Emma Cocker is a writer-artist based in Sheffield and Associate Professor in Fine Art at Nottingham Trent University. Operating under the title Not Yet There, Cocker's research enquiry focuses on the process of artistic endeavour, alongside models of (art) practice and subjectivity that resist the pressure of a single, stable position by remaining wilfully unresolved. Her mode of working unfolds restlessly along the threshold between writing/art, including experimental, performative and collaborative approaches to producing texts parallel to and as art practice. Cocker's recent writing has been published in Failure, 2010; Stillness in a Mobile World, 2010; Drawing a Hypothesis: Figures of Thought, 2011; Hyperdrawing: Beyond the Lines of Contemporary Art, 2012; Reading/Feeling (Affect), 2013; On Not Knowing: How Artists Think, 2013; Choreo-graphic Figures: Deviations from the Line, 2017; The Creative Critic: Writing as/about Practice, and as a solo collection entitled The Yes of the No, 2016.

Drain Magazine - ‘Psychogeography’

Images: Open City, 2007

A photo-essay of documentation from a recent project in which I worked in collaboration with Open City  is going to be published in the forthcoming issue of Drain magazine focusing on ‘Psychogeography’. The work will be displayed online as a slide show of still images in the Art Projects section of the magazine. A series of postcard instructions and the serialised essay (viewed as postcards in use in the public realm) will provide a critical structure for the photo-essay, which will also include documentation of collective actions undertaken as part of the project.