Emma Cocker is a writer-artist based in Sheffield and Reader in Fine Art at Nottingham Trent University. Operating under the title Not Yet There, her research enquiry focuses on the process of artistic endeavour, alongside models of (art) practice and subjectivity that resist the pressure of a single, stable position by remaining wilfully unresolved. Cocker’s work unfolds restlessly along the threshold between writing/art. Whilst embracing the potential of the essayistic (as a tentative effort or trial), her writing includes experimental, performative and collaborative approaches to producing texts parallel to and as art practice. Cocker's recent writing has been published in Failure, 2010; Stillness in a Mobile World, 2010; Drawing a Hypothesis: Figures of Thought, 2011; Hyperdrawing: Beyond the Lines of Contemporary Art, 2012; Reading/Feeling (Affect), 2013; On Not Knowing: How Artists Think, 2013; and as a solo collection entitled The Yes of the No, 2016. She is currently a key-researcher on the project Choreo-graphic Figures: Deviations from the Line, with the artistic research findings published as an accompanying artists' book/research compendium, 2017.

Research Collaboration: Beyond the Line (Part 1)


Between 2 - 7 December 2013, I was working in Vienna at WUK with artist Nikolaus Gansterer and choreographer Mariella Greil on the pilot phase of a project entitled Beyond the Line, developing a working methodology for exploring ideas around interdisciplinary collaboration. Beyond the Line was conceived as ‘test-bed’ for exploring collaborative methods for working between and beyond the disciplinary lines of drawing, dance and writing. Ideas and working processes emerging from Beyond the Line will be developed further as part of a 3-year collaborative research project between myself, Gansterer and Greil entitled Choreo-graphic Figures: Deviations from the Line 2014 – 2017 (funded by the Austrian Program for Arts-based Research, PEEK).