Emma Cocker is a writer-artist based in Sheffield and Reader in Fine Art at Nottingham Trent University. Operating under the title Not Yet There, her research enquiry focuses on the process of artistic endeavour, alongside models of (art) practice and subjectivity that resist the pressure of a single, stable position by remaining wilfully unresolved. Cocker’s work unfolds restlessly along the threshold between writing/art. Whilst embracing the potential of the essayistic (as a tentative effort or trial), her writing includes experimental, performative and collaborative approaches to producing texts parallel to and as art practice. Cocker's recent writing has been published in Failure, 2010; Stillness in a Mobile World, 2010; Drawing a Hypothesis: Figures of Thought, 2011; Hyperdrawing: Beyond the Lines of Contemporary Art, 2012; Reading/Feeling (Affect), 2013; On Not Knowing: How Artists Think, 2013; and as a solo collection entitled The Yes of the No, 2016. She is currently a key-researcher on the project Choreo-graphic Figures: Deviations from the Line, with the artistic research findings published as an accompanying artists' book/research compendium, 2017.

Publication: Performing the City

Performing the City is a new publication/pamphlet produced collaboration with Bianca Scliar Mancini and Sara Wookey. Performing the City brings together material from Movement and the City, an ongoing research project-workshop led by Bianca Scliar Mancini and Sara Wookey, and Experiments Along the Brink of I, a prose response by myself to witnessing and participating in Movement and the City workshops in Zagreb (2009) and Toronto (2010).

Above: Performing the City: Pamphlet cover and 'Experiments Along the Brink of I', Emma Cocker