I have been selected to take part in the writing-based project, Critical Communities.
Critical Communities is a dialogue, discussion and writing project that will explore and expand what it means to be critical in writing on and as new work (live and interdisciplinary art). Its purpose it to explore and discuss contemporary notions of the critical and the role of critical writing in relation to new work. The project will culminate in a print-on-demand publication, produced by the writers and artists involved in Critical Communities, to be published in 2009.
The Yorkshire Critical Community includes Rachel Lois Clapham, Emma Cocker, Amelia Crouch, Joanna Loveday, Charlotte Morgan and Nathan Walker. With special guest provocateurs Sohail Khan, Alfredo Cramerotti and Derek Horton.
The London Critical Community includes Emma Bennett, David Berridge, Chloe Dechery, Rikke Hansen, Tim Jeeves, Emma Leach, Bill Leslie, Johanna Linsley, Mary Paterson, Jim Prevett and Cally Spooner.
Together the participants represent a community of new work/writing practitioners who will meet regularly in London and Yorkshire to discuss notions of 'the critical' in relation to critical writing both on and as new work. We will be critiquing our own art/writing and that of others, examining alternate critical modes both on and off the page and collaboratively developing a publication. The community will also act as a sustained network for experimental writing/new work practitioners in the London and Yorkshire areas.
Critical Communities has been developed by Open Dialogues and New Work Network (NWN) and is supported by East Street Arts, The London Consortium and Space Studios.
- emma cocker
- Emma Cocker is a writer-artist based in Sheffield and Associate Professor in Fine Art at Nottingham Trent University. Operating under the title Not Yet There, Cocker's research focuses on artistic processes and practices, and the performing of ‘thinking-in-action’ emerging therein; on models of (art) practice and subjectivity that resist the pressure of a single, stable position by remaining wilfully unresolved. Her mode of working unfolds restlessly along the threshold between writing/art, including experimental, performative and collaborative approaches. Cocker's practice involves ‘contiguous writing’ — a mode of creative-critical writing that seeks to touch upon rather than being explicitly about. Her writing has been published in Failure, 2010; Stillness in a Mobile World, 2010; Drawing a Hypothesis: Figures of Thought, 2011; Hyperdrawing: Beyond the Lines of Contemporary Art, 2012; Reading/Feeling (Affect), 2013; On Not Knowing: How Artists Think, 2013; Choreo-graphic Figures: Deviations from the Line, 2017; The Creative Critic: Writing as/about Practice, and as a solo collection, The Yes of the No, 2016.