of Thought, 2011; Hyperdrawing: Beyond the Lines of Contemporary Art, 2012; Reading/Feeling, 2013; On Not Knowing: How Artists Think, 2013; Choreo-graphic Figures: Deviations from the Line, 2017; The Creative Critic: Writing as/about Practice, and the solo collection, The Yes of the No, 2016. More recently, Emma trained to be a qualified yoga teacher, interested in how a heightened awareness of the body and breath, alongside meditation and attention practices, might be integrated into art-writing, artistic practice, pedagogy and research.

Exhibition: New performative drawing


28 February – 19 March 2014
P74 Gallery,
Ljubljana, Slovenia

The project The Art of Bombing – New performative drawing highlights the performative aspect of drawing and the processual side of its creation, exploring how it connects with performative artistic practices, such as interventions, happenings, public actions, performance art, public lectures, and public art. Back in 1969, Tomaž Šalamun dragged a continuous line around Petrovaradin Fortress in Novi Sad; in ‘The Snake’, Milenko Matanović released wooden sticks tied together with string into the Ljubljanica River, thus they were drawn by the river currents; David Nez used a rope to bend stalks of wheat to create new lines in the landscape.
 The exhibition The Art of Bombing – New performative drawing represents the new generation of this genre, including work by Nikolaus Gansterer and Emma Cocker, Anja Jelovšek, Darinka Pop-Mitič and Veli&Amos. Curated by Tadej Pogačar.