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In this presentation I am proposing to draw on my interest in the practice of wandering as a means through which to explore selected ideas in relation to interdisciplinarity and interdisciplinary approaches to research. Referring to other theorists and writers, the practice of wandering and the geographical, spatial or navigational readings it conjures, will allow me to touch upon the potentiality or possibility, but also the problematic of interdisciplinarity. I hope that the motif or metaphor of wandering might bring to mind a diverse range of issues against which to think about interdisciplinarity including perhaps ideas around defamiliarisation and distance; disorientation and uncertainty; curiosity; translation and tourism; trespass and piracy; borders, boundaries and threshold zones; rights of access, belonging and homelessness; reclamation and regeneration; territory and power; invasion and control; even the migration or the diaspora of ideas and practices. Performed according to an ephemeral, unfolding logic; wandering is a model of enquiry whose findings emerge through constant (r)evolution, where observations remain in transitional flux or interminable disarray. It is a framework for encountering and understanding the world and our place within it that retains rather than eradicates the potential for uncertainty and disorientation; that emphasises rather than disables the interplay between facts and fictions, reality and the imagination, theories and anecdotes. The motif of wandering might thus enable reflection on the potential role of the positional and subjective, or the partial and provisional within research practice, re-inscribing them a value within the process of meaning making and the construction of knowledge.
CONTEXT: Interrogations Workshop organised by De Montfort University Faculty of Art and Design and Loughborough University School of Art and Design (supported by the Arts and Humanities Research Council).
Speakers Emma Cocker, Nottingham Trent University; Professor Gen Doy, De Montfort University Faculty of Art and Design; Dr. Jane Tormey, Loughborough University School of Art and Design
For more information see http://www.interrogations.org.uk
- emma cocker
- Emma Cocker is a writer-artist based in Sheffield and Reader in Fine Art at Nottingham Trent University. Operating under the title Not Yet There, her research enquiry focuses on the process of artistic endeavour, alongside models of (art) practice and subjectivity that resist the pressure of a single, stable position by remaining wilfully unresolved. Cocker’s work unfolds restlessly along the threshold between writing/art. Whilst embracing the potential of the essayistic (as a tentative effort or trial), her writing includes experimental, performative and collaborative approaches to producing texts parallel to and as art practice. Cocker's recent writing has been published in Failure, 2010; Stillness in a Mobile World, 2010; Drawing a Hypothesis: Figures of Thought, 2011; Hyperdrawing: Beyond the Lines of Contemporary Art, 2012; Reading/Feeling (Affect), 2013; On Not Knowing: How Artists Think, 2013; and as a solo collection entitled The Yes of the No, 2016. She is currently a key-researcher on the project Choreo-graphic Figures: Deviations from the Line, with the artistic research findings published as an accompanying artists' book/research compendium, 2017.