Emma Cocker is a writer-artist based in Sheffield and Associate Professor in Fine Art, Nottingham Trent University. Emma's research focuses on artistic processes and practices, and the performing of ‘thinking-in-action’ therein. Her practice unfolds restlessly along the threshold between writing/art, including experimental, performative and collaborative approaches, alongside a mode of ‘contiguous writing’ — a way of writing-with that seeks to touch upon rather than being explicitly about. Her writing is published in Failure, 2010; Stillness in a Mobile World, 2010; Drawing a Hypothesis: Figures of Thought, 2011; Hyperdrawing: Beyond the Lines of Contemporary Art, 2012; Reading/Feeling, 2013; On Not Knowing: How Artists Think, 2013; Choreo-graphic Figures: Deviations from the Line, 2017; The Creative Critic: Writing as/about Practice, and the solo collection, The Yes of the No, 2016. More recently, Emma trained to be a qualified yoga teacher, interested in how a heightened awareness of the body and breath, alongside meditation and attention practices, might be integrated into art-writing, artistic practice, pedagogy and research.

Text work: new Open City texts

I am currently working with Open City (Andrew Brown and Katie Doubleday) to develop new work to take to Toronto as part of the forthcoming PSi Performing Publics events in June, and also for new festival contexts for the UK in the Autumn. Here are 2 new postcard texts (No.9 and No.10), which will complete the series of cards made in collaboration with Open City (2007 - 2010). We are currently working on a limited edition foldable pamphlet which will be designed by Joff+Ollie, for bringing all ten texts together for the first time, alongside a series of instruction and visual propositions. If you would like a copy of this publication please email emma.cocker@ntu.ac.uk.