Emma Cocker is a writer-artist based in Sheffield and Associate Professor in Fine Art at Nottingham Trent University. Operating under the title Not Yet There, Cocker's research enquiry focuses on the process of artistic endeavour, alongside models of (art) practice and subjectivity that resist the pressure of a single, stable position by remaining wilfully unresolved. Her mode of working unfolds restlessly along the threshold between writing/art, including experimental, performative and collaborative approaches to producing texts parallel to and as art practice. Cocker's recent writing has been published in Failure, 2010; Stillness in a Mobile World, 2010; Drawing a Hypothesis: Figures of Thought, 2011; Hyperdrawing: Beyond the Lines of Contemporary Art, 2012; Reading/Feeling (Affect), 2013; On Not Knowing: How Artists Think, 2013; Choreo-graphic Figures: Deviations from the Line, 2017; The Creative Critic: Writing as/about Practice, and as a solo collection entitled The Yes of the No, 2016.

News: Drawing as a fundamental thinking tool

Relating to a number of projects in which I have been exploring drawing as a fundamental thinking tool or mode of 'productive knowledge - see Hyperdrawing , Drawing the Hypothesis , Oh how drawing thinks itself in me ), I have been invited to be a co-editor for the online journal TRACEY , which is an electronic open access journal dedicated to the presentation of drawing and the discussion of drawing practice.

TRACEY

* introduces a diverse range of material to a fast growing audience of practitioners, educators, students and researchers
* represents many perspectives on drawing including fine art, architectural design, graphics, product design and visualization
* sees drawing as a fundamental thinking tool
* advocates the value of drawing in professional and educational contexts
* provides a focus and forum for all aspects of drawing research
* crosses the boundaries of art, design, science, technology, education and life
* encourages participation and collaboration