Emma Cocker is a writer-artist based in Sheffield and Associate Professor in Fine Art at Nottingham Trent University. Operating under the title Not Yet There, Cocker's research enquiry focuses on the process of artistic endeavour, alongside models of (art) practice and subjectivity that resist the pressure of a single, stable position by remaining wilfully unresolved. Her mode of working unfolds restlessly along the threshold between writing/art, including experimental, performative and collaborative approaches to producing texts parallel to and as art practice. Cocker's recent writing has been published in Failure, 2010; Stillness in a Mobile World, 2010; Drawing a Hypothesis: Figures of Thought, 2011; Hyperdrawing: Beyond the Lines of Contemporary Art, 2012; Reading/Feeling (Affect), 2013; On Not Knowing: How Artists Think, 2013; Choreo-graphic Figures: Deviations from the Line, 2017; The Creative Critic: Writing as/about Practice, and as a solo collection entitled The Yes of the No, 2016.

Reading Group: Affective Memory

I am currently facilitating a reading group at Site Gallery around the notion of Affect.

Week 3 (22 March 2012), 6.00 – 7.30pm
Affect and Memory: the possibility and problematic of prosthetic memory
Continuing the exploration of the affective fragment or ‘refrain’ (following Guattari), the next reading group session addresses the relationship between affect and memory. Alison Landsberg’s writing on Prosthetic Memory is taken as a starting point for exploring the empathetic potential of affective memory whilst questioning what is at stake once the ‘affective refrain’ or ‘memory’ is detached or dislocated from its originary context, once it is open to commodification and exchange.

Suggested reading:
- to be skimmed, glimpsed, looked at, or read ….
Alison Landsberg, “Memory, Empathy, and the Politics of Identification,” International Journal of Politics, Culture, and Society 22.2 (June 2009).
Alison Landsberg, Prosthetic Memory, The Transformation of American Remembrance in the Age of Mass Culture, (Columbia University Press, 2004), Chapter, Prosthetic Memory, pp. 25 – 48.